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81 Educators providing Stitch courses

Green Man Quilts

green man quilts

It had been strongly suggested at school that I didn’t continue with the sewing classes, after I cut my skirt along the fold line of the pattern, made a pigs ear of the french seams in the nightie and did who knows what damage to the domestic science apron (all we had to do was hem it and chain stitch our initials!). Those were the 3 projects for that year! Dismal! But I went home, told Auntie Mary about it and in a weekend she taught me more than I had learnt in the whole year. And inspired me to create things of beauty! I entered – and got first prize in the dressmaking competition at school the next year! My initial interest in quilts came from the Laura Ashley patchwork packs from the 1970s and 80s. Laura Ashley fed my passion for colour by selling me various bags of fabric – off-cuts, pre-cut hexagons – the lot, and with these I started my journey into quilt making. As a primary school teacher in the 80s I ran quilting clubs and worked with the children to create items for school fetes and the like. At this time I was a teacher member of the Quilters’ Guild and supported the Young Quilters team with a variety of workshops. I am no longer involved with Young Quilters though I have maintained my involvement with the Guild, serving as Festival of Quilts Officer from 2016 until 2021 and as a Trustee from 2021. I began to make quilts seriously in 1995 after I first attended a workshop taught by Judith Wilson in St Albans. Following this super introduction, I attended a number of courses taught by Judith over the next few years. I then successfully completed the City & Guilds Certificate in Craft and Design (Patchwork & Quilting) at Missenden Abbey taught by Barbara Weeks and, after a few years break, the City & Guilds Diploma in Craft and Design (Patchwork & Quilting) at Missenden Abbey taught by Janice Gunner. I have been influenced by the quilts exhibited at The American Museum, Bath and the V&A; and by many different quilters, a few of whom are referenced in my blog. My inspiration comes from the natural world, folk traditions, story and music and I am particularly drawn to Modern and Improv quilting. This adventure in craft and design, through quiltmaking, has led both directly and indirectly to some of the pieces on this website…. take a peek!

Janet Haigh

janet haigh

Bristol

I am a freelance designer-maker, applied artist, crafts-woman, whatever you want to call me – I stitch stuff by hand; fabric, metal, porcelain, leather, vitreous enamel.. . My work is various, it depends whether I am working for myself, to commission or collaborating with other artists. But whatever I do is slow to make; detailed hand stitching in any material whether in silk, linen, wool or wire takes time, consequently my work is also slow to evolve. I decided to show on this site what I do, who I am work with, how I work and also how I think. I want to show the work behind HER WORK not just the finished things. The journey from the first idea, searching, researching, drawing, sampling and eventually making the finished piece. You will be able to watch my work progress, or not; maybe by seeing this record people will come to value making that is manufactured by hand, heart and eye. In May 2010 I developed – Heart Space Studios ( from my yoga practice “Put your Hands in your Heart Space”) and for 5 years it was a space in Bristol England for all things textile. The activities at the studios can still be viewed – I closed the studio workshops in 2015 – the classes remain on this site as part of the blog, they contain many of my most popular posts….. Heart Space Studios continues as a group of makers who develop projects primarily for publishing companies. Most notably we work with designer Kaffe Fassett in the production of his patchwork quilt books and other fabrics.

Sew Silly Lily

sew silly lily

Cardross

I’m Sharon. I've been sewing and making stuff for as long as I can remember and went on to study Embroidered Textile design at Glasgow School of Art, but my interest in textiles goes way beyond stitch and I have a range of textiley skills which I bring to my work.  I always wanted to learn to crochet when I was wee but with no-one to teach me it took until 2011 when I decided I was just going to have to teach myself! I was too impatient to take it step by step so jumped straight in at the deep end and just had a go at all the things I really wanted to learn to make - flowers, fruit, vegetables, animals, Amigurumi; regardless of whether the pattern said they were for beginner, intermediate or expert! Within a month or 2 I was doing some simple designing and began selling crocheted goodies and patterns through my Etsy shop. I'm totally hooked! Making up for lost time I literally haven't put my crochet hook down as I continue to fine tune, develop skills and discover even more. My approach to teaching is pretty similar. Learning a new craft is all about repitition but that doesn't mean you have to make things just for the sake of it, or because someone says it's suitable for a beginner. I would encourage anyone thinking about taking up crochet or looking to develop their skills to choose things to make that appeal to you, why not challenge yourself and I'll do my best to help and encourage you along the way. I firmly believe that if you love what you're making, even if it's a little beyond your skill level, you're more likely to enjoy, learn and be inspired by the process. And the results are all the more rewarding, even if they're not always perfect. But if you prefer to build your skills from the basics up I do suggest what skill level classes are suitable for and how tricky they are on the fiddly diddly scale! Everything we make during a CAL is designed by me and patterns are written using US crochet terms. You can create the most amazing things with the most basic of stitches and that's what I try to highlight as a designer, but I don't always do things the easiest way; where necessary I prefer to show you slightly more advanced techniques and share tips that I think will help you achieve a better and neater finish to your projects; things I wish someone had been able to show me when I was learning.  Crochet-Alongs are held online via Zoom with patterns and access being sent the evening before. On the day I have an additional camera to give guests close up hand views as we're working. A Sew Silly Lily Crochet-Along is an amazing opportunity for me to share my passion for crochet and hopefully inspire you to find out more about this beautiful and versatile craft. And I'm always available to help beyond classes.  Sx

Gina-B Silkworks

gina-b silkworks

Grantham

Gina-B Silkworks designs and produces a variety of craft kits, books, DVDs and other items with an emphasis on handwork & passementerie - decorative textile crafts. We also stock a range of tools & materials for these crafts. Gina also makes bespoke items to commission. "Traditional Crafts for the modern maker" About Gina - Gina Barrett has been making reconstructions of buttons, dress trimmings and other passementerie for museums and costumiers since 1999. Her work can be seen in a variety of museums, heritage sites & stately homes including the Royal Mews, the Royal Armouries, Historic Royal Palaces, The Victoria & Albert Museum, English Heritage, Chicago Museum of Art and Shakespeare’s Globe Theatre.  She provided buttons, ribbons and braid for an award-winning project at Perth Museum, and hundreds of buttons for the film “Sweeney Todd”. Her latest film work includes buttons for "Napoleon" and "Lee". She has created buttons & trimmings for various series including “The Crown”, “Becoming Elizabeth” , “A Stitch in Time”. She is the author of a number of books including Buttons, A Passementerie Workshop Manual, Dorset Ring Buttons, Thread Wrapped Buttons, Zwirnknopf Buttons and the Making Passementerie range of instructional DVDs. She appears on the Create & Craft channel with demonstrations of passementerie techniques, representing her company Gina-B Silkworks. Gina is the contributor for the Passementerie entry in the Encyclopaedia of Medieval Dress and Textiles of the British Isles c. 450-1450 (Brill). She has also co-authored Tak V Bowes Departed: A 15th Century Braiding Manual Examined and 6 booklets on medieval narrow wares, and regularly produces how-to articles for magazines, as well as papers and essays on other forms of passementerie. Gina has been involved in textile research projects with groups around the world, and is a founder member of Soper Lane, a group begun in 1999 to research the lives and work of the medieval London silkwomen.  Gina is a trained illustrator, with a background in historical and diagram illustration and graphic design. Her passion for textiles grew from studying historical costume for her illustrative work.

Sarah Louise Dix Upholstery

sarah louise dix upholstery

Surrey

Sarah Louise Dix Upholstery was formed in 2005 by Sarah Dix. The business comprises of the Couture Label, the Pink Label, SLD Upholstery Services and upholstery courses & workshops. The Couture Label evolved from fusion ideas and specialises in the design and upholstery of quality vintage furniture inspired by the construction and form of clothing. The label’s designs are part artwork part furniture creating highly individual finished pieces. Some designs physically incorporate a vintage garment creating a surreal air while others have structural elements such as corsetry, the Corset Chair, or tailoring. Sarah’s furniture was shown at the London menswear show Stitch in February 2010 on the Blaqua menswear stand and were stocked at their shops in Newburg Street W1 and Kings Road SW3. In November 2013 Sarah bought an antique chaise longue from Katherine Higgins on BBC Put your Money Where your Mouth Is and reupholstered it in red velvet and faux fur with a corset back. Then in February 2014 She sold the Corset Chaise to Jeff Salmon on the Channel 4 TV programme Four Rooms for £1200. 2010 saw the launch of the Pink Label. The Pink Label is the diffusion range and produces the Corset Chair at a more affordable price. The original Corset Chair design has been simplified, the frames are new exact copies of the original Victorian shape and are upholstered using modern materials. Sarah also sold the chairs at Follet in Petworth, Sussex in 2012. The Upholstery Courses were introduced in January 2012 and run for ten weeks. The first teaching venue was at The National Trust property the Barge Building Shed. Dapdune Wharf. Guildford. Sarah had a residency there and courses run throughout the year in stunning surroundings, on the banks of the River Wey. She also launched courses in the studio space at The Art Works in East Horsley. This was a unique space selling contemporary arts and crafts. Other course locations were in Farnham, Grayshott and Cranleigh Arts Centre. Once Sarah was able to take on her own space in Godalming, the courses ran inhouse from then on. The spaces include Studio 22 and Bargate House and the current property in Farncombe. The courses are very popular and often over subscribed. Sarah also runs Beginners Footstool day workshops once a month on a Saturday. The workshops give a great introduction to upholstery and helpful when considering undertaking a ten week course. SLD Upholstery Services offers a full reupholstery service for clients. This service has been running alongside the design side and courses from the beginning. The workroom now has four professional upholsterers working on various pieces of furniture for customers. This can range from a cushion cover to a three piece suit. The company has undertaken work from a variety of people such as titled Ladies, artists to royalty, Pop Stars (a pink latex bed for Nicki Minaj’s world tour 2018), partners in top London banks and Mrs Judge from around the corner. She gets to visit the most amazing houses including one once owned by Chris Evans and Mary Wondrausch's unique home crammed with her pottery. Sarah continues to expand the shop and fabric accounts with fabrics available from fabric houses such as Designers Guild, Romo, Osbourne & Little, Christian Lacroix.