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39 Educators providing Courses

collage
Stitching Kitchen

stitching kitchen

5.0(46)

Brackley

Welcome to Stitching Kitchen the friendly and supportive studio where Textile Artist Hannah Thompson encourages everyone to have fun with fabric, thread and fluff!  Lots of textile based crafts and sewing, quilting and dressmaking workshops.  A well stocked haberdashery with dressmaking fabrics and craft kits and supplies also available tin the studio. 

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ArtwithTricia

artwithtricia

Bognor Regis

Tricia Johnson is an artist working across an extensive variety of arts disciplines. She studied Art & Design in the Midlands before moving to the Sussex coast and gaining a B.A. (Hons) Degree. She then went on to achieve various teaching qualifications. She enjoys the challenge and exploration found in absorbing new methods and processes. This has enabled her over the past 20 years to teach a wide variety of art courses across West Sussex. Her sculpture work featured nationally on ITV’s morning programme and exhibitions include West Dean College and Worthing Museum and Art Gallery, West Sussex. She also had the privilege of exhibiting her work in the Awagami International Miniature Print Exhibition, Tokushima, Japan. Along with exhibitions at; Banks Mill Studios Derby, The Art House Wakefield, neo: Gallery Bolton, Gallery@OXO Oxo Tower Wharf South Bank London, Hong Kong Baptist University Hong Kong and Cube gallery Moscow. After a period focusing on other disciplines, Tricia returned to printmaking and the joy of the process is what pushes her work forward creatively. Learning different printing methods has helped her to begin experimenting with distinctive approaches to her prints and printing style. Tricia continues to enjoy drawing and working painterly with a variety of mixed media, developing her own instinctive style over many other art disciplines.

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kimedith.com

kimedith.com

Portsmouth

I am a mixed media textile artist based in Southsea. I have an interest in exploring narrative through textiles, using mixed media collage to create fabric books, art quilts and collections of themed illustrations. I am also interested in journaling and telling personal stories through collections of memories, data and photographs. My background is a combination of art and design practices - I studied Illustration at Kingston University before becoming a secondary school textiles teacher. I combine the two disciplines to create fabric artwork with an illustrative quality and narrative. For example I often use song lyrics and quotations as starting points, and text features in most of my artwork. Whilst studying illustration I specialised in creating whimsical collages from sketches and paper ephemera and I bring the same techniques to textiles, layering fabrics, stitch and embellishments to create mixed-media mini-quilts and fabric books. I love to work to a specific theme and take on long projects focusing on one topic. This might turn into a series of Illustrations (The World of Jane Austen), a fabric book (Into The Woods) or a single large piece built up over time (Lockdown Quilt). A lover of bright colours and bold prints, I draw inspiration from 1960s and 70s children’s books, psychedelic music posters and vintage textiles. I am very lucky to have a studio on the seafront in Old Portsmouth which is open to the public.

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Marina Red

marina red

Stoke-on-Trent

Stephanie Burgess aka ‘Marina Red’ is an established zine creator and writer from Cheshire. She is one of the original riot grrrls, having played in punk bands throughout the 90’s. She runs her own fanzine and blog riotgrrrlzine.co.uk, which forms part of her postgraduate research into the Spanish alternative music scene, but also covers Riot Grrrl and punk bands from throughout Europe. She is an old skool paper ‘zine creator, who crafts her ‘zines by hand using collage and a mixed-media approach, creating unique pages and art which are highly representative of punk zine culture and influenced by the Washington Hard-Core Riot Grrrl Scene of the early 1990s. In particular, Kathleen Hanna’s Riot Grrrl Manifesto, which was first published in a ‘zine in 1992. She has written for a variety of online music publications, is a published writer and translator, and also runs creative writing and ‘zine production masterclasses. Currently working towards her PhD “In Search of Spain’s Riot Grrrls” for Manchester University, she has over 20 years experience of both academic study of the writers and musicians of the last century. As a hispanophile with an MA in European Languages and Global Cultures, she can draw upon her deep understanding of the function of language within the creative process and has thus developed her own technique for inspiring others to be creative in a similar way.She is an avid fan of alternative music and has an extensive record collection dominated by female musicians. She can still be found most weekends flicking through the vinyls and CD’s at her nearest music shop or dancing her fishnets off at a punk gig!

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Alison Hawtin - Art Psychotherapist, Clinical Supervisor, Teacher & artist practitioner

alison hawtin - art psychotherapist, clinical supervisor, teacher & artist practitioner

5.0(8)

London

I have over 30 years experience of helping people with emotional, spiritual, and psychological difficulties through art, play and creativity. In groups or one-to-one, and more recently online and outdoors too - or a combination of all of these. I am a registered and qualified Art Therapist/Art Psychotherapist; I got my undergraduate degree in Art & Social Context from Dartington College of Arts in 1992 and my Art Therapy Post-Graduate Diploma (MA equivalence) from the University of Herts, UK in 1994. I’m registered (as required by UK Law to practice) with the HCPC (Health & Care Professions Council) and BAAT (British Association of Art Therapists) as both a Clinical Supervisor and Private Practitioner. I am a Kadampa Buddhist, a buddhist gilder & statue artist, a meditator, a sensitive to the energies of nature, animals, spirituality and an advocate for women’s and oppressed beings rights in a patriarchal world. I have a passion and skill for noticing what often doesn’t get noticed. Artistically when I see something – if it lingers I give it voice through acrylics, collage, digital, animation, photography and poetry. Therapeutically, if it lingers we give it voice through energy, creation, speech and sharing. I’ve published articles, undertaken research and lectured/presented nationally and Internationally since 1997. ”I am passionate about the benefits of Art Therapy and therapeutic arts as a way to help empower you toward self-understanding, connection with self, other, the wider world, and whatever for you is that beyond, emotional expression, and resilience building. My working style is honest, empathic and informed by many theories, experiences and practices”. *YOU DO NOT HAVE TO BE ANY GOOD AT ART TO DO ART THERAPY* I will bring a hefty 'tool-box' into your sessions from 30+ years of working as a community arts facilitator, artist, care-worker, teacher and art therapist. Using developmental, systemic, creativity theory/practice, eastern and western psychology and philosophy, amongst many other art and life-based skills, I will use what will encourage and challenge you, without pushing you anywhere you are not willing to go. I always works from the 'now', what you bring into each session verbally, emotionally, creatively, physically and spiritually - bringing them all to play in my attunement with you, your creative expression and your way of being in the world. Even though together we will set goals for your therapy, the essence of ART THERAPY always beats its heart in your sessions with me, through spontaneity, accident, play, working together, shared-looking, relationship and exploration. Art therapy can be fun! Art therapy can also be tough. As with life the weave of these and all other emotions, memories and experiences make the tapestry. I have considerable experience of working with a wide range of people: ART THERAPY is applicable for anyone - those who simply feel lost, directionless or unhappy and want to explore themselves & their inner worlds; right through to those experiencing extreme difficulties, perhaps in need of specialist or support services, with complex needs, behavioural distress and serious mental or physical health issues. ART THERAPY by nature is adaptable and responsive to each person's needs, abilities and wants and as such, helps you feel accepted for who and where you are now. I have a particular skill working with the effect of emotional trauma in all it's guises - to achieve your empowerment, develop your resilience and help you embrace change and hold onto hope.” Maybe you struggle with verbal expression ('can't say it, won't say it, don't know how to put words to it') or you experience fear, anxiety, delusions, numbing/dissociation or any other uncomfortable feeling that is affecting your and/or others in your life? Perhaps you or someone you know has autistic spectrum conditions or is living with degenerative or palliative illnesses? I have worked with people suffering in so many ways...Acute mental health breakdown, physical ill-health/degenerative or terminal disease, bullying, growing up, painful life transitions, loss, bereavement, abuse, trauma (sexual abuse, PTSD), anxiety/depression, Aspergers syndrome, forensic histories, Personality disorders and other attachment issues.

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Inner Pedagogy/East Midlands Psychedelic Society

inner pedagogy/east midlands psychedelic society

Nottingham

Edward is committed to supporting people move towards wholeness and the role education can play in this process. Edward researches mindfulness, integral and transpersonal psychology and well-being as both a member and convenor of postgraduate research at the Centre for Research in Human Flourishing (University of Nottingham). An avid reader, he is particularly inspired by the writings of Adyashanti, Stanislav Grof, Bernardo Kastrup, Gabor Maté, Rupert Spira, Alan Watts and Ken Wilber. Edward has written numerous articles, book chapters and books on these topics himself. Edward has been rigorously trained, he received a First Class (Hons) Degree in Education and Art from the University of Exeter in 1998 and a PhD in Peace Education and Sociocultural Theory from the University of Birmingham in 2003. Edward is a qualified mindfulness teacher, trained by Patrizia Collard/Enter Mindfulness, a Life Coach and a SoulCollage® Facilitator. He has taken the core modules of the Grof Transpersonal Trainer (GTT) Programme, covering the paradigm of Holotropic Breathwork, The Power Within (Bodywork), Music & Transcendence and Spiritual Emergency. He has also taken elective modules in Jung, Alchemy & The Transformation of Consciousness, and Inner Ethics/Soul Collage. This training has been supplemented by further training from the TRE (Tension & Trauma Releasing Exercises) College and the College of Sound Healing . As part of ongoing quality assurance, Edward receives regular supervision in mindfulness, TRE® and Holotropic Breathwork®, actively researching all of these fields, attending regular conferences, courses and retreats to ensure his work and guidance is informed by deep inner experience and the latest research and good practice. Edward is also a member of the Association for Spiritual Integrity and follows their honour code of ethics and good practice for individuals. Edward has attended a Quaker meeting all of his adult life, adopting a contemplative and universal approach to spirituality. He has served as both a Clerk and Elder to his local. 'Clerkship' involves engaging contemplative approaches and discernment to make spiritually-informed group decisions. Edward continues to practise art, focusing on contemporary altars, shrines and portraiture drawing upon studies at the University of Exeter and the Slade School of Art, London. His work has been shown in numerous exhibitions, winning the prestigious Attenborough Prize in 2011. Edward accepts commissions and much of his work is available for sale. Artwork can be an excellent tool for integration and creativity is employed to help with this process in many of Edward’s courses and workshops.

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Hamdah London

hamdah london

Haverhill

At Hamdah London, each and every one of our luxurious scents is made in-house in the heart of the Cambridgeshire countryside. We create our products in small batches to, not only ensure unbeatable quality and consistency at every stage of production, but to also reduce waste. We source all our ingredients from trusted specialist suppliers, ensuring that every one of our products is ethically and sustainably sourced. The end result embodies all the qualities that Hamdah London holds most dear: luxury, elegance and timelessness. This is an introductory course to perfume creation, you will learn brief history of fragrances, olfactory families and psychology in this creative, hands-on, fun and expert-led workshop. Hamdah offer a half-day group class teach you the basics of perfumery. Led by our master perfumer, you’ll access a starter selection of  premium natural and synthetic perfume ingredients before creating your own bespoke fragrance. Duration: half day (3hr30)   Each workshop is structured around a methodology that uses perfumery expertise and industry-based techniques to foster your intuition in leading you to create a fragrance that is unique and bespoke. * Suitable for any level including beginners * Group size limited to 8-10 participants for a personal experience  * Led by our in-house perfumer * Learn, analyse and describe a selection of 25 individual premium perfumery raw materials spanning a full range of olfactory territories * Learn the basic of perfume making techniques and formulation * Design your very own bespoke premium fragrance with step by step guidance from our perfumer Take home * A 10ml lab bottle of your own signature fragrance * A workbook filled with information learnt during the class Explore the Hamdah London collection today, and watch this space for gorgeous new products on the horizon, including skincare and home diffusers.

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Mersey School of Anaesthesia

mersey school of anaesthesia

Liverpool

Established in 1997, The Mersey School of Anaesthesia (MSA) is principally concerned with preparing Trainee Anaesthetists facing their Primary & Final FRCA Examinations. Originally held within a Charitable Trust Accounts at Liverpool Heart & Chest and Aintree Hospitals, it was advised by the Trust Account Managers that it should be moved and run as an independent Charitable Company. In 2012 the MSA registered with the Charity Commission (Reg. No. 1149165). Income is invested back into the Courses that the MSA run and at the end of each Financial Year, any surplus income is donated to Research, Education and Patient Care charities, these mostly of an anaesthetic texture in the UK or used to support Volunteer Anaesthetists in various Charitable Ventures Abroad. Overall, by the end of March 2021, the MSA has donated a total of over £900,000 to such concerns, all of it by reason of candidates’ subscriptions to our courses and classes allied to the full support of those Anaesthetists, who contribute as Faculties to those Courses without expectation of recompense. Here is a collage of some of the Donations/Funding Grants that have been made in recent years: HERE Its Motto & Objectives The Motto of the MSA is “If you Feed the Children with a Spoon, they will never Learn how to Use the Chopsticks” If you are a Trainee planning on attending MSA Courses, it is important that you must appreciate before you attend that the MSA never claim to provide teaching or distribute teaching materials on its Courses. You must not attend expecting to be taught. The Courses are designed for Exam Preparation and include; – Exposure to Exam Style Questions – Opportunities to Practice in as close to Exam Conditions as we can muster – Learn & Fine Tune Exam Techniques – Peer Learning The advice to Trainees is that they should attend MSA Courses only when they consider themselves adequately Prepared, in terms of knowledge, for the Imminent Examinations. The MSA’s emphatic advice regarding all the FRCA Examinations is that trainees should only sit these examinations when they feel that they Deserve to Pass. It has to be courting Disappointment to enter for these exams Hoping to Pass We also fully appreciate our methods do not suit everyone’s learning style, therefore, you must feel assured before attending that it will help you in your Exam Preparation and subsequently embrace the ‘gameplay’ we offer. We are very conscious of Trainee’s valuable time and want to make sure you make the best use of it. Not everyone finds the same approach useful. We are happy to answer any questions that you may have, but also advise you to speak to Colleagues who have been to MSA Courses in the past to ask them the questions: ‘Why they would recommend?’ and ‘How did the Course help them?’. Supporting Lifebox… The MSA also contributes to Lifebox, an international charity concerned with the improvement of Anaesthetic Services in underprivileged parts of the world where the mortality from General Anaesthesia can be unacceptably high due to a lack of suitable equipment or adequately trained personnel. To date this specific donation is over £35,000. You can find our recent donations HERE Supporting AquAid… We at the Mersey School of Anaesthesia are aware that keeping our Candidates hydrated will aid them to perform at their very best throughout the work day. In 2016, conscious of plastic pollution, the MSA stopped distributing Bottled Water to Candidates at Registration to the Courses. Instead, we invested in a couple of AquAid Water Coolers to be used on the Courses and asked Candidates to bring their own refillable bottle. With each purchase of a Water Cooler Refill Bottle an automatic donation has been made to the Africa Trust. We are delighted to be informed that, as a result, these funds have helped to build an ‘Elephant Pump’ in Africa to provide a much needed source of clean & fresh drinking water for many in the community. Thank you to AquAid for providing an excellent service and for giving us the opportunity to help those less fortunate than ourselves. Please consider AquAid when looking for a ‘Water Solution’ in your business or offices; we would highly recommend! To date [2021] AquAid have donated in excess of £16 million and helped bring a life-time supply of clean, fresh drinking water to more than 3.2 million people.

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Dyane's Stitch in Time

dyane's stitch in time

Durham

She holds a B’tec in Art and Design – focussing on Textile Art in particular Fashion Design and Batik, then trained in Clothing Manufacture & Management at Jacob Kranmer Collage (Now Leeds College of Art) in Leeds more than 30 years ago. Eight years later she took time out to gain a BA(hons) in Environmental Ethics at Wolverhampton University. In recent years she took her PGCE for Teaching in the Lifelong Learning Sector at University of Sunderland. Over the years she has stitched costumes, cushions and curtains for numerous projects / shows in England, Wales, India & Canada; becoming a company director of Eco-Babes – a cloth nappy company in 1998 until 2006 and Arts Director for Gaunless Valley Creatives CIC 2015 – 2018. As an artist some of her Batiks with freestyle embroidery have been exhibited in Art Galleries. Dyane’s Stitch in Time was set up in Norfolk in 2008 and moved back to County Durham in 2012. By focussing on Repairs & Alterations, she blends her skill in sewing with her interest in the environment with particular focus on waste minimisation. She also uses a vintage hand wheel Singer during power cuts and for repairs to vintage clothing. Over the years Dyane has enjoyed combining her textile skills with her environmental concerns & community spirit with others of all ages. Of particular success is the Stitch Kidz Club held for KS2 & KS3 Children, originally in Norfolk with kids becoming skilled enough to make their own trousers, skirts and tops, this has now been revived succesfully in this area. Stitch Kidz don’t just make items for themselves they get involved with the community, making dresses from pillowcases for a local Trashion show which were then sent to Dress a Girl around the world. Plus some of the accesories hats, bags and belts for National Show Kynryn for their community certificate :-). Many in Sew Social help make washable cloth sanitary pads for women in Syria and Pakistan. On moving to Durham she has become involved with holding a variety of Textile and Art Workshops for children, teens and Adults in the local Community via Lot 64 in Darlington The Bowes Museum, The Hub, Witham, NeST – Barnard Castle, Evenwood Family Programme, Gaunless Valley Creatives in Cockfield, Colour Your Life, The POD – Bishop Auckland, Auckland Castle, The Forum – Northalerton, UK Sewing Shop – Darlington, Durham Crafty Mums and several schools. Recently there has been a resurgence of interest in learning more practical life skills, folk dusting down their sewing machines and wanting to learn how to sew. I enjoy working with individuals helping them to learn these essentials, working on personal projects. In 2020 during the first Lockdown of the pandemic Dyane’s Stitch in Time had to temporarily close the business for three months, however Dyane got very busy volunteering with the Sewing for the Front Line North East project, started by Zoe Worrell & Alison Mathews instead, becoming one of their area co-ordinators, networking with other co-ordinators and personally ensuring around 35 home sewers had the patterns, donated fabric (including a lot of bedding to be upcycled 🙂 and the haberdashery they needed to create the Scrubs, Gowns, washbags & ear defenders that our NHS staff desperately needed. Stitch Kidz got involved too from their homes, making wash bags and heart pairs for families of covid patients in intensive care. Through all the amazing efforts of the local home sewers she was able to covid safely deliver thousands of items including hundreds of scrub sets and gowns to Auckland, Durham, Darlington Memorial General Hospitals, West Park, Auckland Park and Lanchester Mental Health Hospitals, some fun childrens’ character themed ones even reached paediatric teams in hospitals further afield and the local community teams of Midwives and Health visitors. Towards the end of lockdown we were also able to give 150 gowns to Premier Care for their large team of local Carers in Bishop. All in all between all the incredible volunteers – donating time and skills the Area Co-ordinators and their home Sewing ladies (and children) we were able to supply thousands of scrubs, gowns and washbags to help protect our NHS and Care home workers from the corona virus all across Northumbria, Durham and Teesside. Although later lockdowns have not meant the business has had to close, as we have adapted to the constantly changing ‘new normal’, it has severely limited the service that can be offered. So in early 2021 Dyane is using the quieter business time to complete a course in Direct Method Construction for high end dressmaking. She hopes these enhanced pattern construction skills will serve her customers well and add to the skills she can share in workshops when such activities can resume 🙂

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Courses matching "collage"

Show all 81

Creative Practice

By Airtily

Live via Zoom. Fortnightly - 1/15/29 Oct, 12/26 Nov, 10 Dec - 6-8pm UK time Join artist Julie Galante for this course designed to nurture your creative practice. Together we’ll explore ways to create work that reflects your individual interests, passion, and point of view, no matter your experience level. The course content is delivered over six live Zoom sessions, in a small, welcoming group with plenty of opportunities for interaction. Additionally, there will be optional (but highly recommended) assignments to complete in between the live sessions - assignments designed to get you stuck in to your creative practice in new and interesting ways. During each live session, there will be a demonstration focusing on a particular aspect of visual art - this will include various materials, subjects, and considerations such as composition, theme, mark-making, layering, and so on. We will also have a look at everyone’s recent creations, with celebration of the triumphs and suggestions for moving forward with work-in-progress. Together we’ll explore techniques including drawing, painting, mixed-media, and collage, but you don’t have to work exclusively in these media to take part - all creative disciplines are welcome. Each participant will be encouraged to deepen their explorations in whatever direction interests them most - be it a series of drawings, written reflections, sketches, collages, photographs, mixed-media pieces, or a unique, personal combination of all these. There will be an optional Facebook group for participants to stay connected and share their creations with each other between sessions. There will also be discounts available for other workshops and one-to-one mentoring. 

Creative Practice
Delivered Online + more
£225

Poster Design & Print Graphics

4.8(34)

By Stills

From propaganda to advertising, posters are a ubiquitous, powerful vehicle to take a message to the masses. Over four weeks, learn how to approach poster design in a creative and practical way. Although some computer work will be introduced, it will only be used as another production tool, participants will be encouraged to experiment with analogue techniques such as collage and hand-generated type. You will learn about the history of poster design; learn to use aspects of Adobe InDesign, Illustrator and Photoshop; develop approaches to letterform and layout. The emphasis of this course is on the development of a set of posters from research and design through to output. Week 1: History History of Poster Design: Looking at significant and famous posters from around the globe and their impact on society. Practical activity: After a quick introduction to InDesign we will recreate one of these posters, studying the component parts and their relationships to one another. Homework: Think of a concept for your design. What is it for? Who is your target audience? Where and how will it be displayed? Select a favourite poster to bring in or discuss with the group in week 2. Week 2: Image We will begin by discussing participant posters they have brought in to share and look at positives and potential negatives within the designs. Image selection can be a key factor to the success of your poster campaign. We will think about the choices between photography and illustration looking at examples of how this is done successfully. Think about the different ways we can generate and use images. Practical activity: Consider what medium the image might be and how it can be created. Learn about flatbed/film scanner for potential use in image creation. Week 3: Fonts We will look at how typography impacts designs and the messages that it can convey by itself. Consider various approaches to how we can generate type. How typographic selections work alongside selected images. Practical activity: Work through a few typographic workshops thinking about how typographic choices will alter the message you are trying to convey. We will consider various ways and techniques of creating type for our poster. Homework: Developing your typographic solution further, if required. Work through variations of layout. Week 4: Output Continue working on our posters making final tweaks and selecting the poster that is our most successful design for output. We will look at the various formats for output and how we prepare our posters for print. Look at usage of different poster sizes – why use one over the other?? Practical activity: Size your final poster and get it ready for output (if working analogue, scan final poster and upscale).   Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.

Poster Design & Print Graphics
Delivered In-Person in Edinburgh + more
£199

Biodiversity training - Biodiversity collage workshop

By The C Collective

Join a Biodiversity collage workshop to learn about the biodiversity crisis and how to tackle it.

Biodiversity training - Biodiversity collage workshop
Delivered in London or UK Wide or OnlineFlexible Dates
£1,500 to £5,000

Portrait Collage for Beginners

By Airtily

Join artist Julie Galante for this online workshop in which you’ll make paper collages out of recycled and reused materials. Collage is a way of creating a visual work of art by combining different elements - be they found images, patterns, bits of text, textured papers - in new and sometimes unexpected ways. This workshop, which will be delivered via Zoom, is suitable for absolute beginners - no previous experience with collage required! Julie will provide step-by-step demonstrations and guide you through making your own series of collage faces. To prepare for the workshop, you’ll start collecting various bits of paper that you come across in your daily life. This can include newspapers and magazines, flyers, advertisements, packaging, photos, gift wrap, instruction sheets, pretty much anything! One of the things we love about collage is repurposing materials that would otherwise end up in the recycling bin. In the workshop, you'll arrange and combine these collected items to create unique pieces of art.

Portrait Collage for Beginners
Delivered OnlineFlexible Dates
£30

Surrealism and Silliness

By Airtily

Join artist Julie Galante for this new online workshop in which you’ll make paper collages out of recycled and reused materials. In this session we’ll be getting creative and a little silly with found images and words. Julie will provide step-by-step demonstrations and guide you through making your own series of collages. Collage is a way of creating a visual work of art by combining different elements - be they found images, patterns, bits of text, textured papers - in new and sometimes unexpected ways. This workshop, which will be delivered via Zoom, is suitable for absolute beginners - no previous experience with collage (or surrealism) required! To prepare for the workshop, you’ll start collecting various bits of paper that you come across in your daily life. This can include newspapers and magazines, flyers, advertisements, packaging, photos, gift wrap, instruction sheets, pretty much anything! One of the things we love about collage is repurposing materials that would otherwise end up in the recycling bin. In the workshop, you'll arrange and combine these collected items to create unique pieces of art.

Surrealism and Silliness
Delivered OnlineFlexible Dates
£30

Sea Shells Mixed Media Mini Course

5.0(6)

By Discovery Art Class

Using collage as a starting point, drawing and painting sea shells in a variety of media and techniques, paper cut gouache acrylic pastel

Sea Shells Mixed Media Mini Course
Delivered Online On Demand
£25

Pattern, Shape, Colour Masterclass with Bethan Ash

By Queen Street Gallery

Masterful use of shape can take your work to new heights, add vitality and energy to your work with improvised free cut shapes is the goal of this workshop. Exercises will focus on sharpening your awareness of the role shape can play in your work. Ideas will be developed by using fused fabric studies. Fabric compositions will be developed using piecing and raw edge fused collage. Learn to use shape and colour confidently by fusing, appliqueing, piecing or stitching them to add movement and direction to your work. Working with a variety of shapes you will learn how to add a new graphic quality by stitching or overlapping colour to make an individual free-form composition.  You may choose to work by hand or machine or both.

Pattern, Shape, Colour Masterclass with Bethan Ash
Delivered In-PersonFlexible Dates
£300

'Small objects of desire' 2 day workshop with Cas Holmes

By Queen Street Gallery

Taking our inspiration from everyday objects, (cups, bowls etc) collections  of natural forms (shells, feathers, leaves) or other types of personal memorabilia as a starting point for developing themes we will create our own layered, collage and stitch ‘Still Life’ or ‘Landscape/Nature Study’

'Small objects of desire' 2 day workshop with Cas Holmes
Delivered In-PersonFlexible Dates
£185

Textile Scrapbooking And Journals

5.0(24)

By Sew Forest of Dean

Journals and scrapbooks have always been a great way to record events, memories or just to develop ideas and interests. 

Textile Scrapbooking And Journals
Delivered In-PersonFlexible Dates
£65

Dorset dairy cows webinar 2nd May 11am GMT

By Marilyn Allis

In this live webinar workshop with Marilyn Allis, you will learn how to create a beautiful scene from a Dorset farm using watercolour and mixed-media techniques. In this class, you will focus on bringing farm animals to life when tackling the subject of dairy cows. Don't worry if you're a beginner, Marilyn will guide you through using a combination of mixed-media, including collage and watercolour, to achieve an impressive painting. You'll explore new techniques and approaches in a supportive environment, allowing you to experiment without feeling overwhelmed. - You'll discover how to incorporate subliminal references subtly into your artwork - Marilyn will provide tips and advice suitable for artists of all levels - Learn how to create loose impressionistic paintings without overthinking Throughout the class, you will work with paper for a subliminal underlying story or as a different type of canvas. Using metallic mediums and some ink. This hands-on experience may inspire you to see your subject matter in a new light and develop your skills further. Join Marilyn Allis in this transformative workshop, where you'll learn, create, and explore your artistic abilities in an engaging and encouraging setting.

Dorset dairy cows webinar 2nd May 11am GMT
Delivered OnlineFlexible Dates
£10 to £69
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