3468 Courses in Swanley

DATE: Tuesday 14th May TIME: 4:00pm LOCATION: Studio A On Tuesday 14th May we'll be hosting an International Students Event in Studio A, an opportunity for our international students to come together, get to know one another and share short films from their home countries and states, followed by some casual drinks and finger food.If you are planning on attending, please fill in this form where you can submit the film you wish to present. All films should be accessible for free online using platforms such as YouTube or Vimeo.

DATE: 15th July TIME: 4pm LOCATION: Studio A BAFTA winners Chris Wilder and Daisy Jacobs are a pair of writer/directors who will be coming in to showcase and discuss their short films, as well as their experiences directing animation and their progress after finishing film school 10 years ago. If you have any interest in animation, directing, screenwriting or just what you can expect after graduation, these are the perfect guests to come along and meet. Be sure to book your tickets in advance.

Time: 4pm Date: 4th December Location: Studio A Come along to our last regular Film Club of 2023, as we cap it off with a martial-arts masterpiece, Ang Lee's Crouching Tiger, Hidden Dragon. Be sure to book your tickets in advance for this great, spirited adventure film that will have you on the edge of your seat!

Time: 4pm Date: Friday 8th December Location: Studio A Come and celebrate the work of your fellow CFS students and staff, as we showcase short films that have been made within our academic community! Featuring a wide variety of different visual stories, genres, themes and ideas, we are proud to be showcasing all these films in Studio A on the big screen! Be sure to book your ticket to come along to our school's own miniature film festival!

Time: 3:45pm Date: Wednesday 13th December Location: Studio A Our Festive Film has been picked by you all, and it's the 90s holiday classic HOME ALONE! Kevin McCallister (Macauly Culkin) is fed up with his family, so when he accidentally misses being taken on their Christmas holidays, he's left all by himself in the family home. Kevin needs to learn how to fend for himself quickly though, as two scheming burglars plan to loot all the nice wealthy houses that have been left empty over the holidays. Be sure to book tickets in advance to this exclusive Christmas Screening taking place in Studio A before the Christmas Party at the nearby ARCH Clapham afterwards!

Date: Tuesday 12th December Time: 4pm Location: Studio A Noted documentarian Craig McCall will be joining us to show his documentary CAMERAMAN: The Life & Work of Jack Cardiff and to discuss the career of the legendary cinematographer, whose work includes some of the most acclaimed British films of the time (The Red Shoes, Black Narcissus, A Matter of Life and Death). Craig is a dedicated film historian, and this event is open to anyone interested in cinematography, film history or British cinema. Craig McCall’s documentary CAMERAMAN: The Life & Work of Jack Cardiff premièred at Cannes and subsequently screened at over fifty film festivals and was sold worldwide. As an Executive Producer he has made other film related docs including Me & Me Dad on film director John Boorman which also premièred at Cannes, Natan on the pioneering French filmmaker Bernard Natan, Behind The Sword In The Stone on the making of ‘Excalibur’ and Leslie Howard: The Man Who Gave A Damn. All his films have been made independently outside the broadcast system. 

Date: Monday 11th December Time: 4pm Location: Studio A One of the most important British films of all time, Powell & Pressburger's Black Narcissus will be screened in advance of our December Professional Perspectives guest, Craig McCall, who will join us to speak about the career of Jack Cardiff, one of British cinema's most acclaimed cinematographers ever. Set in a mysterious monastery high in the Himalayas, the film focuses on the mental unravelling of a group of nuns trying to establish a school there, whilst erotic paintings on the ancient palace walls taunt their deepest, darkest desires. Come see the film that won Jack Cardiff the Oscar for Best Cinematography, and that lives on today as a prime example of psychological drama.

Location: Studio A, Central Film School Time: 6pm-7:30pm Date: Thursday 7th December Led by Zosha Nash, Head of Philanthropy at The Old Vic, this session will cover a broad range of topics in relation to funding in the arts. You will come away with knowledge of philanthropy, funding and development in theatre, associated roles and career paths as well as a range of skills to apply to your own creative journeys, projects and funding endeavours. Some topics covered will include: Why the arts need philanthropy Who becomes a fundraiser, and where it can take you? Who funds theatre and theatres? Types of funders: Trusts, individuals, corporates and events The funding pipeline: prospecting to applying to reporting Transferable skills in the arts and beyond Skills for funding your own projects PLACES MUST BE BOOKED BY MIDDAY ON MONDAY 4TH DECEMBER LATEST!

On the outskirts of Gaza City a small community of farmers, the Samouni extended family, is about to celebrate a wedding. It's going to be the first celebration since the latest war. Amal, Fuad, their brothers and cousins have lost their parents, their houses and their olive trees. The neighborhood where they live is being rebuilt. As they replant trees and plow fields, they face their most difficult task: piecing together their own memory. Through these young survivors' recollections, Samouni Road conveys a deep, multifaceted portrait of a family before, during and after the tragic event that changed its life forever.

Date: Monday 27th November Location: Studio A Time: 4pm Writer turned director Paul Schrader (Taxi Driver, Raging Bull, First Reformed) created a unique, avant-garde biopic about notorious Japanese author Yukio Mishima, who embraced Japan's traditions and fought against the gradual westernisation that became common following the end of World War Two. Using adaptations of sections of his novels, as well as traditional recounting of real-life events, this film sticks out as one of Schrader's best, and continues to inspire awe and heated discussion years later.