495 Narrative courses in Birmingham delivered Online

LOOKING FOR: MG, YA, ADULT FICTION, ADULT NON-FICTION, NON-FICTION FOR 7+ Megan Carroll is looking for writers in a variety of areas, and from a wide range of backgrounds – she is particularly keen to hear from Black, Asian, and LGBTQIA+ writers. Her main areas of focus this year are adult fiction and non-fiction, as well as non-fiction for 7+, and MG and YA fiction. In Fiction, Megan is keen to see high-concept love stories (think The Flat Share or The Lock In) for both commercial and reading group readers. She’d love to see those familiar romance tropes – enemies to lovers, friends to lovers, love triangles, forbidden love etc. – with underrepresented characters at the centre. She is also looking for historical fiction and gothic horror (think Laura Purcell, Stacey Halls and Silvia Moreno-Garcia) – anything that has a creepy, uneasy undertone is likely for Megan’s list. Megan is also actively looking for upmarket fiction and would love to see layered family drama, contemporary stories about life today and darkly comic novels that explore a specific time, place or experience. In Non-Fiction, Megan is keen to hear from experts in their field talking about topics relating to film, music, true crime, popular culture, history and issues from largely unrepresented perspectives. She is keen to see memoir, narrative non-fiction and essay collections. In Children’s and YA, she is keen to see contemporary YA with humour, and romance at the heart – fun and emotional stories that appeal to the interests and issues of the teenage readers. She’d also love to see thrillers and horror stories for this age group too. It’s unlikely that high fantasy novels for YA readers will be right for her, but she is keen to see stories with fantasy elements in a real world setting. On the younger end, Megan is looking for funny, contemporary middle grade – think Louise Rennison and Karen McCombie – and anything creepy and spooky for 8-12 year old readers too. She’d love to find something like Lemony Snicket’s A Series of Unfortunate Events and is keen to find original adventure stories in both fantasy and realistic settings. Megan would like you to submit a covering letter, 1 page synopsis and the first three chapters or 5,000 words of your manuscript in a single word document. (In addition to the paid sessions, Megan is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print).  By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting. The submission deadline is: Thursday 24th April 2025

LOOKING FOR: PICTURE BOOK TEXTS / ILLUSTRATIONS Lucy Brownridge is Editorial Director at Wide Eyed Editions and Frances Lincoln Children’s Books, and formerly Thames & Hudson where she helped to establish the Children’s list. She has developed and edited books for children with Alan Ahlberg, Quentin Blake, Mariajo Ilustrajo, Kristjana S Williams, Bob & Roberta Smith, Yuval Zommer and Joe Coelho among others. She is the author of The Cat Family series, and many non-fiction titles for children. She is interested in the history of picture books and is always looking for innovative ways to use the book format. Her favourite books are funny, deceptively simple, thoughtfully written, distinctively illustrated and encourage a love for reading both words and pictures. Lucy would like you to submit the following depending on whether you are a picture book writer / illustrator or both. ABOUT YOU Include a covering letter, in a word document, telling Lucy about yourself and your sources of inspiration. If you have one, include a link to your website. She is keen to read stories she hasn't seen before or see artwork with a distinctive style rather than something that fits with trends. She has particular experience with picture books and illustrated narrative non-fiction. AUTHORS Please send a full manuscript (or 3), in a word document, starting with a short summary/blurb. Make the summary punchy and engaging. Remember that the best picture book stories are simple and every word should count. Do you see this book as part of a series? ILLUSTRATORS If you have a picture book idea please send a story board and a summary of the story. Please send a diverse selection of artworks from your portfolio. It is useful to see examples of the following: people of different ages and ethnicities, character studies showing a range of clothes and expressions, animals, a selection of everyday objects, wide-angle vistas, an example of a book cover (i.e. a classic book reimagined). Please send these in PDF where possible. (In addition to the paid sessions, Lucy is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print).  By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting. The submission deadline is: Wednesday 23rd April 2025

This course provides a comprehensive exploration of various humanistic therapy approaches. Participants will learn to apply client-centered therapy principles, analyze existential therapy concepts, implement gestalt therapy techniques, explore logotherapy methods, and incorporate narrative therapy principles.  After the successful completion of the course, you will be able to learn about the following, Apply client-centered therapy principles in fostering empathetic and supportive therapeutic relationships. Analyze and apply existential therapy concepts within the physical, social, personal, and making realms. Implement gestalt therapy techniques, including the paradoxical change, "here" and "now" focus, empty chair, and exaggeration techniques. Explore logotherapy methods such as dereflection, paradoxical intention, and Socratic Dialogue. Incorporate narrative therapy principles, including fostering respect, non-blaming approaches, and recognizing the client as the expert in their own narrative. Participants will apply client-centered therapy principles to build empathetic therapeutic relationships. They will analyze and apply existential therapy concepts across various realms. Gestalt therapy techniques, including paradoxical change and "here" and "now" focus, will be mastered. Logotherapy methods such as dereflection and paradoxical intention will be explored, along with incorporating narrative therapy principles.   Explore a range of therapeutic methods in this course, including client-centered therapy for building empathetic connections, existential therapy for multi-realm analysis, gestalt techniques for dynamic interventions, logotherapy for profound exploration, and narrative therapy principles fostering respect and empowering clients as narrative experts. Course Structure and Assessment Guidelines Watch this video to gain further insight. Navigating the MSBM Study Portal Watch this video to gain further insight. Interacting with Lectures/Learning Components Watch this video to gain further insight. Types of Humanistic Therapy Self-paced pre-recorded learning content on this topic. Types of Humanistic Therapy Put your knowledge to the test with this quiz. Read each question carefully and choose the response that you feel is correct. All MSBM courses are accredited by the relevant partners and awarding bodies. Please refer to MSBM accreditation in about us for more details. There are no strict entry requirements for this course. Work experience will be added advantage to understanding the content of the course. The certificate is designed to enhance the learner's knowledge in the field. This certificate is for everyone eager to know more and get updated on current ideas in their respective field. We recommend this certificate for the following audience. Humanistic Therapist Client-Centered Counselor Gestalt Therapist Existential Psychotherapist Logotherapist Narrative Therapist Holistic Wellness Coach Empowerment Counselor Person-Centered Psychotherapist Mindfulness Therapist Average Completion Time 2 Weeks Accreditation 3 CPD Hours Level Advanced Start Time Anytime 100% Online Study online with ease. Unlimited Access 24/7 unlimited access with pre-recorded lectures. Low Fees Our fees are low and easy to pay online.

Journey into the art of English essay writing with the course 'Award in Essay Writing in English at QLS Level 2.' This engaging programme is designed to develop and hone your skills in crafting compelling essays, with a specific focus on narrative style. The course begins with a foundational introduction, setting the stage for a deeper exploration into the world of narrative essays. Across the modules, learners will delve into the intricacies of structuring and expressing their thoughts in a clear, persuasive manner. The course uniquely integrates the study of notable essays, such as 'Shooting an Elephant,' providing practical examples to enrich learning. As you progress, you'll engage with the texts both through readings and insightful discussions, enhancing your understanding of different narrative techniques and styles. The course also includes an introduction to the essay 'Most Important Day,' followed by a detailed reading and discussion session. This structured approach not only aids in comprehending various narrative elements but also encourages critical thinking and analytical skills. The final module invites you to apply your newly acquired knowledge by crafting your own narrative essay, a culmination of your learning journey. Learning Outcomes Understand the fundamentals of narrative essay writing. Analyse and interpret renowned narrative essays for style and technique. Develop skills in structuring and writing compelling narrative essays. Enhance critical thinking and analytical abilities through text discussion. Apply learned techniques to create your own engaging narrative essay. Why choose this Award in Essay Writing in English at QLS Level 2 course? Unlimited access to the course for a lifetime. Opportunity to earn a certificate accredited by the CPD Quality Standards after completing this course. Structured lesson planning in line with industry standards. Immerse yourself in innovative and captivating course materials and activities. Assessments are designed to evaluate advanced cognitive abilities and skill proficiency. Flexibility to complete the course at your own pace, on your own schedule. Receive full tutor support throughout the week, from Monday to Friday, to enhance your learning experience. Who is this Award in Essay Writing in English at QLS Level 2 course for? Students looking to improve their essay writing skills in English. Aspiring writers interested in narrative essay crafting. Educators seeking effective methods to teach narrative essay writing. Individuals aiming to enhance their analytical and critical thinking through writing. Professionals wanting to develop clear, persuasive writing skills for their career. Career path Content Writer: £20,000 - £35,000 English Teacher: £25,000 - £40,000 Editor: £23,000 - £37,000 Copywriter: £22,000 - £36,000 Academic Researcher: £26,000 - £39,000 Communications Specialist: £24,000 - £38,000 Prerequisites This Award in Essay Writing in English at QLS Level 2 does not require you to have any prior qualifications or experience. You can just enrol and start learning. This course was made by professionals and it is compatible with all PC's, Mac's, tablets and smartphones. You will be able to access the course from anywhere at any time as long as you have a good enough internet connection. Certification After studying the course materials, there will be a written assignment test which you can take at the end of the course. After successfully passing the test you will be able to claim the pdf certificate for £4.99 Original Hard Copy certificates need to be ordered at an additional cost of £8. Endorsed Certificate of Achievement from the Quality Licence Scheme Learners will be able to achieve an endorsed certificate after completing the course as proof of their achievement. You can order the endorsed certificate for only £75 to be delivered to your home by post. For international students, there is an additional postage charge of £10. Endorsement The Quality Licence Scheme (QLS) has endorsed this course for its high-quality, non-regulated provision and training programmes. The QLS is a UK-based organisation that sets standards for non-regulated training and learning. This endorsement means that the course has been reviewed and approved by the QLS and meets the highest quality standards. Please Note: Studyhub is a Compliance Central approved resale partner for Quality Licence Scheme Endorsed courses. Course Curriculum Award in Essay Writing in English at QLS Level 2 Module 01: Introduction 00:01:00 Module 02: The Narrative Essay 00:08:00 Module 03: The Narrative Essay / part 2 00:11:00 Module 04: Introduction to the Essay 'Shooting an Elephant' 00:02:00 Module 05: A reading of 'Shooting an Elephant' 00:17:00 Module 06: Discussion on 'Shooting an Elephant' 00:07:00 Module 07: Introduction to 2nd Essay - 'Most Important Day' 00:01:00 Module 08: A reading - 'Most Important Day' 00:07:00 Module 09: Discussion - 'Most Important Day' 00:03:00 Module 10: Prompt for your own Narrative Essay 00:05:00 Resources Resources - Award in Essay Writing in English at QLS Level 2 00:00:00 Assignment Assignment - Award in Essay Writing in English at QLS Level 2 02:00:00 Order your QLS Endorsed Certificate Order your QLS Endorsed Certificate 00:00:00

LOOKING FOR: ADULT FICTION, NON-FICTION Daisy Chandley joined PFD in 2019 after graduating from the University of Oxford with a BA in Politics, Philosophy and Economics. She is an Associate Agent and assistant to Senior Agent Annabel Merullo and Head of Books Tim Bates as the UK sub-agent for New Directions Publishing in the US. Daisy is actively building a list of both fiction and non-fiction authors across a range of genres. With fiction, Daisy's wishlist roughly falls into three categories – if something feels like it overlaps between them, even better! 1) Sharp, original novels on the literary to upmarket spectrum, all the way from deeply dark and boundary-pushing books like Hurricane Season, Under The Skin or In The Cut to those balancing edge, heart and humour, like Detransition, Baby or A Visit From The Goon Squad. She loves irreverent wit, daring approaches in narrative or form, and seriously unsettling stories in equal measure, and if you can bring a few of those elements into one, it’ll go straight to the top of her. 2) Com-heavy rom-coms, whether in the dry but ultimately sob-inducing vein of Greta and Valdin or a Nora Ephron film, the escapist screwball delight of a Cary Grant classic, or the more unusual, genre-bending style of something like Palm Springs. Daisy is a sucker for Emily Henry and will always be happy to see an innovative take on tropey love stories, but is equally very keen to see to things a bit outside of the box, whether that’s integrating speculative elements, dark humour, or topical issues. In any case, humour and originality are my priority, and affectionately snarky bickering is the best way to make her fall head over heels with a couple. 3) Sleuths! Daisy is not the right person for police procedurals, but loves classic detectives and amateur sleuths. Whether it’s a delightful Knives Out or Nancy Drew homage or an intricate, unputdownable mystery on the darker side, the minute someone finds a good old fashioned clue, count her in! Overall, whether it’s a delightfully fun and scandalous page-turner or something really bold and experimental, if it’s stylish and smart – and maybe even a bit sexy – Daisy would love to see it. Daisy is definitely interested in literary speculative fiction, though not generally looking for hard SFF. Across the board, she is always looking for stories that explore sexuality, race, gender, and disability, and would particularly love to hear from writers whose voices and experiences aren’t given enough space in publishing. On the non-fiction side, Daisy is looking for bold new insights and underrepresented voices on popular science, nature writing, relationships, social issues and politics, and am always especially interested in fresh, playful and exciting writing on pop culture, love and the internet. She’d also love to see illuminating narrative non-fiction, whether a beautiful and lyrical exploration, or an enthralling and explosive deep-dive. A (large) handful of authors past and present whose work Daisy loves include Patricia Lockwood, Toni Morrison, Elif Batuman, Gillian Flynn, Shirley Jackson, Raven Leilani, Max Porter, Carmen Maria Machado, Virginia Woolf, Sayaka Murata, Kiley Reid, Sally Rooney, George Saunders, Joan Didion, Amy Liptrot, Ottessa Moshfegh, J.D. Salinger, Donna Tartt, Bret Easton Ellis, and Fernanda Melchor. Daisy is not the right fit for Children’s or YA authors.  Daisy would like you to submit a covering letter, 1 page synopsis and the first 2,500 words of your manuscript in a single word document. (In addition to the paid sessions, Daisy is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print).  By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting. The submission deadline is: Thursday 8th May 2025

Overview: Advanced Digital Illustration: Exploring Mixed Media Techniques   Unlock your creative potential and take your digital illustration skills to the next level with our comprehensive course: 'Advanced Digital Illustration: Exploring Mixed Media Techniques.' Whether you're a seasoned illustrator looking to expand your skillset or a beginner eager to dive into the world of digital art, this course offers a structured and immersive learning experience.   Module 1: Introduction to Advanced Digital Illustration Embark on your journey into advanced digital illustration with a solid foundation. Learn about the tools, techniques, and principles that will guide you through the rest of the course. Understand the importance of digital workflows, file management, and establishing your unique artistic style.   Module 2: Fundamentals of Composition and Color Theory Master the art of composition and color theory to create visually captivating illustrations. Explore the principles of balance, focal points, and harmony while delving into the psychology behind color choices. Elevate your artwork by understanding how to effectively communicate mood, emotion, and narrative through composition and color.   Module 3: Exploring Mixed Media Techniques in Digital Illustration Unleash your creativity by merging traditional and digital mediums in your artwork. Discover a variety of mixed media techniques, including incorporating hand-drawn elements, textures, and collage into your digital illustrations. Learn how to seamlessly integrate these techniques using popular software tools and workflows.   Module 4: Illustrating Characters and Portraits Bring your characters and portraits to life with depth, personality, and expression. Dive into the fundamentals of character design, anatomy, and facial expressions. Develop your skills in creating compelling character illustrations that resonate with your audience and convey powerful storytelling.   Module 5: Creating Dynamic Backgrounds and Environments Transport your viewers to immersive worlds through captivating backgrounds and environments. Learn essential techniques for creating dynamic landscapes, cityscapes, and atmospheric settings. Explore perspective, lighting, and mood to breathe life into your illustrations and enhance the narrative impact.   Module 6: Storyboarding and Narrative Illustration Master the art of visual storytelling through storyboarding and narrative illustration. Understand the fundamentals of sequential art, pacing, and composition to effectively convey narratives and concepts. Dive into practical exercises and projects that challenge you to craft compelling visual stories from start to finish.   By the end of this course, you'll emerge as a proficient digital illustrator equipped with the knowledge, skills, and confidence to tackle diverse illustration projects with creativity and flair. Elevate your artistic journey and join us in exploring the boundless possibilities of advanced digital illustration. Course Curriculum Module 1_ Introduction to Advanced Digital Illustration Introduction to Advanced Digital Illustration 00:00 Module 2_ Fundamentals of Composition and Color Theory Fundamentals of Composition and Color Theory 00:00 Module 3_ Exploring Mixed Media Techniques in Digital Illustration Exploring Mixed Media Techniques in Digital Illustration 00:00 Module 4_ Illustrating Characters and Portraits Illustrating Characters and Portraits 00:00 Module 5_ Creating Dynamic Backgrounds and Environments Creating Dynamic Backgrounds and Environments 00:00 Module 6_ Storyboarding and Narrative Illustration Storyboarding and Narrative Illustration 00:00

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Unlock the secrets of captivating crime fiction with our Writing Course: Characters and Story Development. Dive into the world of suspense, master character creation, and perfect your plotting and pacing. From dialogue mastery to investigative techniques, craft the ultimate crime narrative. Elevate your writing with expert guidance on complex narratives, twists, and polishing for publication. Join us on a thrilling journey from inspiration to publication in this comprehensive writing workshop.

Overview: Storyboarding for Animation and Motion Graphics   Welcome to 'Storyboarding for Animation and Motion Graphics,' your comprehensive guide to mastering the art of visual storytelling. Whether you're a seasoned animator or a newcomer to the world of motion graphics, this course is designed to equip you with the essential skills needed to create captivating narratives that come to life on screen.   Module 1: Introduction to Storyboarding for Animation and Motion Graphics In this introductory module, you'll dive into the fundamentals of storyboarding, understanding its importance in the animation and motion graphics pipeline. Learn about the history of storyboarding, its role in pre-production, and how it serves as a blueprint for your projects.   Module 2: Narrative Structure and Story Development Explore the intricacies of storytelling as you delve into narrative structure and development. Discover how to craft compelling stories that engage your audience and keep them invested from beginning to end. Learn techniques for building tension, developing characters, and creating memorable arcs.   Module 3: Visualizing Ideas and Thumbnails Unlock your creativity as you learn how to visualize your ideas through the process of thumbnail sketching. Master the art of quickly capturing concepts and translating them into visual sequences. Explore different thumbnailing techniques and discover how to refine your ideas into polished storyboards.   Module 4: Shot Types and Framing Dive into the world of cinematography as you explore various shot types and framing techniques. Learn how to effectively use camera angles, composition, and framing to enhance the storytelling in your animations and motion graphics projects. Understand the impact of different shots on the viewer's experience and how to choose the right ones for your story.   Module 5: Camera Movement and Blocking Take your storyboards to the next level by incorporating camera movement and blocking. Explore techniques for choreographing movement within your scenes, creating dynamic sequences that draw the viewer in. Learn how to use camera movement to convey emotion, guide the viewer's focus, and enhance the overall narrative flow.   Module 6: Visual Storytelling Techniques In this final module, you'll learn advanced visual storytelling techniques to elevate your animations and motion graphics. Discover how to use color, lighting, and visual effects to enhance mood and atmosphere. Explore ways to add depth and dimension to your scenes, creating immersive worlds that captivate your audience.   By the end of this course, you'll have the skills and knowledge needed to create compelling storyboards for animation and motion graphics projects of any scale. Whether you're working on a short film, a commercial, or a feature-length production, you'll be equipped to bring your creative vision to life in stunning detail. Enroll now and unlock your potential as a master storyteller! Course Curriculum Module 1_ Introduction to Storyboarding for Animation and Motion Graphics Introduction to Storyboarding for Animation and Motion Graphics 00:00 Module 2_ Narrative Structure and Story Development Narrative Structure and Story Development 00:00 Module 3_ Visualizing Ideas and Thumbnails Visualizing Ideas and Thumbnails 00:00 Module 4_ Shot Types and Framing Shot Types and Framing 00:00 Module 5_ Camera Movement and Blocking Camera Movement and Blocking 00:00 Module 6_ Visual Storytelling Techniques Visual Storytelling Techniques 00:00

Telling Stories that Inspire: Create Engagement and Belief so People will Act In this active presentation, participants will encounter the deep and fascinating body of knowledge around organizational narrative. This isn't about performance or building your "public speaking" skills. It is a recognition that story is a strategic act: Which stories should leaders tell? It begins with selection, because when you tell the right story at the right time the results can be transformational. David Hutchens will introduce participants to storytelling through a lens of change management. They will discover the three stories they should be telling now in order to move the system and engage their team in a context of extreme uncertainty. Attendees of this session will: Explore how stories of continuity, novelty, and transition are needs that every organizational system has. Hear specific examples of how other leaders and organizations are telling these stories. Identify some of the 'narrative assets' (the value-holding stories) that they can start telling right away!