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229 Educators providing Courses

Kamitan Arts

kamitan arts

5.0(17)

Kamitan Arts CIC is a Non-Profit Community Company, whose presence in the RBKC community has been evident for over 15 years. Who we help with our work: We work with children, young people and adults that are from disadvantaged backgrounds and challenging situations. All our programmes are inclusive and we always observe, critique and evaluate the learning and apply this to future work. Using these approaches shows that our ethos is to respect and understand without discrimination and embrace all communities in Kensington and Chelsea and beyond. Where and with whom we work with: We operate predominantly, but not exclusively in Kensington and Chelsea. In youth, community and play centres, schools, theatres and open air events in parks. Emmanuelle Marcel (Princess Emmanuelle), the Founding Director of Kamitan Arts, professionally trained at Dance and Theatre Schools most of her life (RTS, NSCD, BRIT, Urdang, LCDS) began volunteering at Lancaster Youth Centre in 1999 delivering drama sessions to SEND young people. She later went onto deliver dance workshops, performances, and collaborated on productions fusing Dance, Drama, Theatre and Poetry. In the early 2000’s Emmanuelle Marcel was employed as a freelancer and ever since has worked across London, the UK and abroad in a variety of settings and with Kamitan Arts. This includes: The Harrow Club – 2004 – 2011 Golborne Youth Centre – 2004 – 2010 RBKC Youth Arts – 2004-2007 Burlington Danes School – 2004 RBKC Youth Support and Development Service – Early-Mid 2000’s The Rugby Clubs – Early 2000’s The Venture Centre – 2004 – present The Tabernacle – where ‘Princess Emmanuelle’s’ first Spoken Word album was launched 2001 with a live spoken word set and theatrical performance (also 1999 – present) The Man in the Moon Theatre – 1999 One Voice – Vice Secretary and Poetry/Dance Theatre Tutor in 2011 Portobello Film Festival – Since the early 2000’s-present Holland Park School – Street Dance at the after school club – 2007 Inn on the Green – cultural performance and workshops with local young people The Royal Festival Hall – 2002 Tutoring and running workshops for Shared Experience Theatre Company in Soho Step Afrika UK’ 6-week summer project in a Lewisham Girls’ SEND school which resulted in a performance at Lilyan Bayliss – 2003 In Bradford and Leeds with ‘Breakers Unify’ – Early 2000’s Poetry workshops with inmates at Wandsworth Prison – Mid 2000’s Running independent workshops at the Favelas of Rio Brazil, Bahia Salvador, and in collaboration with Nu Tempo Dance Festival in Aracaju, Brazil – 2011 The Cairo Opera House, Cairo American College (CAC), The Sawy Culture Centre Theatre, also in Egypt, and Beit el Fenoon in Sudan (House of the Arts) – 2008-2011 Kensington Primary Academy – ‘Wonderful Woman’ Dance Classes (for women and mothers) Poetry 4 Grenfell – Voluntary Poetry workshops in North Kensington post the Grenfell fire and the documentation of this through film and the self-published book – 2017 – present Dance 4 Grenfell – Dance workshops for children affected by the Grenfell fire in the South of the RBKC borough @ Kensington Primary Academy – 2018 Lyrikal Art and Poetic Art – Multi-disciplinary sessions for children, young people and elderly, in Poetry, Art, Live Music and Movement where one artistic discipline is used as a stimulus for the other; to express oneself, alleviate loneliness and for healing to take place – 2018 – 2019 Virtual Acoustic Poetry (VAP) – Weekly online sessions tailored for an inter-generational creative community, enabling diverse artistry from RBKC, London and beyond! Bringing together live musicians, featured poets, artists and an inter-generational community to create and share in a safe virtual space. Welcoming all to participate in exploring thier own creativity and have thier voices heard; endeavouring to restore hope for a brighter day through-out and past the COVID19 Worldwide Pandemic – 2020 – Present. Kamitan Arts works with many artists and youth practitioners from Kensington and Chelsea, thus we’re well-connected with the local voluntary and community sector. We are always open to new collaborations and partnerships. Whether you work within the community or have a private or corporate project, please do get in touch.

boas partners

boas partners

We are a global team of coaches and advisors, who specialize in transforming leadership at three levels: leading change, leading people, and leading your own life. boas started as a one-woman business back in 1987, and has since blossomed into a thriving community of peers, working worldwide to support an ethos of co-creation. Present. Open. Honest. Astute. A professional coach challenges your behaviour and thinking, whilst accepting you unconditionally as a person. With a boas coach, the process is more than just a powerful conversation. We make the learning holistic by combining mindfulness, movement, and being at one with nature. This awakens new awareness and possibilities within yourself. The result is a fresh outlook. Healthy team dynamics. Effective working practices. Renewal of the very spirit of your organization. Based on the boas tools for transformation, we design innovative programs in response to your needs. From the minute you take your place in a boas meeting - whether in person or online - you experience how deep listening, transparent sharing, and fresh insight give rise to conscious and lasting change. Please connect with us and feel free to ask about anything from a single mentor coaching session to a global corporate program. We would love you to experience the different forms of our work and how they all come together in our signature service: Leading From Within®. Join the collective journey and discover what it means for you. boas... transforming leadership since 1987

Black Oxford Untold Stories

black oxford untold stories

High Wycombe

Hello and welcome. My name is Pamela Roberts. I am an award-winning creative producer, historian, Fellow of the Royal Society of the Arts, Fellow of the Royal Historical Society, Eccles Centre Visiting Fellow at the British Library, and the Founder and Director of Black Oxford: Untold Stories. BACKGROUND I set up Black Oxford Untold Stories after a crude insult from a member of staff at the Oxford City Tourist Information Centre. They blatantly refused to acknowledge that Black people studied at the University. Instead, stating the only contribution Black people had made to the University city was to the transportation system in driving the buses and working in the car factory. The insult was my impetus to find out more information about the university's black scholars. What I found was the university was known for its numerous heads of states, academics, writers, scientists, politicians, philosophers. The name of Percy Bysshe Shelley, Oscar Wilde, C.S. Lewis, Margaret Thatcher, Harold Wilson, and Bill Clinton are familiar to many. But what about its Black scholars? Oxford University has seen many African, African-Caribbean, African-Americans, and Black British scholars pass through the hallow halls and colleges of the illustrious university. Christian Frederick Cole, the first Black African scholar at the university in 1873; Kofoworola Moore, the first African woman to achieve a degree from St Hugh’s College in 1935, Alain LeRoy Locke, the first Rhodes Scholar to attend the university in 1907, Grantley Adams, a student of St. Catherine’s, went onto become the first Premier of Barbados. The list is endless. Black Oxford Untold Stories was born. BLACK OXFORD UNTOLD STORIES Black Oxford Untold Stories celebrates the contributions and legacies of Oxford University's Black scholars from the turn of the 20th century to the present day. Over the years, Black Oxford Untold Stories has contributed significantly to disrupting the traditional narrative and visual imagery of Oxford University by challenging the attitudes and perception of the University's staff, students, faculties, and broader communities that historically Black students did not study at the University. I facilitate this work by delivering workshops, lecture programmes, on-line lectures, producing events and creative projects and through my book, Black Oxford the Untold Stories of Oxford University's Black Scholars (Signal 2013). Black Oxford Untold Stories achievements include My seminal work as the initiator for formal recognition for Christian Frederick Cole, the University of Oxford's first Black student, 1873. The acquisition of the first Black Oxford memorial plaque at University College. The plaque was unveiled in 2017 by Sir Ivor Crewe, Master, University College, to commemorate Cole's significant achievements. Writing, producing, and directing the first film about Christian Cole, England's first black barrister, filmed on location at University College, University of Oxford, The Inner Temple, and honour of filming and hosting the screening at the Old Bailey. Initiating the placing of a photograph of Kofoworola Moore, Oxford University’s first African woman scholar at St Hugh’s Colleges. I had the honour of unveiling the photograph with the Vice-Chancellor of the University of Oxford and the Principal, Dame Elish Angiolini. I have worked with the following organisations, universities, colleges in delivering workshops, seminars, lectures, events, and creative projects.

East End Women's Museum

east end women's museum

THE EAST END WOMEN’S MUSEUM SEEKS TO RECORD, RESEARCH, SHARE AND CELEBRATE THE STORIES OF EAST LONDON WOMEN PAST AND PRESENT. IT IS CURRENTLY THE ONLY DEDICATED WOMEN’S MUSEUM IN ENGLAND. Rachel Crossley, Museum Director, presenting at a symposium (c) Debbie Sears It is currently a ‘pop-up’ museum, through: temporary exhibitions, online and touring around East London workshops for schools and community groups events, talks and stalls at festivals researching, writing and publishing women’s stories online learning activities partnerships with local community and cultural organisations We are delighted that we have been offered a permanent home in a new building in Barking. We are now working towards opening the site in the next year. WHY IS THE EAST END WOMEN’S MUSEUM SO VITAL? The Museum exists because for far too long women have been confined to the margins of history. For instance: Just 2.7% of UK public statues feature historical women who weren't royalty (source). There is just one statue of a named black woman in the entire country (source). Just 13% of English Heritage blue plaques in London honour women (source). According to an English Heritage survey, 40% of people thought that women had less of an impact on history than men (source). “ The East End Women’s Museum is part of the solution, and a matter of representation. We want to rebalance the history books, and put women back in the picture. East London women’s lives are full of amazing stories; stories of pride, of creativity, of humour, resilience, resourcefulness and resistance – from the Bow Matchwomen’s Strike to the Battle of Cable Street, the Ford Dagenham machinists’ walkout to the Bengali families squatting to improve housing in Spitalfields. We have footballers, inventors, carers, pilots, generals, pirates and more. We believe these lives can be inspirational to women and girls today. We believe every woman, past and present, should have a voice. We believe these stories deserve, and need, to be told. Find out more about the aims and values that drive us. GOVERNANCE STRUCTURE East End Women’s Museum started out as a Community Interest Company (CIC), registered in November 2016. After a period of development and fundraising, we decided to register as a charity so we could raise the funds we need to open the museum, a natural and necessary next step for us. In late 2019 several of the directors of the East End Women’s Museum CIC became trustees of a new Charitable Incorporated Organisation (CIO). After creating a new constitution, in March 2020 the new East End Women’s Museum CIO was admitted onto the register of charities overseen by the Charity Commission. The CIC and the CIO are separate organisations, but have the same name and are working toward similar goals. At the moment the two organisations run alongside one another, but over the coming months the original CIC will wind down its activities, and the charity will take on responsibility for delivering all of East End Women’s Museum programmes and activities.

Workie Ticket Theatre Company

workie ticket theatre company

Forest Hall

The term Workie Ticket is a Geordie colloquialism, which means someone who likes to push one’s luck- a chancer or a cheeky trouble-maker. When JoJo Kirtley was a young lass, her Grandad Joe would call her, “a proper little workie ticket” and the nick-name stuck. So, when thinking of a name for her theatre company, it seemed the perfect choice and in 2017, Workie Ticket Theatre was founded. Our mission is to shake things up, be bold, push our luck within the theatre world and empower people through our work. JoJo Kirtley Founder & Co-Artistic Director “It’s hard being a woman in terms of what is happening in the current climate, but also I think there is a gap in the market for what we do and how we do it- working with women and encouraging them through theatre to tell their stories. Now is the time to speak up and speak out.” A writer, producer, facilitator and founder of Workie Ticket Theatre Company, JoJo Kirtley has been working for over a decade to create real social impact through theatre. Her work has been performed at The Lowry, Contact Theatre, The Exchange, (North Shields), Live Theatre and the 24:7 Theatre Festival. She is passionate about developing work within local communities to create a platform and raise awareness of issues that affect women in the North East region. JoJo is also a qualified teacher with a MA in Theatre Studies. She balances running Workie Ticket with being a mother and working for various women's organisations in the North East.

Lotus Midwife

lotus midwife

Eton

I have three beautiful and challenging teenagers! Zaiah was born Vaginally Breech (Bottom first!) Isaac was breech for a while and then I had him turned (by ECV) and subsequently had him at home, and Otto was born premature at 32 weeks, also Breech and by Emergency C-Section. My personal birth experiences and the ways in which I was cared for during my pregnancies and births have shaped me as both woman and midwife. My journey to Midwifery began in 2008 where, as part of my IBCLC training, I attended a 'Womb to World' conference. At the conference, one of the speakers included a wonderfully funny and engaging lady called Ina May Gaskin, the author of 'Spiritual Midwifery'. I was already a Breastfeeding Counsellor with the charity the 'Association of Breastfeeding Mothers', and was working hard towards my International Board Certified Lactation Consultant qualification. My own babies were all approaching school age and I was at a milestone in my life, deciding whether to return to secondary school teaching, or to try something else. Ina May Gaskin opened my eyes to Midwifery, through the way she presented pregnancy, birth and motherhood, and I left the conference having decided that I was not going to return to teaching (which actually I hated!) I was going to be a Midwife! I commenced my training in 2009, qualifying in October 2012. In Aug 2012, I was extremely fortunate to have the opportunity to travel to The Farm Midwifery Centre in Tennessee, (where Ina May lives and works) and witness the amazing work of Ina May and Pamela Hunt (another original 'Farm Midwife') first hand. At The Farm, I completed the Advanced Midwifery Workshop, and the course included many aspects of how to keep birth as physiological as possible. At the end of the course, there's a ceremony in which the Farm Midwives Bless the participants hands. At each Birth I have attended, as my hands are poised, ready to receive the new life, I am reminded of the ceremony and -I truly believe- my calling to be 'with woman'. For me at the time, travelling to The Farm, symbolised the completion of a circle of events that led me to finding myself as a Midwife. However, I was naiieve- my journey to Tennessee wasn't the end of the journey-it was a new beginning. My passion for a holistic approach to midwifery care has never left me, and I use this to support families through more challenging pregnancies. Women who are known within obstetrics to be 'high risk' deserve to be nurtured, cared for and given evidence based choices so they can make informed decisions regarding their care. I am humbled by the birth process and the families I serve. I am proudly a Registered Midwife, International Board Certified Lactation Consultant and Tongue Tie Specialist. I also volunteer for the Association of Breastfeeding Mothers as Regional Supervisor for the East of England, and as well as being a Trustee for the charity, I run a weekly support group for Breastfeeding Families. My family life finds me as a single parent to my daughter aged 20, and two sons, aged 17 and 15, life is a challenge with teenagers, but they are great fun! Our family time includes eating too many roast dinners and camping in our VW called 'Old Bill', and in my spare time enjoy swimming, walking and running with our crazy rescue puppy 'Blue'.