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6402 Educators providing Courses

Coombe Farm Studios

coombe farm studios

Devon

Coombe is a small-scale rural centre, dedicated to growing creativity. It’s a place where you can develop new skills, supported by a beautiful environment, great food & people who actively enable the creative process. It’s also a place to make and show work, connect with nature and get inspired. We opened in 1983, it was one of the first small artist-led centres offering week-long creative courses. Since then, over the past 35 years, we are lucky to have developed an amazing network of people from all over the world. Our core activity is a mix of tutored art retreats that run year-round, bespoke projects for the creative community and showcasing new work on and off site. We celebrate difference, enjoy the messy ways of the creative process, celebrating the tricky bits, sharing in the successes and frustrations, encouraging others to explore and share the process of making. We are interested in cultivating wisdom, courage and wonder, and we believe in action. We collaborate and look for synergies with others, to ensure that we, as well as the people we work with, aren’t burnt out, bored, disillusioned or skint, but rather nourished, inspired, committed, passionate, and working within resource limits. Our small-scale allows us to be attentive to the simple things we believe make a great place to create, learn and research – skills-based tuition from passionate professions, a relaxed atmosphere, a beautiful environment, delicious food and great company.

Art Sea Craft Sea

art sea craft sea

Margate

About After studying illustration, Stacey Chapman worked as a designer of interiors for events and corporate launches. She began Freehand Machine Embroidery after viewing the process on Kirstie Allsopp’s Channel 4 show. In November 2013 she founded her business, Art Sea Craft Sea, creating pet portraits in thread, to commission. Her unique application of the freehand machine embroidery process and background as an illustrator, enables her to create strikingly life like thread paintings. Since then she has exhibited around the UK at events ranging from Crufts to Countryfile Live and Kirstie Allsopp's Handmade Fair. Stacey was proud to be taken under the wing of Janome in 2016 and has taught workshops at their custom built sewing school at their HQ in Stockport. Chapman has gone on to teach creative sewing workshops around the country from regular sessions at John Lewis in Oxford Street to her hometown of Margate, Kent. For these sessions at the luxe Sands Hotel, Stacey was nominated for a Tourism and Hospitality Award in 2019 as well as being shortlisted for the National Needlecraft Awards in the same year. In 2020 started teaching online for the prestigious teaching college for the W.I., Denman at Home. As well as writing her monthly column for the UK's best selling sewing magazine, Love Sewing, Stacey still creates and exhibits in local galleries with her vintage style portraiture and fashion Illustrations featuring up cycled retro fabrics, revisiting a technique she began at school.

Black Mountain Bronze

black mountain bronze

Bronze is contemporary and yet has strong echoes deep within our evolutionary past. The casting of bronze is a raw and elemental process that can be achieved around a campfire with beeswax and clay or in sophisticated foundries using high tech furnaces and technical materials. At the heart of the process is the transformative slight of hand, like fossilisation where one object becomes another under the influence of extreme heat. Organic materials or wax are replaced by bronze in the casting process, via a combination of intention, earth and fire. Finishing and colouring bronze is equally transformative, raw metal through the crude exposure to the weather, seawater or sophisticated of chemical sequences and heat comes to life with rich, lustrous and intense colours. NEW WORKS I love the physicality of sculpture both of the process and the materials. Before setting up my bronze foundry in 2015 I trained and practiced as a ceramic artist. Working wax, is a visceral process; how I feel in the act of creation and my responses to the emerging piece dictate the outcome. I suspend conscious engagement and hold the sense of where something is going for as long as possible without interpretation. I believe that a work of art can offer a mirror to the soul for both the maker and the observer. How we respond to a work tells us something about ourselves. For this reason I am encouraged to explore new areas of work and challenge the viewer to consider their response to all types of work, paying attention to what they like as much as well as what they find uncomfortable.