London

Why Choose Vectorworks introduction to intermediate course?<a href="https://www.realanimationworks.com/product-page/Vectorworks-introduction-to-intermediate-course" target="_blank" rel="noopener noreferrer" fr-original-style="" style="user-select: auto; font-size: var(--font-size); box-sizing: border-box; cursor: pointer; text-decoration: inherit;">Check our Website</a> Our 10 Vectorworks course is designed as a personalized course. Whether you&#39;re a complete beginner or have some familiarity, this course welcomes all skill levels.&nbsp;The course covers essential 2D tools and includes designing of plans, sections and elevations. Duration:&nbsp;10 hrs. How:&nbsp;Personalized 1-on-1 hands-on training. When:&nbsp;Mon-Sat, 9 am-7 pm&nbsp;Choose your own day and time.Avoid busy group classes; they can make learning tricky. Picture one teacher trying to teach AutoCAD, Revit, and SketchUp to eight people. Choose our personalized 1-on-1 training instead with us.Booking is easy:<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Contact Us: Call us at 02077202581 or message us on WhatsApp at 07970325184 to reserve your spot.</li><li fr-original-style="" style="box-sizing: border-box;">Check Your Schedule: Look at your calendar and decide when you&#39;re free. We&#39;re open Monday to Saturday, 9 am to 7 pm. If you can only do specific days from 4 pm to 7 pm, no problem &ndash; we&#39;ll adjust.</li><li fr-original-style="" style="box-sizing: border-box;">Set the Schedule: Once we agree on the timetable, we&#39;ll email you all the info for booking and payment.</li><li fr-original-style="" style="box-sizing: border-box;">On the Day: Visit us at LHLG02, Lincoln House, Kennington Park KP, London SW9 6DE, just a quick 3 to 4-minute walk from Oval tube station. Check out our Instagram for pictures of our classes.</li><li fr-original-style="" style="box-sizing: border-box;">Online Sessions: If you&#39;re far away, we can use Zoom. Don&#39;t worry about online learning &ndash; our 1-on-1 method makes it easy. Call us for a trial lesson to see for yourself.</li><li fr-original-style="" style="box-sizing: border-box;">Lifetime Support: We offer lifetime email support, something unique in London.</li><li fr-original-style="" style="box-sizing: border-box;">Customized Learning: Already know the basics? We provide personalized 1-on-1 lessons to suit your needs, whether it&#39;s enhancing existing skills or learning something specific. We&#39;re here for you.</li></ul>Course Outline: Mastering VectorworksI. Introduction to Vectorworks and CAD Basics<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Role of CAD</li><li fr-original-style="" style="box-sizing: border-box;">Introduction to Vectorworks 2D and 3D Software</li></ul>II. Workspace Setup and Basic Skills<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Setting Up Workspace and Preferences</li><li fr-original-style="" style="box-sizing: border-box;">Essential Skills: Drawing and Object Selection</li></ul>III. Advanced Editing and Object Manipulation<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Editing Techniques: Combining Shapes, Mirroring, and Grouping</li><li fr-original-style="" style="box-sizing: border-box;">Precision Drawing: Scaling, Moving, Filleting, and Offsetting</li></ul>IV. Graphic Design and Drawing Techniques<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Room Planning: Walls, Windows, and Doors</li><li fr-original-style="" style="box-sizing: border-box;">Drawing Elevations: Methods and Graphic Illustration</li></ul>V. Symbol Creation and Drawing Organization<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Creating Symbols and Utilizing Resource Browser</li><li fr-original-style="" style="box-sizing: border-box;">Design Organization: Design Layers and Labeling</li></ul>VI. Presentation and Plotting<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">User Interface and Terminology for Plotting and Printing</li><li fr-original-style="" style="box-sizing: border-box;">Professional Presentation: Sheets, Viewports, and Paper Space</li></ul>VII. Advanced Drawing and 3D Concepts<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Advanced Drawing Objects: Arcs, Donuts, Ellipses</li><li fr-original-style="" style="box-sizing: border-box;">Introduction to 3D Modeling: Creating Extrudes and Basic 3D Concepts</li></ul>VIII. File Management and Real-World Applications<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Working with Files and Converting Drawings to PDFs</li><li fr-original-style="" style="box-sizing: border-box;">Applying Real-World Units and Manipulating 3D Objects</li></ul>

Why Choose Vectorworks introduction to intermediate course?
Check our Website
Our 10 Vectorworks course is designed as a personalized course. Whether you're a complete beginner or have some familiarity, this course welcomes all skill levels. The course covers essential 2D tools and includes designing of plans, sections and elevations.
Duration: 10 hrs.
How: Personalized 1-on-1 hands-on training.
When: Mon-Sat, 9 am-7 pm Choose your own day and time.
Avoid busy group classes; they can make learning tricky. Picture one teacher trying to teach AutoCAD, Revit, and SketchUp to eight people. Choose our personalized 1-on-1 training instead with us.
Booking is easy:
Contact Us: Call us at 02077202581 or message us on WhatsApp at 07970325184 to reserve your spot.
Check Your Schedule: Look at your calendar and decide when you're free. We're open Monday to Saturday, 9 am to 7 pm. If you can only do specific days from 4 pm to 7 pm, no problem – we'll adjust.
Set the Schedule: Once we agree on the timetable, we'll email you all the info for booking and payment.
On the Day: Visit us at LHLG02, Lincoln House, Kennington Park KP, London SW9 6DE, just a quick 3 to 4-minute walk from Oval tube station. Check out our Instagram for pictures of our classes.
Online Sessions: If you're far away, we can use Zoom. Don't worry about online learning – our 1-on-1 method makes it easy. Call us for a trial lesson to see for yourself.
Lifetime Support: We offer lifetime email support, something unique in London.
Customized Learning: Already know the basics? We provide personalized 1-on-1 lessons to suit your needs, whether it's enhancing existing skills or learning something specific. We're here for you.
Course Outline: Mastering Vectorworks
I. Introduction to Vectorworks and CAD Basics
Role of CAD
Introduction to Vectorworks 2D and 3D Software
II. Workspace Setup and Basic Skills
Setting Up Workspace and Preferences
Essential Skills: Drawing and Object Selection
III. Advanced Editing and Object Manipulation
Editing Techniques: Combining Shapes, Mirroring, and Grouping
Precision Drawing: Scaling, Moving, Filleting, and Offsetting
IV. Graphic Design and Drawing Techniques
Room Planning: Walls, Windows, and Doors
Drawing Elevations: Methods and Graphic Illustration
V. Symbol Creation and Drawing Organization
Creating Symbols and Utilizing Resource Browser
Design Organization: Design Layers and Labeling
VI. Presentation and Plotting
User Interface and Terminology for Plotting and Printing
Professional Presentation: Sheets, Viewports, and Paper Space
VII. Advanced Drawing and 3D Concepts
Advanced Drawing Objects: Arcs, Donuts, Ellipses
Introduction to 3D Modeling: Creating Extrudes and Basic 3D Concepts
VIII. File Management and Real-World Applications
Working with Files and Converting Drawings to PDFs
Applying Real-World Units and Manipulating 3D Objects

Real Animation Works

Introducing Vectorworks Flex Learning: A Comprehensive Pay-As-You-Go Training Course

Professional Vectorworks Tutoring: Flexible Pay-Per-Hour Sessions

General Admission

AUTOCAD is a popular computer-aided design (CAD) software that is widely used in industries such as engineering, architecture, and construction. One-to-one training for AUTOCAD can provide several benefits for both MAC and PC users, including:<a href="https://www.realanimationworks.com/autocad" target="_blank" rel="noopener noreferrer" fr-original-style="" style="user-select: auto; font-size: var(--font-size); box-sizing: border-box; cursor: pointer; text-decoration: inherit;">AutoCAD Courses Website</a><ol fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Customized Learning Experience: One-to-one training allows for a more personalized learning experience that can be tailored to your specific needs and skill level. This means you can focus on the areas where you need the most help and progress at your own pace.</li><li fr-original-style="" style="box-sizing: border-box;">Increased Efficiency: With one-to-one training, you can learn how to use AUTOCAD more efficiently, using keyboard shortcuts and other techniques that can speed up your workflow. This can help you complete projects more quickly and with greater accuracy.</li><li fr-original-style="" style="box-sizing: border-box;">Improved Problem Solving: One-to-one training provides a supportive environment where you can ask questions and receive feedback from an experienced instructor. This can help you develop your problem-solving skills and overcome challenges more effectively.</li><li fr-original-style="" style="box-sizing: border-box;">Enhanced Collaboration: AUTOCAD is often used in team environments, and one-to-one training can help you better understand how to collaborate with others using the software. You can learn how to share files, work on the same project simultaneously, and communicate effectively with team members.</li><li fr-original-style="" style="box-sizing: border-box;">Flexibility: One-to-one training allows you to schedule sessions at times that are convenient for you, rather than having to attend a group class at a fixed time. This can be especially beneficial for those with busy schedules or specific learning goals.</li><li fr-original-style="" style="box-sizing: border-box;">MAC and PC Compatibility: AUTOCAD is available on both MAC and PC platforms, and one-to-one training can help you navigate the differences between the two. This can be especially helpful if you are switching between platforms or working with team members who use a different platform than you do.</li></ol>In summary, one-to-one training for AUTOCAD can provide a highly customized and efficient learning experience that can help you improve your skills and achieve your goals, regardless of whether you are using a MAC or PC.Our course prices include the followings:<ul fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Lifetime email support.</li><li fr-original-style="" style="box-sizing: border-box;">Certified tutors and professional interior designers.</li><li fr-original-style="" style="box-sizing: border-box;">One-to-one and practical exercises.</li><li fr-original-style="" style="box-sizing: border-box;">Free career guidance and help in finding jobs.</li><li fr-original-style="" style="box-sizing: border-box;">Free pdf notes by the end of this training</li><li fr-original-style="" style="box-sizing: border-box;">Certificate of attendance</li><li fr-original-style="" style="box-sizing: border-box;">We are open 7 days from 9 am to 9 pm.</li></ul>Session 1.<ul fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Introduction to AutoCAD interface, commands, and tools</li><li fr-original-style="" style="box-sizing: border-box;">Creating and managing drawings</li><li fr-original-style="" style="box-sizing: border-box;">Drawing basic shapes and objects</li><li fr-original-style="" style="box-sizing: border-box;">Basic modification techniques (erase, move, rotate, scale)</li></ul>Session 2.<ul fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Working with layers and properties</li><li fr-original-style="" style="box-sizing: border-box;">Creating and modifying text and dimensions</li><li fr-original-style="" style="box-sizing: border-box;">Introduction to blocks and attributes</li></ul>Session 3.<ul fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Advanced object modification techniques (fillet, chamfer, trim, extend)</li><li fr-original-style="" style="box-sizing: border-box;">Using grips to modify objects</li><li fr-original-style="" style="box-sizing: border-box;">Creating and modifying polylines and splines</li></ul>Session 4.<ul fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Creating and editing tables</li><li fr-original-style="" style="box-sizing: border-box;">Creating and working with layouts and viewports</li><li fr-original-style="" style="box-sizing: border-box;">Printing and exporting drawings</li></ul>Throughout the course, students will complete exercises and projects to practice their skills and reinforce their knowledge. Additionally, there will be time for Q&amp;A and troubleshooting as needed. By the end of the course, students should have a solid understanding of AutoCAD 2D and be able to create and modify basic to intermediate drawings using the software.<h2 fr-original-style="" style="box-sizing: border-box;">
 
 <div fr-original-style="" style="box-sizing: border-box;">Who is this course for?</div>
 </h2>

 <div id="who_is_this_course_for" fr-original-style="" style="box-sizing: border-box;">
 Architects interior designers Engineers Students Jewelry Designers Set/ Event designers
 </div><h2 fr-original-style="" style="box-sizing: border-box;">
 
 <div fr-original-style="" style="box-sizing: border-box;">Requirements</div>
 </h2>

 <div id="requirements" fr-original-style="" style="box-sizing: border-box;">
 Basic computer skills
 </div><h2 fr-original-style="" style="box-sizing: border-box;">
 
 <div fr-original-style="" style="box-sizing: border-box;">Career path</div>
 </h2>

 <div id="career_path" fr-original-style="" style="box-sizing: border-box;">
 <ol fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Beginners: If you have little to no experience with AutoCAD or CAD software in general, this course provides a solid foundation. It covers the basics and gradually progresses to more advanced topics.</li><li fr-original-style="" style="box-sizing: border-box;">Students:</li><li fr-original-style="" style="box-sizing: border-box;">Professionals in Architecture and Engineering: </li><li fr-original-style="" style="box-sizing: border-box;">Designers: </li><li fr-original-style="" style="box-sizing: border-box;">Career Changers: </li><li fr-original-style="" style="box-sizing: border-box;">Self-employed Professionals: </li><li fr-original-style="" style="box-sizing: border-box;">Anyone Interested in CAD: </li></ol>
 </div><h2 fr-original-style="" style="box-sizing: border-box;">
 
 <div fr-original-style="" style="box-sizing: border-box;">Certificates</div>
 </h2>

 <div id="optional_extras" fr-original-style="" style="box-sizing: border-box;">
 <h4 fr-original-style="" style="box-sizing: border-box;">Certificate of completion</h4>
 
 Digital certificate -
 Included
 

 </div>

AUTOCAD is a popular computer-aided design (CAD) software that is widely used in industries such as engineering, architecture, and construction. One-to-one training for AUTOCAD can provide several benefits for both MAC and PC users, including:
AutoCAD Courses Website
Customized Learning Experience: One-to-one training allows for a more personalized learning experience that can be tailored to your specific needs and skill level. This means you can focus on the areas where you need the most help and progress at your own pace.
Increased Efficiency: With one-to-one training, you can learn how to use AUTOCAD more efficiently, using keyboard shortcuts and other techniques that can speed up your workflow. This can help you complete projects more quickly and with greater accuracy.
Improved Problem Solving: One-to-one training provides a supportive environment where you can ask questions and receive feedback from an experienced instructor. This can help you develop your problem-solving skills and overcome challenges more effectively.
Enhanced Collaboration: AUTOCAD is often used in team environments, and one-to-one training can help you better understand how to collaborate with others using the software. You can learn how to share files, work on the same project simultaneously, and communicate effectively with team members.
Flexibility: One-to-one training allows you to schedule sessions at times that are convenient for you, rather than having to attend a group class at a fixed time. This can be especially beneficial for those with busy schedules or specific learning goals.
MAC and PC Compatibility: AUTOCAD is available on both MAC and PC platforms, and one-to-one training can help you navigate the differences between the two. This can be especially helpful if you are switching between platforms or working with team members who use a different platform than you do.
In summary, one-to-one training for AUTOCAD can provide a highly customized and efficient learning experience that can help you improve your skills and achieve your goals, regardless of whether you are using a MAC or PC.
Our course prices include the followings:
Lifetime email support.
Certified tutors and professional interior designers.
One-to-one and practical exercises.
Free career guidance and help in finding jobs.
Free pdf notes by the end of this training
Certificate of attendance
We are open 7 days from 9 am to 9 pm.
Session 1.
Introduction to AutoCAD interface, commands, and tools
Creating and managing drawings
Drawing basic shapes and objects
Basic modification techniques (erase, move, rotate, scale)
Session 2.
Working with layers and properties
Creating and modifying text and dimensions
Introduction to blocks and attributes
Session 3.
Advanced object modification techniques (fillet, chamfer, trim, extend)
Using grips to modify objects
Creating and modifying polylines and splines
Session 4.
Creating and editing tables
Creating and working with layouts and viewports
Printing and exporting drawings
Throughout the course, students will complete exercises and projects to practice their skills and reinforce their knowledge. Additionally, there will be time for Q&A and troubleshooting as needed. By the end of the course, students should have a solid understanding of AutoCAD 2D and be able to create and modify basic to intermediate drawings using the software.
 Who is this course for? 
Architects
interior designers
Engineers
Students
Jewelry Designers
Set/ Event designers
 Requirements 
Basic computer skills
 Career path 
Beginners: If you have little to no experience with AutoCAD or CAD software in general, this course provides a solid foundation. It covers the basics and gradually progresses to more advanced topics.
Students:
Professionals in Architecture and Engineering:
Designers:
Career Changers:
Self-employed Professionals:
Anyone Interested in CAD:
 Certificates 
Certificate of completion
 Digital certificate - Included 

AutoCAD On Demand One to One Courses

Professional SketchUp One-to-One Training Courses for MAC and PC<a href="https://www.realanimationworks.com/product-page/SketchUp-Introduction-to-Advanced-Course" target="_blank" rel="noopener noreferrer" fr-original-style="" style="user-select: auto; font-size: var(--font-size); box-sizing: border-box; cursor: pointer; text-decoration: inherit;">Check our Website</a>Course Overview:Our SketchUp Training Courses offer comprehensive instruction from basic to advanced levels, tailored to meet the needs of students and interior designers. The course focuses on creating plans, sections, and portfolios, making it highly suitable for individuals seeking employment in the interior design and architecture industry.Course Features:<ul fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Certified tutors and professional interior designers provide expert guidance</li><li fr-original-style="" style="box-sizing: border-box;">One-to-one training sessions for personalized attention</li><li fr-original-style="" style="box-sizing: border-box;">Practical exercises to reinforce learning</li><li fr-original-style="" style="box-sizing: border-box;">Free lifetime email support for ongoing assistance</li><li fr-original-style="" style="box-sizing: border-box;">Career guidance and job placement assistance</li><li fr-original-style="" style="box-sizing: border-box;">Complimentary PDF notes provided at the end of the training</li><li fr-original-style="" style="box-sizing: border-box;">Certificate of attendance upon completion</li></ul>Training Details:<ul fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Training Duration: This course consists of 16 hours of one-to-one training sessions, covering the basics of SketchUp.</li><li fr-original-style="" style="box-sizing: border-box;">Flexible Schedule: Students can choose their preferred time and day for training, subject to availability. We offer training sessions 7 days a week, from 9:00 am to 8:00 pm.</li></ul>By the end of this training, you will have a solid understanding of SketchUp fundamentals, empowering you to create impressive 3D designs and models.Take the first step towards mastering SketchUp by enrolling in our professional training program.COURSE OUTLINESketchUp and Layout in 10 HoursIntroduction to SketchUp Basics<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Overview of SketchUp Interface</li><li fr-original-style="" style="box-sizing: border-box;">Basic Drawing Tools and Techniques</li><li fr-original-style="" style="box-sizing: border-box;">Creating 3D Models: Shapes, Extrusions, and Push/Pull Tool</li><li fr-original-style="" style="box-sizing: border-box;">Understanding Components and Groups</li></ul>Advanced SketchUp Modeling<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Advanced Drawing Tools: Follow Me, Offset, and Rotate</li><li fr-original-style="" style="box-sizing: border-box;">Using Plugins and Extensions for Efficiency</li><li fr-original-style="" style="box-sizing: border-box;">Exploring Advanced Modeling Techniques</li><li fr-original-style="" style="box-sizing: border-box;">Introduction to Textures and Materials</li></ul>SketchUp Pro Features<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Working with Layers and Scenes</li><li fr-original-style="" style="box-sizing: border-box;">Animations and Dynamic Components</li><li fr-original-style="" style="box-sizing: border-box;">Introduction to V-Ray or Twilight Render for Rendering</li><li fr-original-style="" style="box-sizing: border-box;">Realistic Rendering Techniques</li></ul>Layout for Professional Documentation<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Understanding Layout Interface</li><li fr-original-style="" style="box-sizing: border-box;">Creating and Managing Pages</li><li fr-original-style="" style="box-sizing: border-box;">Inserting SketchUp Models into Layout</li><li fr-original-style="" style="box-sizing: border-box;">Annotating and Labeling in Layout</li></ul>Advanced Layout Techniques<ul style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style=" color: rgb(0, 0, 0);"><li fr-original-style="" style="box-sizing: border-box;">Working with Templates and Styles</li><li fr-original-style="" style="box-sizing: border-box;">Dimensioning and Annotations</li><li fr-original-style="" style="box-sizing: border-box;">Exporting and Printing High-Quality Documents</li></ul><h2 fr-original-style="" style="box-sizing: border-box;">
 
 <div fr-original-style="" style="box-sizing: border-box;">Who is this course for?</div>
 </h2>

 <div id="who_is_this_course_for" fr-original-style="" style="box-sizing: border-box;">
 <ul fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Students: This SketchUp training course is ideal for students pursuing degrees or diplomas in fields such as architecture, interior design, industrial design, or any other discipline that involves 3D modeling and design.</li><li fr-original-style="" style="box-sizing: border-box;">Interior Designers: Professionals in the interior design industry can benefit from this course to enhance their SketchUp skills and create detailed plans, sections, and portfolios for their projects.</li><li fr-original-style="" style="box-sizing: border-box;">Architects: Architects looking to expand their knowledge of 3D modeling and visualization can leverage this course to improve their proficiency in SketchUp and create compelling architectural designs.</li><li fr-original-style="" style="box-sizing: border-box;">Design Professionals: Individuals working in related design fields such as product design, furniture design, exhibition design, and set design can gain valuable skills in 3D modeling and visualization through this course.</li><li fr-original-style="" style="box-sizing: border-box;">Beginners in 3D Design: If you are new to 3D design and modeling, this course provides a solid foundation and comprehensive introduction to SketchUp, allowing you to start creating 3D models and designs with confidence.</li><li fr-original-style="" style="box-sizing: border-box;">Self-Learners and Hobbyists: Individuals who are self-motivated and interested in learning SketchUp as a hobby or for personal projects will find this course valuable in developing their 3D modeling skills and unleashing their creativity.</li></ul>Note: No prior experience with SketchUp is required for this course. Basic computer literacy and familiarity with either MAC or PC operating systems are recommended for optimal learning outcomes
 </div><h2 fr-original-style="" style="box-sizing: border-box;">
 
 <div fr-original-style="" style="box-sizing: border-box;">Requirements</div>
 </h2>

 <div id="requirements" fr-original-style="" style="box-sizing: border-box;">
 Basic Computer Skills
 </div><h2 fr-original-style="" style="box-sizing: border-box;">
 
 <div fr-original-style="" style="box-sizing: border-box;">Career path</div>
 </h2>

 <div id="career_path" fr-original-style="" style="box-sizing: border-box;">
 <ol fr-original-style="" style="box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Architectural Visualization Specialist: Use SketchUp skills to create stunning 3D visualizations of architectural designs, collaborating with architects and designers to bring concepts to life.</li><li fr-original-style="" style="box-sizing: border-box;">Interior Designer:</li><li fr-original-style="" style="box-sizing: border-box;">CAD Technician:</li><li fr-original-style="" style="box-sizing: border-box;">Furniture Designer:</li><li fr-original-style="" style="box-sizing: border-box;">Set Designer:</li><li fr-original-style="" style="box-sizing: border-box;">Exhibit Designer:</li><li fr-original-style="" style="box-sizing: border-box;">Freelancer or Entrepreneur:</li><li fr-original-style="" style="box-sizing: border-box;">Teaching and Training:</li></ol>
 </div><h2 fr-original-style="" style="box-sizing: border-box;">
 
 <div fr-original-style="" style="box-sizing: border-box;">Certificates</div>
 </h2>

 <div id="optional_extras" fr-original-style="" style="box-sizing: border-box;">
 <h4 fr-original-style="" style="box-sizing: border-box;">Certificate of completion</h4>
 
 Digital certificate -
 Included
 

 </div>

Professional SketchUp One-to-One Training Courses for MAC and PC
Check our Website
Course Overview:
Our SketchUp Training Courses offer comprehensive instruction from basic to advanced levels, tailored to meet the needs of students and interior designers. The course focuses on creating plans, sections, and portfolios, making it highly suitable for individuals seeking employment in the interior design and architecture industry.
Course Features:
Certified tutors and professional interior designers provide expert guidance
One-to-one training sessions for personalized attention
Practical exercises to reinforce learning
Free lifetime email support for ongoing assistance
Career guidance and job placement assistance
Complimentary PDF notes provided at the end of the training
Certificate of attendance upon completion
Training Details:
Training Duration: This course consists of 16 hours of one-to-one training sessions, covering the basics of SketchUp.
Flexible Schedule: Students can choose their preferred time and day for training, subject to availability. We offer training sessions 7 days a week, from 9:00 am to 8:00 pm.
By the end of this training, you will have a solid understanding of SketchUp fundamentals, empowering you to create impressive 3D designs and models.
Take the first step towards mastering SketchUp by enrolling in our professional training program.
COURSE OUTLINE
SketchUp and Layout in 10 Hours
Introduction to SketchUp Basics
Overview of SketchUp Interface
Basic Drawing Tools and Techniques
Creating 3D Models: Shapes, Extrusions, and Push/Pull Tool
Understanding Components and Groups
Advanced SketchUp Modeling
Advanced Drawing Tools: Follow Me, Offset, and Rotate
Using Plugins and Extensions for Efficiency
Exploring Advanced Modeling Techniques
Introduction to Textures and Materials
SketchUp Pro Features
Working with Layers and Scenes
Animations and Dynamic Components
Introduction to V-Ray or Twilight Render for Rendering
Realistic Rendering Techniques
Layout for Professional Documentation
Understanding Layout Interface
Creating and Managing Pages
Inserting SketchUp Models into Layout
Annotating and Labeling in Layout
Advanced Layout Techniques
Working with Templates and Styles
Dimensioning and Annotations
Exporting and Printing High-Quality Documents
 Who is this course for? 
Students: This SketchUp training course is ideal for students pursuing degrees or diplomas in fields such as architecture, interior design, industrial design, or any other discipline that involves 3D modeling and design.
Interior Designers: Professionals in the interior design industry can benefit from this course to enhance their SketchUp skills and create detailed plans, sections, and portfolios for their projects.
Architects: Architects looking to expand their knowledge of 3D modeling and visualization can leverage this course to improve their proficiency in SketchUp and create compelling architectural designs.
Design Professionals: Individuals working in related design fields such as product design, furniture design, exhibition design, and set design can gain valuable skills in 3D modeling and visualization through this course.
Beginners in 3D Design: If you are new to 3D design and modeling, this course provides a solid foundation and comprehensive introduction to SketchUp, allowing you to start creating 3D models and designs with confidence.
Self-Learners and Hobbyists: Individuals who are self-motivated and interested in learning SketchUp as a hobby or for personal projects will find this course valuable in developing their 3D modeling skills and unleashing their creativity.
Note: No prior experience with SketchUp is required for this course. Basic computer literacy and familiarity with either MAC or PC operating systems are recommended for optimal learning outcomes
 Requirements 
Basic Computer Skills
 Career path 
Architectural Visualization Specialist: Use SketchUp skills to create stunning 3D visualizations of architectural designs, collaborating with architects and designers to bring concepts to life.
Interior Designer:
CAD Technician:
Furniture Designer:
Set Designer:
Exhibit Designer:
Freelancer or Entrepreneur:
Teaching and Training:
 Certificates 
Certificate of completion
 Digital certificate - Included 

Personalized SketchUp Training: Pay-As-You-Go One-to-One Sessions

On-Demand SketchUp Training Course: Enhance Your 3D Design Skills

Learn to organize your worksheets effectively by adding, deleting, moving, copying, and renaming them in workbooks. In addition, learn how to move and copy worksheets to other workbooks, group worksheets for data entry, editing and formatting, create a formula with a 3-D reference, hide and unhide worksheets and formulas, and printing options. Learn to save workbooks and worksheets as templates, work with workbook protection, and set workbooks up for sharing.&nbsp;<ul style="color: rgba(18, 18, 18, 0.75); box-sizing: border-box;" fr-original-style=" color: rgba(18, 18, 18, 0.75);"><li fr-original-style="" style="box-sizing: border-box;">Live, instructor-led, virtual class</li><li fr-original-style="" style="box-sizing: border-box;">90 minutes</li><li fr-original-style="" style="box-sizing: border-box;">Completion digital badge and certificate provided</li></ul>

AXIOM Learning Solutions

Office Skills

Excel Analytics

Microsoft Excel

Microsoft Office

Spreadsheet

Microsoft Excel - Working with Workbooks

Learn about the Outlook calendar, including how to create and manage appointments, recurring appointments, events, and meetings. Also learn about the different calendar options that affect how the calendar looks and functions. You will also learn about working with reminders, printing the calendar and creating another calendar.This class is:<ul style="color: rgba(18, 18, 18, 0.75); box-sizing: border-box;" fr-original-style=" color: rgba(18, 18, 18, 0.75);"><li fr-original-style="" style="box-sizing: border-box;">Live, instructor-led, virtual class</li><li fr-original-style="" style="box-sizing: border-box;">90 minutes</li><li fr-original-style="" style="box-sizing: border-box;">Completion digital badge and certificate provided</li></ul>

Time Management

Office Productivity

Meetings

Microsoft Outlook

Microsoft Outlook - Working with the Calendar

In this class, you will explore how to use Microsoft OneNote. You will learn:<ul style="color: rgba(18, 18, 18, 0.75); box-sizing: border-box;" fr-original-style=" color: rgba(18, 18, 18, 0.75);"><li fr-original-style="" style="box-sizing: border-box;">To create and organize OneNote notebooks</li><li fr-original-style="" style="box-sizing: border-box;">Add sections, section groups and pages</li><li fr-original-style="" style="box-sizing: border-box;">Add various types of content such as file printouts, file attachments, Excel spreadsheets, pictures and audio recordings</li><li fr-original-style="" style="box-sizing: border-box;">Learn to date and time stamp content</li><li fr-original-style="" style="box-sizing: border-box;">Create and work with Quick Notes</li><li fr-original-style="" style="box-sizing: border-box;">Learn to search in notebooks</li><li fr-original-style="" style="box-sizing: border-box;">Open, close and delete notebooks</li></ul>This class is:<ul style="color: rgba(18, 18, 18, 0.75); box-sizing: border-box;" fr-original-style=" color: rgba(18, 18, 18, 0.75);"><li fr-original-style="" style="box-sizing: border-box;">Live, instructor-led, virtual class</li><li fr-original-style="" style="box-sizing: border-box;">90 minutes</li><li fr-original-style="" style="box-sizing: border-box;">Completion digital badge and certificate provided</li></ul>

Microsoft Onenote

Computer Skills

Note Taking

Microsoft OneNote - Working with Notebooks

Inspired by Pop Art and the graphic design of protest art, Neon Knitting uses Dayglo yarns to create bold designs using simple techniques:-
&nbsp;
<ul>
<li>Knitting stripes with knit &amp; purl patterns</li>
<li>Combining open and raised effects to create bold patterns</li>
<li>Adding fabric to knitting</li>
</ul>
&nbsp;
The session includes a worksheet, knitting demonstrations, plus a PowerPoint presentation covering ways to create your fabrics, using simple mark making and basic silk screen printing.&nbsp; There will also be examples to inspire further exploration after the session.
&nbsp;
Aimed at anyone with an interest in textiles and soft sculpture, the workshop examines the artistic potential of knitting.&nbsp; The emphasis is on creating experimental samples, rather than a finished piece, although techniques can be adapted to create a garment, accessory or household object.
&nbsp;
What attendees will need: -
<ul>
<li>Knitting needles or crochet hooks.</li>
<li>Yarns, any will do, but bright and neon colours if you have them.</li>
<li>Several small stitch holders or safety pins.</li>
<li>Basic sewing kit, scissors, large eyed needles and embroidery threads.</li>
<li>Internet access, with a microphone and webcam. Please only book is you are able to attend in real time.</li>
</ul>
&nbsp;

Inspired by Pop Art and the graphic design of protest art, Neon Knitting uses Dayglo yarns to create bold designs using simple techniques:-
 
Knitting stripes with knit & purl patterns
Combining open and raised effects to create bold patterns
Adding fabric to knitting
 
The session includes a worksheet, knitting demonstrations, plus a PowerPoint presentation covering ways to create your fabrics, using simple mark making and basic silk screen printing. There will also be examples to inspire further exploration after the session.
 
Aimed at anyone with an interest in textiles and soft sculpture, the workshop examines the artistic potential of knitting. The emphasis is on creating experimental samples, rather than a finished piece, although techniques can be adapted to create a garment, accessory or household object.
 
What attendees will need: -
Knitting needles or crochet hooks.
Yarns, any will do, but bright and neon colours if you have them.
Several small stitch holders or safety pins.
Basic sewing kit, scissors, large eyed needles and embroidery threads.
Internet access, with a microphone and webcam. Please only book is you are able to attend in real time.
 

Rosina Godwin

Arts & Crafts

Fashion Crafts

Knitting

Experimental knitting workshop, combining neon yarns with simple geometric designs to create a bold statement!

Neon Knits

Early Bird Workshop Ticket

Are you a stressed, exhausted SEN/EBSA parent or carer, running on empty, with no time to shout "HELP!"&nbsp;let alone step off the hamster wheel to rest, recharge and recuperate?Parenting neurodivergent and/or school avoidant young people comes with a unique set of challenges and, if you&#39;re finding yourself lurching from managing meltdowns to fighting for support or feeling isolated and judged because people don&#39;t understand, it can be really hard and I GET IT!After finding myself pretty much burnt out I discovered and implemented quick and simple self-help and relaxation tools that have helped strengthen my coping skills to navigate my family&#39;s journey, rebuild my resilience and rediscover&nbsp;my old self!&nbsp;I was so blown away by how beneficial simple habits can be that it&#39;s my mission to help others do the same - and so I created&nbsp;The SHARE Project.The ethos of THE SHARE Project is that&nbsp;we need to put our own oxygen mask on first&nbsp;so that we can&nbsp;best support our kids&nbsp;and my aim is that the tools you will learn during our time together will become your oxygen mask, not only for use in case of emergency, but as a sustainable part of your ongoing&nbsp;self-care and wellbeing.During each&nbsp;of four, weekly, live&nbsp;online workshops, delivered over Zoom, you will learn and practise a new tool to implement daily over the coming week (just a&nbsp;few minutes at a time, I promise)!Then, during the following week&#39;s workshop we will review your progress, make any tweaks and learn and practise the next tool...&nbsp;There&#39;ll be no suggestions of long and luxurious spa days and fluffy robes because most of us don&#39;t have the time to do that very often and, frankly, the benefits disappear almost as soon as you&#39;ve driven home... My mission&nbsp;is to give you sustainable tools to use anytime and anywhere to help yourself cope better and feel happier, regardless of what&#39;s going on around you!Each group session gives you the opportunity to connect with other SEN parents or carers&nbsp;experiencing similar challenges.What our clients say:"The Share project was a gentle, kind experience which showed understanding for parenting with additional challenges. &nbsp;The refocusing was extremely powerful and I felt nurtured by the sessions.""I gained different techniques to build resilience and overcome overwhelm."&nbsp; "has helped me have a more positive outlook day to day, relaxation has helped with my sleep" If you have any questions, please ask and I will be happy to help :)Sue&nbsp;

Overcome Overwhelm and Increase Calm with The SHARE Project 🌟
Are you feeling exhausted, overwhelmed and stretched to your limit?  With meetings and meltdowns to manage, battles for support, the frustration of feeling isolated or misunderstood, not to mention the pressure of juggling your job too, it can It can feel like you’re running on empty; hard to find a moment to step off the hamster wheel and just breathe.
I’ve been there, and I get it!💛
After being on the brink of burnout myself, I stumbled upon simple, yet impactful self-help, self-care and relaxation tools. These quick, effective techniques helped me rebuild my strength, reclaim my sense of self and navigate challenges with renewed stamina and joy.  And that’s how The SHARE Project was born.
What is The SHARE Project?
The SHARE Project is built on a simple principle: you need to put your own oxygen mask on first!  By nurturing yourself, you’re better equipped to support your children. Through our three, weekly, set of live online workshops, delivered via Zoom, you’ll discover practical tools to bring more calm and happiness into your daily life.
Here’s what you can expect:
Weekly Workshops:  Each week, we’ll introduce and practice one or two tools designed to fit seamlessly into your life (in just a few minutes at a time, I promise!). These are not your typical “luxury spa day” suggestions — because let’s face it, who has time for that?  Instead, you’ll learn sustainable, go-to strategies that you can use anytime, anywhere, to boost your wellbeing, even in the midst of chaos.  You will also receive a mid-week email of encouragement between workshops and printables to help record and track your progress.
Ongoing Support:  In each session, we’ll review your progress, fine-tune your approach, if needed, and introduce the next tool.  
Community Connection: You’ll be part of a supportive group of fellow SEN parents and carers who understand the unique challenges you face.  
What our clients say:
“The SHARE Project was a gentle, kind experience which showed understanding for parenting with additional challenges.  The refocusing was extremely powerful and I felt nurtured by the sessions.”
“It has helped me to have a more positive outlook day-to-day, and the relaxation has helped with my sleep.”	
“I looked forward to the sessions each week, they gave me time to focus on myself for a change.”
Ready to Feel More Calm and Happy?
If you’re ready to step off the hamster wheel and start reclaiming your joy, The SHARE Project is here for you. Let’s work together to help you feel stronger, more at peace and, most importantly, more you.
If you have any questions, please send me a message and I’ll be happy to help! 😊
With love and support,  
Sue

AUsomeMums

Emotional Wellbeing

Emotional Resilience

Autism

Mental Resilience

Special Education Needs (SEN)

Self-help and relaxation skills and exercises for stressed, burned out SEN parents and carers

The SHARE Project - Self-Help & Relaxation Exercises for SEN/EBSA Parent Carers (click for dates)

Overview
The Microsoft Office Training – MS Word, Excel, Access, and PowerPoint course equips learners with essential skills to boost efficiency and career prospects. This CPD-accredited training covers document creation, data management, presentations, and database handling, helping both beginners and professionals stay competitive in today’s workplace.

With Microsoft Office proficiency in high demand, this course enhances employability as 78% of office roles require these skills, and 85% of hiring managers value certifications. By completion, you’ll confidently create documents, analyze data, design presentations, and manage databases, making it ideal for students, job seekers, professionals, and entrepreneurs alike.

Learning Outcomes:
Upon completing this Microsoft Office Course, you will:
Develop proficiency in Excel, including calculations, worksheets, and data management.
Master Word for professional document formatting, graphic insertion, and publishing.
Gain expertise in PowerPoint, creating impactful presentations with tables, charts, and multimedia.
Learn Access database management, including data modification, queries, and reporting.
Stay updated with the latest features in Microsoft Office applications.
Apply practical skills in real-world business and professional scenarios.
Modules:
Module 01: Microsoft Excel 2019
Module 02: Microsoft Excel 2019 New Features
Module 03: Getting Started with Microsoft Excel
Module 04: Performing Calculations
Module 05: Modifying a Worksheet
Module 06: Formatting a Worksheet
Module 07: Printing Workbooks
Module 08: Managing Workbooks
Module 09: Microsoft Word 2019
Module 10: Microsoft Word 2019 New Features
Module 11: Getting Started with Word
Module 12: Formatting Text and Paragraphs
Module 13: Working More Efficiently
Module 14: Managing Lists
Module 15: Adding Tables
(See full curriculum)
Why Choose Us?
CPD-Accredited – Recognized for high-quality learning standards.
Lifetime Access – Study at your own pace, anytime.
Instant Test Results – Online assessments with immediate feedback.
No Hidden Fees – Enroll and complete the course without extra costs.
Flexible Learning – Access materials from any device, including mobile, tablet, or computer.
Certificate of Achievement
Upon successful completion, you will qualify for the UK and internationally-recognised CPD certificate and you can choose to make your achievement formal by obtaining your PDF Certificate at a cost of £4.99 and Hardcopy Certificate for £14.99.
Who Is This Course For?
Students looking to improve academic productivity.
Job seekers aiming to stand out in competitive job markets.
Professionals enhancing workplace efficiency.
Entrepreneurs optimizing business operations.
Anyone wanting to develop practical tech skills for personal or professional use.
Career Path
After completing this course, you can pursue roles such as:
Office Administrator
Data Specialist
Business Manager
Visual Presentation Expert
Database Coordinator
Independent IT Consultant

NextGen Learning

Boost your career with this CPD-accredited Microsoft Office course. Master Word, Excel, PowerPoint, and Access to enhance productivity and efficiency.

Mastering Microsoft Office: Word, Excel, PowerPoint & Access

<div id="course-pills-1">Duration1 Days6 CPD hoursCompanies are increasingly integrating Mac computers into Windows or other standards-based network environments. This Mac Integration Basics course examines how to best use a Mac(s) in an organization that predominantly functions with a Microsoft Windows operating system and Windows Servers. This course is also ideal for users who need to replace a Windows computer with a Mac and for IT professionals who support Mac users</div><div id="course-pills-2"><h4>Directory Services</h4><ul><li>Connecting a Mac to a Directory Server Using Network Account </li></ul><h4>File Sharing</h4><ul><li>Connecting to File Servers Turning on Personal File Sharing</li></ul><h4>Email, Contacts, and Calendars</h4><ul><li>Managing Internet Accounts Preferences Connecting to an Exchange Server Connecting Mail to Non-Windows Servers Adding Accounts in Mail, Contacts, and Calendars</li></ul><h4>Security</h4><ul><li>Built-in Security Features Creating Strong Passwords Using Two-factor Authentication Setting a Firmware Password Locking a Mac Screen Creating User Accounts Disabling Automatic Login</li></ul><h4>Protecting Start-up Disk Files</h4><ul><li>Ensuring that the Apps you Download are Safe Providing Network Security</li></ul><h4>Printing</h4><ul><li>Connecting to a Local Printer Setting up a Wireless Printer Sharing your Printer Setting up a Printer Shared by a Mac and a PC via SMB or CIFS Setting up an IP Printer Specifying Printer Features Printing from a Network Printer</li></ul><h4>Instant Messaging</h4><ul><li>iMessage Jabber Configuring Messages Adding Accounts Chatting on a local network with Bonjour</li></ul><h4>Moving and Backing Up Content</h4><ul><li>Moving Content Backing up Data with Time Machine Running Windows on a Mac Running Windows Natively or Virtually Using Office Using Cross-platform Apps Using Cross-platform Files</li></ul></div>

Duration
1 Days
6 CPD hours
Companies are increasingly integrating Mac computers into Windows or other standards-based network environments. This Mac Integration Basics course examines how to best use a Mac(s) in an organization that predominantly functions with a Microsoft Windows operating system and Windows Servers. This course is also ideal for users who need to replace a Windows computer with a Mac and for IT professionals who support Mac users
Directory Services
Connecting a Mac to a Directory Server
Using Network Account
File Sharing
Connecting to File Servers
Turning on Personal File Sharing
Email, Contacts, and Calendars
Managing Internet Accounts Preferences
Connecting to an Exchange Server
Connecting Mail to Non-Windows Servers
Adding Accounts in Mail, Contacts, and Calendars
Security
Built-in Security Features
Creating Strong Passwords
Using Two-factor Authentication
Setting a Firmware Password
Locking a Mac Screen
Creating User Accounts
Disabling Automatic Login
Protecting Start-up Disk Files
Ensuring that the Apps you Download are Safe
Providing Network Security
Printing
Connecting to a Local Printer
Setting up a Wireless Printer
Sharing your Printer
Setting up a Printer Shared by a Mac and a PC via SMB or CIFS
Setting up an IP Printer
Specifying Printer Features
Printing from a Network Printer
Instant Messaging
iMessage
Jabber
Configuring Messages
Adding Accounts
Chatting on a local network with Bonjour
Moving and Backing Up Content
Moving Content
Backing up Data with Time Machine
Running Windows on a Mac
Running Windows Natively or Virtually
Using Office
Using Cross-platform Apps
Using Cross-platform Files

Nexus Human

Computer Systems

Microsoft Certification

Computer Maintenance

IT Networking Fundamentals

Computer Networking

Mac Integration Basics

<p id="isPasted" style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">LOOKING FOR: ADULT FICTION, NON-FICTIONLiza represents a range of fiction and non-fiction. On the fiction side, she is looking for historical fiction that is well researched, immerses readers in the era, and looks at overlooked characters from the past, or perhaps gives a new spin on someone we think we know. On the literary and upmarket side, she is looking for novels infused with emotions that capture the human experience and make readers think. If your literary novel is something at A24 productions might turn into a movie, this is Liza&rsquo;s taste.When it comes to fantasy, she loves urban and grounded fantasy (no sci-fi please!), and is always happy to look at anything with a vampire, werewolf, witches, warlocks, fairies, and perhaps a sinister selkie or two. She is also very much looking for romantasy and is the best person at the agency to submit that too. For thrillers, send her anything set in an exotic location, high-concept, or things with a speculative twist. She loves when characters are put in situations she would never want to be in, and then they have to get out of it. Her recent favourite fiction includes:&nbsp;Notes on an Execution, Lady Macbethad, Hamnet, A Discovery of Witches, House of Earth and Blood, The Starless Sea, Piranesi, Our Wives Under the Sea, The Pisces, Such A Fun Age.When it comes to non fiction, she is looking for books that teach her something new or reframe a topic from an alternative point of view. This can include cookery, pop science, and social history. Liza&rsquo;s recent favourite non-fiction include:&nbsp;The Five, A History of Art Without Men, Messalina, The Authority Gap, Finding The Mother Tree, Cook This Book, Dessert Person.Liza would like you to submit a covering letter, 1 - 2 page synopsis and the first 5000 words of your manuscript in a single word document.&nbsp;<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">(In addition to the paid sessions, Liza is kindly offering one free session for low income/underrepresented writers. Please email <a href="mailto:agent121@iaminprint.co.uk" style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto; font-size: var(--font-size);" fr-original-style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto;">agent121@iaminprint.co.uk</a> to apply, outlining your case for this option which is offered at the discretion of I Am In Print).&nbsp;By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">The submission deadline is: Wednesday 2 October 2024

LOOKING FOR: ADULT FICTION, NON-FICTION

Liza represents a range of fiction and non-fiction. On the fiction side, she is looking for historical fiction that is well researched, immerses readers in the era, and looks at overlooked characters from the past, or perhaps gives a new spin on someone we think we know. On the literary and upmarket side, she is looking for novels infused with emotions that capture the human experience and make readers think. If your literary novel is something that A24 productions might turn into a movie, this is Liza’s taste.

When it comes to fantasy, she loves urban and grounded fantasy (no sci-fi please!), and is always happy to look at anything with a vampire, werewolf, witches, warlocks, fairies, and perhaps a sinister selkie or two. She is also very much looking for romantasy and is the best person at the agency to submit that too. For thrillers, send her anything set in an exotic location, high-concept, or things with a speculative twist. She loves when characters are put in situations she would never want to be in, and then they have to get out of it. Her recent favourite fiction includes: Notes on an Execution, Lady Macbethad, Hamnet, A Discovery of Witches, House of Earth and Blood, The Starless Sea, Piranesi, Our Wives Under the Sea, The Pisces, Such A Fun Age.

When it comes to non fiction, she is looking for books that teach her something new or reframe a topic from an alternative point of view. This can include cookery, pop science, and social history. Liza’s recent favourite non-fiction include: The Five, A History of Art Without Men, Messalina, The Authority Gap, Finding The Mother Tree, Cook This Book, Dessert Person.

Liza would like you to submit a covering letter, 1 - 2 page synopsis and the first 5000 words of your manuscript in a single word document. 

(In addition to the paid sessions, Liza is kindly offering one free session for low income/underrepresented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print). 
By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.

The submission deadline is: 12 noon GMT on Friday 28th March 2025

I Am In Print

Fiction Writing

BOOKINGS CLOSED! 2nd April Liza DeBlock #Agent121. Looking for: ADULT FICTION, NON-FICTION

LOOKING FOR: ADULT FICTION, NON-FICTION

Rachel Neely began her publishing career in 2016 at HarperCollins, before moving to Hachette where she worked as an editor for the next six years, specialising in crime and thrillers along with book club novels and contemporary fiction, most recently as a Commissioning Editor at Orion. 

Rachel joined Mushens Entertainment at the start of 2022 as an Associate Agent, assisting Juliet Mushens with her client list, including multiple Sunday Times and New York Times bestselling authors. Simultaneously she began signing her own clients. In August 2023 she was promoted to Literary Agent and in 2024 achieved Bookseller Rising Star status.

In actively growing her list, Rachel is looking for book-club fiction, dark academia, rom-coms, tragic love stories, crime and thrillers. Please note she is not the right agent for sci-fi, espionage novels, YA or children’s books. 

She signs both commercial and literary authors, and is always looking for a distinctive voice matched with a compelling plot. She also is especially drawn to darker stories that centre characters with tragic fates, dark pasts or buried trauma. She is also keen to find authors from underrepresented groups who can bring a fresh perspective to well-worn story arcs, or capture experiences shared by many but, as of yet, underexplored in fiction. 

She would love to see a commercial locked-room thriller in the vein of The Midnight Feast, The White Lotus or with shades of Succession; novels about cults such as The Girls; a voice-led serial-killer thriller reminiscent of How to Kill Your Family; compelling dark academia to rival The Secret History; a high-concept but tragic love story that will make her ugly cry in the vein of The Time Traveller’s Wife or One Day; and anything that has an outsider trying to break into the world of the privileged and morally bankrupt.
Besides those above, her favourite novels include The List, The Talented Mr Ripley, The Lovely Bones, Other People’s Clothes, The It Girl, The Girl Before, Notes on an Execution, My Dark Vanessa and My Sister the Serial Killer.

Rachel would like you to submit a covering letter, 1 - 2 page synopsis and the first 5000 words of your manuscript in a single word document. 

(In addition to the paid sessions, Rachel is kindly offering one free session for low income/underrepresented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print). 

By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.

The submission deadline is: Friday 28th March 2025

BOOKINGS CLOSED! 4th April Rachel Neely #Agent121. Looking for: ADULT FICTION

<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" id="isPasted" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">LOOKING FOR: ADULT FICTION, NON-FICTION, MG/YA inc GRAPHIC NOVELSGyamfia Osei has joined Andrew Nurnberg Associates Ltd and&nbsp;is looking for writers of Children&#39;s and YA, commercial adult fiction and narrative non-fiction.&nbsp;&nbsp;Gyamfia began her career in publishing working as a Bookseller at Waterstones, before joining Caskie Mushens as a literary assistant in 2018. She relocated to Amsterdam for two years, where she managed international sales for The Pepin Press and held the role of Editor for Plural Magazine, before returning to London in 2021 to start building her own list of authors at The Good Literary Agency. Gyamfia is now an agent at Andrew Nurnberg Associates, representing a diverse list of clients writing children&rsquo;s books and a bespoke adult list focusing on commercial fiction and narrative non-fiction.Gyamfia is currently looking for contemporary children&rsquo;s stories that are full of heart and joy-driven books that celebrate kids from underrepresented backgrounds&nbsp;(think Clare Weze, Kimberly Whittam and Elle McNicoll). Unique picture books, funny middle-grade and teen projects&nbsp;(think Angus, Thongs and Perfect Snogging and Glow Up Lara Bloom)&nbsp;are currently at the top of her list &nbsp;this year. She is very interested in finding a graphic novel or illustrated project for either MG or YA readers.&nbsp;She is very open when it comes to Children&rsquo;s non-fiction but would be particularly interested to consider unique cookbooks aimed at young chefs, books exploring mental health/wellness and projects that bring the experiences of marginalised children to the forefront. In the adult fiction space, Gyamfia enjoys well-plotted, fast-paced narratives with authentic characters who lodge themselves in her mind long after she&rsquo;s finished reading (think Big Little Lies, Verity and Girl A). She&rsquo;s open to a broad range of genres, but would be particularly keen to see cosy crime, global stories and tightly plotted domestic noir.&nbsp;In the adult non-fiction space, she would be happy to consider commercial narrative non-fiction and cultural history projects (think Brit(ish), It&rsquo;s Not That Radical and Everything I Know About Love).Gyamfia&nbsp;would like you to submit a covering letter, 1 page synopsis and the opening three chapters (max 5,000 words).&nbsp;For picture books please send two texts and a covering letter. For non-fiction please supply a cover letter and proposal with up to 5,000 words of your sample text.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">(In addition to the paid sessions, Gyamfia is kindly offering one free session for low income/under-represented writers. Please email <a href="mailto:agent121@iaminprint.co.uk" style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto; font-size: var(--font-size);" fr-original-style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto;">agent121@iaminprint.co.uk</a> to apply, outlining your case for this option which is offered at the&nbsp;discretion of&nbsp;I Am In Print).&nbsp;By booking you understand you need to conduct an internet connection test with&nbsp;I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">The submission deadline is: Monday 7 October 2024

LOOKING FOR: PICTURE BOOKS / CHAPTER BOOKS / MG / YA / NEW ADULT inc GRAPHIC NOVELS

Gyamfia Osei joined ANA in 2023 as a Literary Agent in the UK department. She was previously an agent at The Good Literary Agency, where she began building her list of authors. Recent successes include a ‘significant’ 6-figure pre-empt for Busayo Matuluko’s YA debut ‘Til Death, a 5-way auction for Quiet Storm by Kimberly Whittam and the shortlisting of Ebinehita Iyere’s Girlhood, Unfiltered at the 2023 British Book Awards. She was also a Bookseller Rising Star in 2024!

At ANA, Gyamfia is focusing on developing the agency’s list of children’s authors, while also representing a bespoke list of commercial adult fiction and narrative non-fiction.

In the Children’s space, Gyamfia would love to find contemporary stories that are full of heart and joy-driven books across all genres (think Clare Weze, Kimberly Whittam and Elle McNicoll). Funny middle-grade and YA horror are currently at the top of her list and she is also keen to read more teen projects (think Angus, Thongs and Perfect Snogging and Glow Up Lara Bloom) this year. She is very interested in finding a graphic novel or illustrated project for either MG or YA readers.

In the older fiction space, Gyamfia enjoys well-plotted, fast-paced narratives with authentic characters who lodge themselves in her mind long after she’s finished reading (think Sadie, Verity and Girl A). She’s open to a broad range of genres, but would be particularly keen to see romantasy, cosy crime, contemporary romance and tightly plotted domestic noir. 

Please note that Gyamfia doesn’t consider literary fiction and, in the commercial space, she is not hugely interested in very high fantasy, trauma-focused stories or particularly gruesome horror.

In the non-fiction space, she would be happy to consider commercial narrative non-fiction and cultural history projects (think Brit(ish), It’s Not That Radical and Everything I Know About Love). She is very open when it comes to Children’s non-fiction but would be particularly interested to consider unique cookbooks aimed at young chefs, books exploring mental health/wellness and projects that bring the experiences of marginalised children to the forefront.

Gyamfia would like you to submit a covering letter, 1 page synopsis and the opening three chapters (max 5,000 words). For picture books please send two texts and a covering letter. For non-fiction please supply a cover letter and proposal with up to 5,000 words of your sample text.

Please send EITHER picture books OR another genre, not both in one submission.

(In addition to the paid sessions, Gyamfia is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print). 

By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.

The submission deadline is: Friday 28th March 2025

BOOKINGS CLOSED! 4th April Gyamfia Osei #Agent121. Looking for: PICTURE BOOKS / CHAPTER BOOKS / MG / YA / NEW ADULT inc GRAPHIC NOVELS

<p id="isPasted" style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">LOOKING FOR: ADULT FICTIONJade Kavanagh is a Literary Agent at Darley Anderson Literary Agency. She has a degree in English Literature from the University of Westminster then went on to achieve her Masters in Modern and Contemporary Fictions. Alongside assisting Camilla Bolton on her list of clients Jade is building her own list of suspense, thriller and horror with distinct voices and setting.Across these genres Jade looks for powerful female narratives and dynamic characterisation. She wants female characters like Shiv Roy (Succession), Emily Gilmore (Gilmore Girls), Annalise Keating (How to Get Away with Murder), Buffy Summers (Buffy), Ellen Ripley (Alien), Dana Scully (The X Files), Detective Kima Greggs (The Wire).Jade would love something with a big book club hook that readers devour in one sitting. Setting and atmosphere are of huge appeal. She wants stories with a vivid sense of place and to be immersed in the world of the characters. Jade wants detail down to what shade of lipstick or colour of the lamp on their bedside table and the nature and landscape around them. She loves luxury settings she can get excited about reading and descriptions to lose herself in. Jade also loves dark twists on glamorous concepts and settings. Think The Devil Wears Prada meets Killing Eve,&nbsp;or Real Housewives&nbsp;or Succession meets How to Kill My Family&nbsp;or something akin to White Lotus.&nbsp;Across the spectrum of horror and speculative fiction, Jade is looking for haunting stories filled with slow build darkness and characters with heart. Think 28 Days Later&nbsp;and The Last of Us. She really wants a dark witchy story&hellip; or on the cozier side a fresh take on something like Practical Magic&nbsp;or Charmed. Jade wants heroes to root for, and villains that terrify and enrage her in equal measure.One of Jade&#39;s favourite TV shows is Orphan Black; she&#39;d love to see a book series like this. As a proud member of the Twilight generation, (Team Edward forever!) she&rsquo;d also love to read a modern vampire novel. Show her&nbsp;American Psycho meets Dracula. Give her 2023 Carlisle Cullen in a thriller or a new take on Buffy. Whilst not actively looking for sci-fi novels, Jade would love to see A Scully and Mulder for the 2020s!&nbsp;Notably, Jade looks for voices from all walks of life. She is incredibly passionate about bringing working-class voices into the commercial fiction space. She would love to hear from new exciting talent, telling stories about everyday people with relatable voices, people she grew up with, people she can imagine.Jade would like you to submit a covering letter, 1 -2 page synopsis and the first 5,000 words of your completed manuscript in a single word document.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">(In addition to the paid sessions, Jade is kindly offering one free session for low income/under-represented writers. Please email <a href="mailto:agent121@iaminprint.co.uk" style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto; font-size: var(--font-size);" fr-original-style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto;">agent121@iaminprint.co.uk</a> to apply, outlining your case for this option which is offered at the&nbsp;discretion of&nbsp;I Am In Print).&nbsp;By booking you understand you need to conduct an internet connection test with&nbsp;I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">The submission deadline is: Monday 12 August 2024

LOOKING FOR: ADULT FICTION

Jade Kavanagh is a Literary Agent at Darley Anderson Literary Agency. She has a degree in English Literature from the University of Westminster then went on to achieve her Masters in Modern and Contemporary Fictions. Alongside assisting Camilla Bolton on her list of clients Jade is building a list steeped in the darker side of fiction, including suspense, thriller, horror and 'horromance' with distinct voices and setting.

Across these genres Jade looks for powerful female narratives and dynamic characterisation. She wants female characters like Shiv Roy (Succession), Emily Gilmore (Gilmore Girls), Annalise Keating (How to Get Away with Murder), Buffy Summers (Buffy), Ellen Ripley (Alien), Dana Scully (The X Files), Detective Kima Greggs (The Wire).

Jade would love something with a big book club hook that readers devour in one sitting. Setting and atmosphere are of huge appeal. She wants stories with a vivid sense of place and to be immersed in the world of the characters. Jade wants detail down to what shade of lipstick or colour of the lamp on their bedside table and the nature and landscape around them. She loves luxury settings she can get excited about reading and descriptions to lose herself in. Jade also loves dark twists on glamorous concepts and settings. Think The Devil Wears Prada meets Killing Eve, or Real Housewives or Succession meets How to Kill My Family or something akin to White Lotus. 
Across the spectrum of horror and speculative fiction, Jade is looking for haunting stories filled with slow build darkness and characters with heart. Think 28 Days Later and The Last of Us. She really wants a dark witchy story… or on the cosier side a fresh take on something like Practical Magic or Charmed. Jade wants heroes to root for, and villains that terrify and enrage her in equal measure.

One of Jade's favourite TV shows is Orphan Black; she'd love to see a book series like this. As a proud member of the Twilight generation, (Team Edward forever!) she’d also love to read a modern vampire novel. Show her American Psycho meets Dracula. Give her 2023 Carlisle Cullen in a thriller or a new take on Buffy. Whilst not actively looking for sci-fi novels, Jade would love to see A Scully and Mulder for the 2020s! 

Notably, Jade looks for voices from all walks of life. She is incredibly passionate about bringing working-class voices into the commercial fiction space. She would love to hear from new exciting talent, telling stories about everyday people with relatable voices, people she grew up with, people she can imagine.

Jade would like you to submit a covering letter, 1 -2 page synopsis and the first 5,000 words of your completed manuscript in a single word document.

(In addition to the paid sessions, Jade is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print). 

By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.

The submission deadline is: Monday 31st March 2025

7th April Jade Kavanagh #Agent121. Looking for: ADULT FICTION

<p id="isPasted" style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">LOOKING FOR: ADULT FICTION, YA THRILLERSaskia Leach is an Agent&#39;s Assistant at Kate Nash Literary Agency and is currently training to become a Junior Agent. She graduated from Royal Holloway, University of London in 2020 with a BA degree in English and History, before joining Kate Nash Literary Agency in 2021. Saskia loves commercial fiction that features complex and dynamic characters and is fascinated by stories containing document inserts or written from multiple perspectives.Saskia enjoys commercial and book club fiction and is particularly looking for cosy crime from any period (whether contemporary like Janice Hallett and Richard Osman, traditional Golden Age murder mystery or historical), WW2 historical fiction in the vein of Heather Morris or Markus Zusak, twisty psychological thriller with a unique hook, LGBTQ+ romance, underrepresented voices and perspectives, YA thriller or romance, and locked-room thriller.Saskia would like you to submit a covering letter, 1 page synopsis and the first 2,500 words of your manuscript in a single word document.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">(In addition to the paid sessions, Saskia is kindly offering one free session for low income/under-represented writers. Please email <a href="mailto:agent121@iaminprint.co.uk" style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto; font-size: var(--font-size);" fr-original-style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto;">agent121@iaminprint.co.uk</a> to apply, outlining your case for this option which is offered at the discretion of I Am In Print).&nbsp;By booking you understand you need to conduct an internet connection test with I Am In Print&nbsp;prior to the event. You also agree to email your material to reach I&nbsp;Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice given in your Agent121.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">The submission deadline is: Tuesday 27 August 2024&nbsp;

LOOKING FOR: ADULT FICTION, YA THRILLER

Saskia Leach is a Junior Literary Agent at Kate Nash Literary Agency, where she has been working since 2021. She loves stories that features complex and dynamic characters and is fascinated by books containing document inserts or written from multiple perspectives. Saskia represents fiction for adults and young adults in the genres of crime, thriller, romance, historical/saga, horror, speculative and bookclub. She does not represent literary fiction, sci-fi, fantasy, non-fiction, action/adventure thrillers, non-fiction, picture books or chapter books for children younger than middle grade.

Saskia is particularly looking for LGBTQIA+ romance, high concept psychological thriller with a unique hook or set in an unusual location, and bookclub fiction revolving around a moral dilemma - but she is open to reading submissions in all genres she represents. She is keen to hear from writers from underrepresented voices and perspectives.

Saskia would like you to submit a covering letter, 1 page synopsis and the first 5,000 words of your manuscript in a single word document.

(In addition to the paid sessions, Saskia is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print). 

By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice given in your Agent121.

The submission deadline is: Wednesday 2nd April 2025




TWO SPACES LEFT! 8th April Saskia Leach #Agent121. Looking for: ADULT FICTION, YA THRILLER

<p id="isPasted" style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">LOOKING FOR: ADULT FICTION, NON-FICTIONDiana joined the prestigious DHH Literary Agency in June 2024. She started agenting with Rupert Heath Literary Agency in 2011 before moving to UTA and Marjacq in 2017. Before that she was senior commissioning editor at Transworld. Diana was chosen as one of The Bookseller&rsquo;s Rising Stars of 2012, was a nominee for RNA Agent of the Year 2019, and was shortlisted for Literary Agent of the Year 2022 at the British Book Awards.&nbsp;Her list includes a wide range of bestselling and prize-winning authors in the UK and internationally.Diana represents adult fiction and non-fiction. For fiction, she is looking for upmarket women&#39;s commercial, with depth and heart, including reading group, historical, saga, uplit and contemporary stories that are irreverent and make her laugh; accessible literary fiction, high-concept crime fiction and thrillers. She has a thing for spy novels and would love to find a great vampire story.&nbsp;On the non-fiction side: memoir, smart, funny feminists, lifestyle, cookery and social justice, and open to anything with a strong, original voice. She also encourages submissions from writers who have been traditionally under-represented.Diana would like you to submit a covering letter, 1 - 2 page synopsis and the first three chapters (a maximum of 5,000 words) of your manuscript in a single word document.&nbsp;<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">(In addition to the paid sessions, Diana is kindly offering one free session for low income/underrepresented writers. Please email <a href="mailto:agent121@iaminprint.co.uk" style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto; font-size: var(--font-size);" fr-original-style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto;">agent121@iaminprint.co.uk</a> to apply, outlining your case for this option which is offered at the discretion of I Am In Print).&nbsp;By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">The submission deadline is: Wednesday 4 September 2024

LOOKING FOR: ADULT FICTION

Marilia Savvides founded The Plot Agency in 2024. She began her career in publishing at Peters Fraser and Dunlop, where she spent eight years, first as International Rights Agent, and later as Literary Agent, building her own list of authors. In 2019, she joined 42MP, where she worked as Literary Agent for four years, helping to launch and set up the Book Division.

She is particularly interested in fiction that is beautifully written and cleverly constructed, but still accessible to a wide readership. She is often drawn to darker tales that weave together excellent characters and an impossible-to-put-down story, from immersive book club novels with a splash of suspense, crime and thrillers, accessible horror, and speculative, genre-bending or dystopian stories. She also adores smart, witty contemporary rom-com in the style of Emily Henry.

In the thriller, crime and mystery space she is interested in most areas, except military thrillers and organised crime/ mafia / mob stories. Big hooks and clever set ups are a big bonus! She adores Karin Slaughter (especially her standalone novels) and Gillian Flynn.
In the book club / reading group space, she’s particularly drawn to fiction in the vein of Jodi Picoult, Liane Moriarty and Celeste Ng, and absolutely fell in love with Bright Young Women by Jessica Knoll, both for the incredible voice, and the exquisite use of structure and time. Complicated family dynamics, empathetic and smart approaches to controversial issues, stand out protagonists (like Elizabeth Zott in Lessons in Chemistry or Bernadette in Where D’You Go Bernadette), long buried secrets, complicity, the road to justice, and impossible decisions, are all themes she finds herself drawn to.

In the horror space, she’s a sucker for amazing female-centric stories in the vein of Yellowjackets, and the kind of contemporary, accessible horror that Stephen King always nails. She wants to get lost in a world that feels within reach of ours. In the speculative and dystopian spaces, she’s interested in genius ideas that set up big questions or reflect the most broken (and sometimes hidden) parts of society. She loves Octavia Butler, Margaret Atwood, George Orwell, and also adored The Leftovers, Station Eleven, Wanderers, and The Power. The what-ifs of life and fiction fascinate her. In the grounded sci-fi space, she’d love to find a smart, immersive, and accessible story like The Martian.

She doesn’t represent fantasy or romantasy. In regards to sci-fi, unless it’s very grounded and has crossover potential to a mainstream audience, it’s not for her.

In the romance space, she’s particularly drawn to smart, complex and witty characters, where the chemistry is jumping off the page. She loves contemporary settings and all the tropes, though the voice and characters must come first to make the reading experience fully immersive. She wants to be cackling, and rooting for the characters with all her heart.

She is very hands-on editorially, and loves working with her authors to shape their manuscripts, and brainstorm ideas. The best part of the job is discovering debut authors, and helping them find a home for their books.

Marilia would like you to submit a covering letter, 1 - 2 page synopsis and the first 5,000 words of your manuscript in a single Word document. 

(In addition to the paid sessions, Marilia is kindly offering one free session for low income/underrepresented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print). 

By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.

The submission deadline is: Monday 31st March 2025

ONE SPACE LEFT! 8th April Marilia Savvides #Agent121. Looking for: ADULT FICTION

<p id="isPasted" style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">LOOKING FOR:&nbsp;PICTURE BOOKSBarry Timms is a children&#39;s picture book editorial consultant with over twenty years&#39; experience. He has also edited preschool books, non-fiction and young fiction works. Barry&#39;s editorial roles include senior and managerial positions at Macmillan Children&#39;s Book, Walker Books and Little Tiger Group, making commercially successful books of the UK, US and international markets.Barry is also an award winning author of over fifteen picture books. This is NOT a Unicorn!, published by Nosy Crow, won the Stockport Children&#39;s Book Award 2022.Barry would like you to submit a covering letter and a maximum of two picture book texts to be discussed. These should be for children aged within the 2-6 years age bracket and can be in prose or rhyme. As well as conventional fiction narratives, narrative non-fiction is also acceptable.
<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">(In addition to the paid sessions, Barry is kindly offering one free session for low income/under-represented writers. Please email <a href="mailto:agent121@iaminprint.co.uk" style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto; font-size: var(--font-size);" fr-original-style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto;">agent121@iaminprint.co.uk</a> to apply, outlining your case for this option which is offered at the discretion of&nbsp;I Am In Print).&nbsp;By booking you understand you need to conduct an internet connection test with&nbsp;I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">The submission deadline is: Tuesday 1 October 2024

LOOKING FOR: PICTURE BOOKS

Barry Timms is a children's picture book editorial consultant with over twenty years' experience. He has also edited preschool books, non-fiction and young fiction works. Barry's editorial roles include senior and managerial positions at Macmillan Children's Book, Walker Books and Little Tiger Group, making commercially successful books of the UK, US and international markets.

Barry is also an award winning author of over fifteen picture books. This is NOT a Unicorn!, published by Nosy Crow, won the Stockport Children's Book Award 2022.

Barry would like you to submit a covering letter and a maximum of two picture book texts to be discussed. This should be in one Word document with the cover letter at the top. The texts should be for children aged within the 2-6 years age bracket and can be in prose or rhyme. As well as conventional fiction narratives, narrative non-fiction is also acceptable.

(In addition to the paid sessions, Barry is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print). 

By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.

The submission deadline is: 12 noon UK BST on Friday 4th April 2025

9th April Barry Timms #Agent121. Looking for: PICTURE BOOKS

<p id="isPasted" style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">LOOKING FOR:&nbsp;YA, NA, ADULT FICTION<div style="color: rgb(0, 0, 0); box-sizing: border-box;" id="isPasted" fr-original-style="color: rgb(0, 0, 0);">Helen Lane is a Junior Agent at The Booker Albert Literary Agency. She is also an editor and a writer of Adult Fantasy and Horror. She has a BSc in Environmental Science from the University of East Anglia and a postgrad qualification in Acoustics. She is passionate about books and has spent the last decade working with manuscripts. She lives in London with her family and the world&rsquo;s naughtiest cocker spaniel. </div><div style="color: rgb(42, 42, 42); box-sizing: border-box;" fr-original-style=" color: rgb(42, 42, 42);">Helen represents Adult Fantasy, Sci Fi, Horror, Paranormal Romance, LGBTQ+ Romance, Action &amp; Adventure &amp; Thrillers. She also represents YA Fantasy.</div><div style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);"> She is slightly obsessed with monster stories (especially if they have giant sharks or squids). And stories set in extreme environments such as the arctic, jungle, caves, ocean, and mountains. She DOES NOT want to read about affairs or abuse in any genre. (My husband likes me to add here that this is nothing to do with him, I just don&#39;t like sad stories). Her favourite authors are Mira Grant, Greig Beck, James Rollins, Matthew Reilly, Jennifer L. Armentrout, Darcy Coates, Patricia Briggs &amp; Kelley Armstrong. To make querying more accessible she does not require personalisation in the letter, comparison titles or a synopsis. But if you have them already, please include them. Follow Helen on social media:&nbsp;<a href="https://twitter.com/HFLane_writing" target="_blank" fr-original-style="" style="user-select: auto; font-size: var(--font-size); box-sizing: border-box; color: inherit; cursor: pointer; text-decoration: inherit;">@HFLane_writing</a></div>Helen would like you to submit a covering letter, 1 page synopsis and first three chapters (Max 5,000 words) of your manuscript in a single word document.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">(In addition to the paid sessions, Helen is kindly offering one free session for low income/under-represented writers. Please email <a href="mailto:agent121@iaminprint.co.uk" style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto; font-size: var(--font-size);" fr-original-style="box-sizing: border-box; text-decoration: inherit; cursor: pointer; user-select: auto;">agent121@iaminprint.co.uk</a> to apply, outlining your case for this option which is offered at the discretion of&nbsp;I Am In Print).&nbsp;By booking you understand you need to conduct an internet connection test with&nbsp;I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.<p style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; font-size: 16px; color: var(--text); font-family: sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">The submission deadline is: Tuesday 8 October 2024

LOOKING FOR: YA, NA, ADULT FICTION

Helen Lane has been an established agent for several years, formerly with the Booker Albert Agency before joining the Ki Agency. She has a BSc in Environmental Science from the University of East Anglia and a postgrad qualification in Acoustics. She lives in London with her family and the world’s naughtiest cocker spaniel.

Helen represents (Adult) Fantasy, Sci Fi, Horror, Romance, Action & Adventure, and Thrillers. She also represents select YA Fantasy, Horror, and Sci Fi. 

Her tastes do run towards the dark and she is slightly obsessed with monster stories in general (especially if they have giant sharks or squids). And stories set in extreme environments such as the arctic, jungle, caves, ocean, and mountains. But she DOES NOT want to read about affairs or abuse in any genre. (Her husband likes her to add here that this is nothing to do with him, she just doesn’t like sad stories).

Her favourite authors are Mira Grant, Greig Beck, James Rollins, Matthew Reilly, Darcy Coates, Andy Weir, Clive Cussler, R F Kuang, Patricia Briggs, and Kelley Armstrong.
Her comfort movies are: Jaws, Outbreak, The Cave, Sanctum, Scream, Buffy, Grey's Anatomy, Charmed, Vampire Diaries.

You can find her on:
Bluesky: @helenlane.bsky.social
Instagram: hflane_agenting

Helen would like you to submit a covering letter, 1 page synopsis and first three chapters (Max 5,000 words) of your manuscript in a single word document.

(In addition to the paid sessions, Helen is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print). 

By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting.

The submission deadline is: Wednesday 2nd April 2025

9th April Helen Lane #Agent121. Looking for: YA, NA, ADULT FICTION

Welcome to Print Production: Professional Training for Printing Jobs. In this course, you&#39;ll learn: <ol style="color: rgb(209, 213, 219); box-sizing: border-box;" id="isPasted" fr-original-style=" color: rgb(209, 213, 219);"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Fundamentals of Print Production:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Introduction to the printing industry</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Historical perspective and evolution of print</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Overview of print technologies and methods</li></ul></li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Process of Print Production:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Step-by-step breakdown of the print production workflow</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Understanding pre-press, press, and post-press processes</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Troubleshooting common issues in the production pipeline</li></ul></li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Tools of Print Production:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">In-depth exploration of industry-standard software</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Practical use of design and layout tools</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Overview of hardware and machinery used in print production</li></ul></li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Understanding Colour:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Color theory and its application in print</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Color spaces, models, and calibration</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Techniques for achieving accurate and consistent color reproduction</li></ul></li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Binding and Finishing:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Various binding methods and their applications</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Finishing techniques for different print materials</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Quality control in binding and finishing processes</li></ul></li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Preparing Raster Images:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Best practices for working with raster images</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Image resolution, color modes, and file formats</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Hands-on exercises for image optimization in print projects</li></ul></li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Understanding Fonts:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Typography essentials for print</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Font selection and pairing</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Handling fonts in various design software</li></ul></li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Photoshop Production Tips:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Advanced techniques for image manipulation and enhancement</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Optimizing images for print</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Integration of Photoshop into the print production workflow</li></ul></li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Illustrator Production Tips:<ul style="color: initial; box-sizing: border-box;" fr-original-style="color: initial;"><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Vector graphics essentials</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Creating print-ready illustrations and designs</li><li style="color: rgb(0, 0, 0); box-sizing: border-box;" fr-original-style="color: rgb(0, 0, 0);">Leveraging Illustrator tools for efficient print production</li></ul></li></ol>

Welcome to Print Production: Professional Training for Printing Jobs. In this course, you'll learn:

Fundamentals of Print Production:Introduction to the printing industryHistorical perspective and evolution of printOverview of print technologies and methods
Process of Print Production:Step-by-step breakdown of the print production workflowUnderstanding pre-press, press, and post-press processesTroubleshooting common issues in the production pipeline
Tools of Print Production:In-depth exploration of industry-standard softwarePractical use of design and layout toolsOverview of hardware and machinery used in print production
Understanding Colour:Color theory and its application in printColor spaces, models, and calibrationTechniques for achieving accurate and consistent color reproduction
Binding and Finishing:Various binding methods and their applicationsFinishing techniques for different print materialsQuality control in binding and finishing processes
Preparing Raster Images:Best practices for working with raster imagesImage resolution, color modes, and file formatsHands-on exercises for image optimization in print projects
Understanding Fonts:Typography essentials for printFont selection and pairingHandling fonts in various design software
Photoshop Production Tips:Advanced techniques for image manipulation and enhancementOptimizing images for printIntegration of Photoshop into the print production workflow
Illustrator Production Tips:Vector graphics essentialsCreating print-ready illustrations and designsLeveraging Illustrator tools for efficient print production

John Academy

Print Production: Professional Training for Printing Jobs

Delve into the mesmerising world of print through 'Mastering the Role of a Printing Worker: From Setup to Final Print'. This comprehensive course demystifies the core components of print production, taking you on a journey from the basic principles to intricate techniques. From grasping colour theory to exploring industry-standard software tools like Photoshop and Illustrator, each module has been meticulously designed to equip you with the knowledge to produce exceptional print outcomes. As the print industry continually evolves, this course ensures you are at the forefront, armed with the most up-to-date skills.
<h4>Learning Outcomes of Mastering the Role of a Printing Worker: From Setup to Final Print course</h4>
<ul>
<li>Understand the essential steps and processes involved in print production.</li>
<li>Identify and utilise the right tools crucial for producing high-quality prints.</li>
<li>Gain a deep knowledge of colour theory and its application in print.</li>
<li>Acquire expertise in preparing raster images and the nuances of fonts in printing.</li>
<li>Master software-specific techniques for optimal results in both Photoshop and Illustrator.</li>
</ul>
<h3>Why buy this Mastering the Role of a Printing Worker: From Setup to Final Print?</h3>
<ol>
<li>Unlimited access to the course for forever</li>
<li>Digital Certificate, Transcript, student ID all included in the price</li>
<li>Absolutely no hidden fees</li>
<li>Directly receive CPD accredited qualifications after course completion</li>
<li>Receive one to one assistance on every weekday from professionals</li>
<li>Immediately receive the PDF certificate after passing</li>
<li>Receive the original copies of your certificate and transcript on the next working day</li>
<li>Easily learn the skills and knowledge from the comfort of your home</li>
</ol>
<h3>Certification</h3>
After studying the course materials of the Mastering the Role of a Printing Worker: From Setup to Final Print there will be a written assignment test which you can take either during or at the end of the course. After successfully passing the test you will be able to claim the pdf certificate for £5.99. Original Hard Copy certificates need to be ordered at an additional cost of £9.60.
<h3>Who is this Mastering the Role of a Printing Worker: From Setup to Final Print course for?</h3>
This Mastering the Role of a Printing Worker: From Setup to Final Print does not require you to have any prior qualifications or experience. You can just enrol and start learning.
<ul>
<li>Individuals passionate about venturing into the printing industry.</li>
<li>Graphic designers keen to extend their skill set into print production.</li>
<li>Entrepreneurs aiming to set up their own print production unit.</li>
<li>Art and design students looking to gain a competitive edge in the print world.</li>
<li>Traditional printers seeking to update their knowledge with modern techniques.</li>
</ul>
<h3>Prerequisites of Mastering the Role of a Printing Worker: From Setup to Final Print course</h3>
This Mastering the Role of a Printing Worker: From Setup to Final Print does not require you to have any prior qualifications or experience. You can just enrol and start learning. This Mastering the Role of a Printing Worker: From Setup to Final Print was made by professionals, and it is compatible with all PC's, Mac's, tablets and smartphones. You will be able to access the course from anywhere at any time as long as you have a good enough internet connection.
<h3>Career path</h3>
<ul>
<li>Printing Technician: Average salary £24,000-£29,000 annually.</li>
<li>Print Production Manager: Average salary £30,000-£40,000 annually.</li>
<li>Graphic Designer (Print Specialisation): Average salary £25,000-£35,000 annually.</li>
<li>Bindery Operator: Average salary £20,000-£26,000 annually.</li>
<li>Colour Management Specialist: Average salary £28,000-£35,000 annually.</li>
<li>Desktop Publisher: Average salary £23,000-£28,000 annually</li>
</ul><div>
				<h3>
	Course Curriculum
</h3>

<div>
<table width="100%">				<tbody><tr>
					<td colspan="4">Module 01: Fundamentals of Print Production</td>
				</tr>
								<tr>
					<td></td>
					<td>Fundamentals of Print Production</td>
					<td> </td>
					<td> 00:13:00</td>
				</tr>
								<tr>
					<td colspan="4">Module 02: Process of Print Production</td>
				</tr>
								<tr>
					<td></td>
					<td>Process of Print Production</td>
					<td> </td>
					<td> 00:17:00</td>
				</tr>
								<tr>
					<td colspan="4">Module 03: Tools of Print Production</td>
				</tr>
								<tr>
					<td></td>
					<td>Tools of Print Production</td>
					<td> </td>
					<td> 00:16:00</td>
				</tr>
								<tr>
					<td colspan="4">Module 04: Understanding Colour</td>
				</tr>
								<tr>
					<td></td>
					<td>Understanding Colour</td>
					<td> </td>
					<td> 00:15:00</td>
				</tr>
								<tr>
					<td colspan="4">Module 05: Binding and Finishing</td>
				</tr>
								<tr>
					<td></td>
					<td>Binding and Finishing</td>
					<td> </td>
					<td> 00:11:00</td>
				</tr>
								<tr>
					<td colspan="4">Module 06: Preparing Raster Images</td>
				</tr>
								<tr>
					<td></td>
					<td>Preparing Raster Images</td>
					<td> </td>
					<td> 00:15:00</td>
				</tr>
								<tr>
					<td colspan="4">Module 07: Understanding Fonts</td>
				</tr>
								<tr>
					<td></td>
					<td>Understanding Fonts</td>
					<td> </td>
					<td> 00:12:00</td>
				</tr>
								<tr>
					<td colspan="4">Module 08: Photoshop Production Tips</td>
				</tr>
								<tr>
					<td></td>
					<td>Photoshop Production Tips</td>
					<td> </td>
					<td> 00:14:00</td>
				</tr>
								<tr>
					<td colspan="4">Module 09: Illustrator Production Tips</td>
				</tr>
								<tr>
					<td></td>
					<td>Illustrator Production Tips</td>
					<td> </td>
					<td> 00:13:00</td>
				</tr>
				</tbody></table></div>

			</div>

Delve into the mesmerising world of print through 'Mastering the Role of a Printing Worker: From Setup to Final Print'. This comprehensive course demystifies the core components of print production, taking you on a journey from the basic principles to intricate techniques. From grasping colour theory to exploring industry-standard software tools like Photoshop and Illustrator, each module has been meticulously designed to equip you with the knowledge to produce exceptional print outcomes. As the print industry continually evolves, this course ensures you are at the forefront, armed with the most up-to-date skills.
Learning Outcomes of Mastering the Role of a Printing Worker: From Setup to Final Print course
Understand the essential steps and processes involved in print production.
Identify and utilise the right tools crucial for producing high-quality prints.
Gain a deep knowledge of colour theory and its application in print.
Acquire expertise in preparing raster images and the nuances of fonts in printing.
Master software-specific techniques for optimal results in both Photoshop and Illustrator.
Why buy this Mastering the Role of a Printing Worker: From Setup to Final Print?
Unlimited access to the course for forever
Digital Certificate, Transcript, student ID all included in the price
Absolutely no hidden fees
Directly receive CPD accredited qualifications after course completion
Receive one to one assistance on every weekday from professionals
Immediately receive the PDF certificate after passing
Receive the original copies of your certificate and transcript on the next working day
Easily learn the skills and knowledge from the comfort of your home
Certification
After studying the course materials of the Mastering the Role of a Printing Worker: From Setup to Final Print there will be a written assignment test which you can take either during or at the end of the course. After successfully passing the test you will be able to claim the pdf certificate for £5.99. Original Hard Copy certificates need to be ordered at an additional cost of £9.60.
Who is this Mastering the Role of a Printing Worker: From Setup to Final Print course for?
This Mastering the Role of a Printing Worker: From Setup to Final Print does not require you to have any prior qualifications or experience. You can just enrol and start learning.
Individuals passionate about venturing into the printing industry.
Graphic designers keen to extend their skill set into print production.
Entrepreneurs aiming to set up their own print production unit.
Art and design students looking to gain a competitive edge in the print world.
Traditional printers seeking to update their knowledge with modern techniques.
Prerequisites of Mastering the Role of a Printing Worker: From Setup to Final Print course
This Mastering the Role of a Printing Worker: From Setup to Final Print does not require you to have any prior qualifications or experience. You can just enrol and start learning. This Mastering the Role of a Printing Worker: From Setup to Final Print was made by professionals, and it is compatible with all PC's, Mac's, tablets and smartphones. You will be able to access the course from anywhere at any time as long as you have a good enough internet connection.
Career path
Printing Technician: Average salary £24,000-£29,000 annually.
Print Production Manager: Average salary £30,000-£40,000 annually.
Graphic Designer (Print Specialisation): Average salary £25,000-£35,000 annually.
Bindery Operator: Average salary £20,000-£26,000 annually.
Colour Management Specialist: Average salary £28,000-£35,000 annually.
Desktop Publisher: Average salary £23,000-£28,000 annually
 Course Curriculum

Module 01: Fundamentals of Print Production			
	Fundamentals of Print Production		00:13:00
Module 02: Process of Print Production			
	Process of Print Production		00:17:00
Module 03: Tools of Print Production			
	Tools of Print Production		00:16:00
Module 04: Understanding Colour			
	Understanding Colour		00:15:00
Module 05: Binding and Finishing			
	Binding and Finishing		00:11:00
Module 06: Preparing Raster Images			
	Preparing Raster Images		00:15:00
Module 07: Understanding Fonts			
	Understanding Fonts		00:12:00
Module 08: Photoshop Production Tips			
	Photoshop Production Tips		00:14:00
Module 09: Illustrator Production Tips			
	Illustrator Production Tips		00:13:00

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