Purley

“Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.”
– George Eastman" -
Photography For Parents - Shooting With Flash
Next course starts on Monday 12th Feb 2024
Scared of Flash? Never got good results from it? Not sure how it works with your camera? Thinking it’s bound to be complicated and just for studio work? This is the course for you! We show you how to work your flash and your camera – on and off camera! - to get great, natural looking results. In this course you'll discover how to use flash not just to supplement light in dim spaces, but to use it creatively, to help you create images you wouldn't be able to capture with just natural light. 
KEY COURSE INFO:
Course type: Instructor-led
Course duration: 4 weeks
Course format: Online course with interactive live webinar classes, feedback on your learning and support group
WHAT YOU LEARN:
You will learn how to make your flash work with your camera and how to control it so that it gives you beautiful, natural looking light
You will learn to work with the flash off camera - giving you the freedom to position your light wherever it will most suit your subject rather than relying on what you have with natural or indoor light
You will learn to play with flash to capture a variety of creative outcomes and apply it to lots of shooting situations - from learning to fake pretty window light to freezing motion with Flash
understanding flash equipment
learning to shoot with on-camera flash
earning to shoot with off-camera flash
learning to bounce the light for natural looking results
using flash as a sole or supplementary light source
freezing movement with flash where the shutter speed wont allow it
THIS IS THE COURSE FOR YOU IF :
You find yourself struggling with light especially in the darker autumn / winter months, and there never seems to be enough ISO or aperture to get you what you want
You can already use your camera in manual and want to add mastery of detachable flash to your skillset - so you can never worry about insufficient or poor light wherever you are, or whatever unknown space you go into
You want to be able to make flash images look natural rather than sporting that famous 'deer in the headlights look. A good flash image never 'looks' like a flash image
You want to learn how to capture creative images using a flash - such as freezing motion, creating dramatic shadows, or adding a splash of light to specific areas of the frame.
You want to add this versatile skill to your toolbox so you can adapt it to different shooting scenarios. ESPECIALLY if you're considering taking up photography professionally or semi professionally, this is an immensely useful skill to have.
Next Shooting with Flash course starts on 12 Feb 2024 
4 core course modules
Support Facebook group
Weekly live webinar
Weekly practice assignment
Feedback on your images

Why shoot with flash in the first place? 
“Don’t use Flash – it will wash out your child”“Flash will make your photos look horrible”‘You can’t control flash – no control over what your photos will look like”
You may have heard those statements, maybe even uttered them yourself. And to a degree – they can be true – but only because, if you don’t know how to control and work any tool, it’s likely to give you terrible outcomes – remember how much poorer your photos were when you first started with your camera on full auto?
Here is how I see Flash, and what this course is about:
Flash lets me bring light where there would normally be not enough light available to take a well exposed photo – and let me tell you – in glorious British weather, that’s more often that I would like!
Flash lets me shape the light to suit my needs – I can make it moody or bright, I can even make it look like natural light ( yes really)
Flash lets me neutralise ugly light and make it look good ( anybody else cursed with ugly spotlight lights in their home? no? just me? )
Flash lets me be in control, especially in unknown venues and locations, spaces where I won’t get a chance at that second shot.
Flash helps me fill in shadows when shooting in very bright light – the goal is not to stop using natural light, but to help create a balanced image where natual light alone can't cut it
COURSE PREREQUISITES
YOUR SKILLS:
We recommend that you are comfortable in shooting in full manual mode. It's possible to use flash in priority modes of course, but you don't have full control of its strength and level.


YOUR EQUIPMENT:
You will need to have a detachable flash for your camera make. This could be the same brand as your camera or a compatible third party flash manufacturer. 
You will also need a way of triggering your flash OFF camera - in some cases, you may be able to do this directly from camera or via an additional remote trigger / controller. Click here to see our Flash buying guide below
Shooting with FLASH
Book your space now:
COURSE STARTS : 12th Feb 2024 ( 4 weeks)COURSE COST : £179 ( payment plans available )What’s included:
4 weekly modules with step by step tutorials
weekly live class online class ( also recorded) - on Tuesday evenings
feedback and advice on your photos
private support group
PDF workbook
Join our next group to learn how to never have to deal with insufficient light and discover a whole new area of photography!
INSIDE THE MODULES - aka WHAT DO YOU LEARN?
Module 1: Getting Started with Flash
In this module we introduce you to the principles of making your flash work with your camera. We show you how the two work together in layering exposures, how you can control both the flash and natural light side and how to achieve predictable outcomes from your flash. This is the biggest learning curve because the way you work your camera with flash is very different to how you do this with just natural light and understanding the control side of things will let you get creative afterwards. 
Major Takeaways:
At the end of the module you will have gained an understanding of how to work your flash ON your camera. With that, you will have learned how to balance your key light and your fill light, how to combine flash exposure with a natural light exposure, how to supplement or even replace light with flash light. You will also make first steps into bouncing the light to give it a more natural appearance. 
Module 2: Taking your flash OFF camera 
In this module we teach you how to make your flash work when detached from your camera. We look at different techniques and methods or shooting off camera as well as any additional equipment you may need for this. We teach you how to use that off camera flash for a number of practical and creative examples
Major Takeaways:
You will be able to use the flash off camera - whatever your preferred off camera methos. We will explore using off camera flash as the key light - creating low key and high key images, as fill light and as a supplementary light to provide additional dimension to the images. 
Module 3: Making flash look natural 
In this module we learn to recognise how you can adjust the very quality of your flash to create natural looking images. We learn how to bend - or bounce the light - on and off camera, to create the kind of images that noone would ever suspect of being taken with flash. We also introduce you to a number of light modifiers and show you what you can expect from them as well as what might work in the way you take the photos. 
Major Takeaways:
Learn how to modify your flash to achieve soft or hard light look. Discover how to bounce your flash and where from and how the angle of those flash bounces will give your subject very different looks. Learn about light fall-off and how to apply this principle to achieve more or less contrast filled images when using flash/ 
Module 4:Flash and motion
In this module we show you how to use flash when trying to freeze your subject - whether it is your child bouncing on the soufe in dim Novemeber light or an inanimate object making a splash. We also introduce you to a few way you can play with flash and your shutter speed to achieve fun and creative outcomes. 
Major Takeaways:
You will learn how to freeze movement with flash - even on very slow shutter speeds or in very poor light. You will learn how shutter and flash work together and how you can achieve great creative outcomes such as high speed photography or freezing rain. 



Next course starts on 12 Feb 2024

Photography For Parents

Photography for Parents - Shooting with Flash

General Admission

“Photography is my way of bearing witness to the joy I find in seeing the extraordinary in ordinary.”
-Harold Feinstein
Photography For Parents - Advanced Course
Next course starts on 15th April 2024
 6 week Photography course designed to help further advance your photography skill and move beyond simply capturing what's in front of you. Choose this course if you are already friends with your camera but want to learn how to shoot creatively in full manual, how to go beyond the basic composition rules and start expressing yourself through photography
KEY COURSE INFO:
Course type: Instructor-led or self paced
Course duration: 6 weeks
Course format: Online course with Interactive weekly live classes, personal photo feedback and support group
WHAT YOU LEARN:
In this course we build on the key photo skills we introduce in the Fundamentals Course and learn some new ones ( although completing the Fundamentals course is not a pre-requisite) 
You will love this course if you want to keep growing your photographic eye, truly control your camera and start making your photos reflect who you are and who your family are. This is the course where your photography really picks up the pace. We will support and challenge you to help you find your own voice in photography.
creative use of manual mode
creating strong compositions
low light shooting
capturing emotions
introduction to flash
using colour in photography
THIS IS THE COURSE FOR YOU IF :
Are already familiar with your camera - but want to get better at using it in full manual - with no overwhelm or frantic guesswork
You want to take photographs that look more polished and that truly show you what you pictured in your head - still true to your kids and who they are
You want to be able to capture true emotions and express yourself through photography
You want to get more creative with light and colour to elevate your images and make them shine
Next course starts on 15th April 2024
The bookings for this course are not open yet - request to be added to the waiting list to be offered priority booking and Early Bird prices when the course registration opens
5 core course modules
Support Facebook group
Weekly online Live class
Personal Feedback on your images
BONUS: extra module with ideas to keep your creativity flowing
BONUS: PDF course workbook

HERE IS WHAT YOU WILL LEARN in this course : 
This course was designed to help you grow your photography skills beyond just being able to take "nice looking photos".
You will love this course if you want to keep growing your photographic eye, truly control your camera and start making your photos reflect who you are and who your family are.
This is the course where your photography really picks up the pace. We will support and challenge you to help you find your own voice in photography.
How do I get FULL control of my camera? - shooting in full manual - but with clarity and purpose
When is the ‘correct’ exposure not the RIGHT one and why is my camera confused? And more importantly, how to fix it in camera?
How do you capture genuine emotion and NOT just fake smiles? No more 'smile for Mummy'
How to make your light AND SHADOWS work for you? and capture stunning images even if you think you have barely any light
What makes a ‘strong image’ and how do I begin to get them more consistently?
INSIDE THE MODULES - aka WHAT DO YOU LEARN?
Module 1: Getting started in Manual mode
First steps into shooting in full manual – understanding your exposure and metering, finding correct exposure for your subject, handling over and under exposure and adjusting your settings without even taking your camera away from your eyes.
Major Takeaways:
At the end of the module you will have gained full control of your camera - no more guessing game and unpredictable results with all the control going firmly to you. You will be able to understand your jump off points for different situations and how to adjust them to the changing light or environment
Module 2: More on manual exposure and why your camera is often wrong
Learning when the ‘correct’ exposure is not the “right exposure”, understanding and interpreting your histograms, learning how your environment can help you get the right exposure even in tricky light, dealing with challenging light situations.
Major Takeaways:
Knowing when to trust and not trust your camera's exposure assessment. Knowing exactly how to adjust things when the images don't turn out looking right out of the camera. Having a method to help you capture different colour accurately - especially when it comes to skin tones, or elements that are bright or dark
Module 3: Powerful composition 
Learning what makes a strong image and learning to create your own, consistently, with the help of our advanced composition techniques – beyond the rule of thirds. Visual storytelling and creating connection to create images which go beyond just pretty.
Major Takeaways:
Learning new concepts in composition - things that will help you create exiting visual flow, help with impactful storytelling and draw the viewer's eye into the image rather than away from it. 
Next course starts on 15th April 2024Get your space now
Module 4: No such thing as bad light
There is no such thing as bad light - even with just a sliver of it you can make a statement in your images. In this module we teach you how to work with low light - through low key photography - playing with light and shadows. And we give you an introduction to Flash - for when you want to boost your existing natural light that little bit more. 
 
Major Takeaways:
You will learn how to use light and shadows to your advantage, literally learning to paint with light - letting it uncover your subject, and hide what you want to stay out of light. Much like the light module in our Fundamentals course this is very much an AH-HA lesson that will shake your photography to its core.
Module 5: Photographing emotions 
In this module we get under our subject's skin and focus on photographing emotions. We show you how to reply on more than facial expression to show emotions and how to use your creative toolkit, including colour theory to make the viewer see and understand the emotion felt in the moment. 
Major Takeaways:
Learning how to capture genuine connection with your subject and their true emotions – whether happy or mad! Going beyond the smiles or frowny faces to portray your children’s true selves and capturing the moment. Using body language and other creative means – from colour theory, editing style and more!


BONUS Module 6: Your creative self
Exploring various photographic styles and conventions. Learning to recognise your own strengths and weaknesses and taking steps to grow further. Bonus creative exercises to take you outof your rut and help you continue to grow your photography.







In my opinion Advanced level 2 is absolute must as it expand the knowledge from level 1 to the point, that you can take photos confidently, and knowing what you do. I did it online and my teachers were superb, passionate, helpful and very flexible. 
Aga Stefaniak
Photography for Parents ADVANCED
Book your space now:
COURSE STARTS : 15th April 2024( 6 weeks incl 1 week break)COURSE COST :   £279 (payment plans available)
What’s included:
6 weekly modules covering all key aspects of children’s photography,
weekly live online class ( also recorded) - on Wednesday evenings
personal feedback and advice on your images
private support group
PDF workbook
Photography for Parents ADVANCED
But will it work for me? - our guarantee:
We know our course works. We have seen a few thousands of students go through our courses and really improve.
BUT, if you find that after the first couple of modules that it just doesn't work for you, you haven't learnt anything new, it's the wrong level for you, you haven't improved, or you simply don't get on or engage with it - we will simply refund you in full. Simple as that!

Photography for Parents - Advanced Course

<div id="course-pills-1">Duration<p>2 Days</p><p>12 CPD hours</p>This course is intended for<p>This in an Introductory and beyond level course is geared for experienced Java developers seeking to be proficient in Apache Kafka.  Attendees should be experienced developers who are comfortable with Java, and have reasonable experience working with databases.</p>Overview<p>Working in a hands-on learning environment, students will explore<br />Overview of Streaming technologies<br />Kafka concepts and architecture<br />Programming using Kafka API<br />Kafka Streams<br />Monitoring Kafka<br />Tuning / Troubleshooting Kafka</p><p>Apache Kafka is a real-time data pipeline processor. It high-scalability, fault tolerance, execution speed, and fluid integrations are some of the key hallmarks that make it an integral part of many Enterprise Data architectures.  In this lab intensive two day course, students will learn how to use Kafka to build streaming solutions.</p></div><div id="course-pills-2"><h4>Introduction to Streaming Systems</h4><ul><li>Fast data</li><li>Streaming architecture</li><li>Lambda architecture</li><li>Message queues</li><li>Streaming processors</li></ul><h4>Introduction to Kafka</h4><ul><li>Architecture</li><li>Comparing Kafka with other queue systems (JMS / MQ)</li><li>Kaka concepts : Messages, Topics, Partitions, Brokers, Producers, commit logs</li><li>Kafka &amp; Zookeeper</li><li>Producing messages</li><li>Consuming messages (Consumers, Consumer Groups)</li><li>Message retention</li><li>Scaling Kafka</li></ul><h4>Programming With Kafka</h4><ul><li>Configuration parameters</li><li>Producer API (Sending messages to Kafka)</li><li>Consumer API (consuming messages from Kafka)</li><li>Commits , Offsets, Seeking</li><li>Schema with Avro</li></ul><h4>Kafka Streams</h4><ul><li>Streams overview and architecture</li><li>Streams use cases and comparison with other platforms</li><li>Learning Kafka Streaming concepts (KStream, KTable, KStore)</li><li>KStreaming operations (transformations, filters, joins, aggregations)</li></ul><h4>Administering Kafka</h4><ul><li>Hardware / Software requirements</li><li>Deploying Kafka</li><li>Configuration of brokers / topics / partitions / producers / consumers</li><li>Security: How secure Kafka cluster, and secure client communications (SASL, Kerberos)</li><li>Monitoring : monitoring tools</li><li>Capacity Planning : estimating usage and demand</li><li>Trouble shooting : failure scenarios and recovery</li></ul><h4>Monitoring and Instrumenting Kafka</h4><ul><li>Monitoring Kafka</li><li>Instrumenting with Metrics library</li><li>Instrument Kafka applications and monitor their performance</li></ul></div>

Duration
2 Days
12 CPD hours
This course is intended for
This in an Introductory and beyond level course is geared for experienced Java developers seeking to be proficient in Apache Kafka. Attendees should be experienced developers who are comfortable with Java, and have reasonable experience working with databases.
Overview
Working in a hands-on learning environment, students will explore
Overview of Streaming technologies
Kafka concepts and architecture
Programming using Kafka API
Kafka Streams
Monitoring Kafka
Tuning / Troubleshooting Kafka
Apache Kafka is a real-time data pipeline processor. It high-scalability, fault tolerance, execution speed, and fluid integrations are some of the key hallmarks that make it an integral part of many Enterprise Data architectures. In this lab intensive two day course, students will learn how to use Kafka to build streaming solutions.
Introduction to Streaming Systems
Fast data
Streaming architecture
Lambda architecture
Message queues
Streaming processors
Introduction to Kafka
Architecture
Comparing Kafka with other queue systems (JMS / MQ)
Kaka concepts : Messages, Topics, Partitions, Brokers, Producers, commit logs
Kafka & Zookeeper
Producing messages
Consuming messages (Consumers, Consumer Groups)
Message retention
Scaling Kafka
Programming With Kafka
Configuration parameters
Producer API (Sending messages to Kafka)
Consumer API (consuming messages from Kafka)
Commits , Offsets, Seeking
Schema with Avro
Kafka Streams
Streams overview and architecture
Streams use cases and comparison with other platforms
Learning Kafka Streaming concepts (KStream, KTable, KStore)
KStreaming operations (transformations, filters, joins, aggregations)
Administering Kafka
Hardware / Software requirements
Deploying Kafka
Configuration of brokers / topics / partitions / producers / consumers
Security: How secure Kafka cluster, and secure client communications (SASL, Kerberos)
Monitoring : monitoring tools
Capacity Planning : estimating usage and demand
Trouble shooting : failure scenarios and recovery
Monitoring and Instrumenting Kafka
Monitoring Kafka
Instrumenting with Metrics library
Instrument Kafka applications and monitor their performance

Nexus Human

Apache Kafka

Kafka

Working with Apache Kafka (for Developers) (TTDS6760)

<div id="course-pills-1">Duration<p>2 Days</p><p>12 CPD hours</p>This course is intended for<p>Database Administrator<br />Help Desk/CoE Support<br />System Administrator<br />Technology Consultant</p>Overview<p>This course will prepare you to:<br />Use the SAP HANA cockpit to perform emergency trouble shooting, the SAP HANA traces to investigate for costly statements and to setup SAP HANA Workload Management and SAP HANA Capture and Replay tools.</p><p>In this course, students will learn how to describe the methods and the tools needed for analyzing performance issues in SAP HANA.</p></div><div id="course-pills-2"><h4>Emergency Analysis and Troubleshooting using SAP HANA cockpit 2.0 SP10</h4><ul><li>Handling System Offline Situations</li><li>Handling System Hanging but Reachable Situations</li><li>Analyzing a Suddenly Slow System</li></ul><h4>Structural System Performance Root Cause Analysis</h4><ul><li>Analyzing Memory Issues</li><li>Analyzing CPU Issues</li><li>Analyzing Expensive Statements Issues</li><li>Analyzing Disk and I/O Issues</li></ul><h4>Proactive Monitoring and Performance Safeguarding</h4><ul><li>Configuring SAP HANA Alerting Framework</li><li>Setting up SAP HANA Workload Management</li><li>Using SAP HANA Capture and Replay</li></ul></div><div id="course-pills-3"><h4>Additional course details:</h4><br /><p>Nexus Humans SAP HANA 2.0 SPS04 - Using Monitoring and Performance Tools training program is a workshop that presents an invigorating mix of sessions, lessons, and masterclasses meticulously crafted to propel your learning expedition forward. </p><p></p> This immersive bootcamp-style experience boasts interactive lectures, hands-on labs, and collaborative hackathons, all strategically designed to fortify fundamental concepts. <p></p>Guided by seasoned coaches, each session offers priceless insights and practical skills crucial for honing your expertise. Whether you're stepping into the realm of professional skills or a seasoned professional, this comprehensive course ensures you're equipped with the knowledge and prowess necessary for success.  <p></p>While we feel this is the best course for the SAP HANA 2.0 SPS04 - Using Monitoring and Performance Tools course and one of our Top 10 we encourage you to read the course outline to make sure it is the right content for you.  <p></p>Additionally, private sessions, closed classes or dedicated events are available both live online and at our training centres in Dublin and London, as well as at your offices anywhere in the UK, Ireland or across EMEA.<p></p></div>

Duration
2 Days
12 CPD hours
This course is intended for
Database Administrator
Help Desk/CoE Support
System Administrator
Technology Consultant
Overview
This course will prepare you to:
Use the SAP HANA cockpit to perform emergency trouble shooting, the SAP HANA traces to investigate for costly statements and to setup SAP HANA Workload Management and SAP HANA Capture and Replay tools.
In this course, students will learn how to describe the methods and the tools needed for analyzing performance issues in SAP HANA.
Emergency Analysis and Troubleshooting using SAP HANA cockpit 2.0 SP10
Handling System Offline Situations
Handling System Hanging but Reachable Situations
Analyzing a Suddenly Slow System
Structural System Performance Root Cause Analysis
Analyzing Memory Issues
Analyzing CPU Issues
Analyzing Expensive Statements Issues
Analyzing Disk and I/O Issues
Proactive Monitoring and Performance Safeguarding
Configuring SAP HANA Alerting Framework
Setting up SAP HANA Workload Management
Using SAP HANA Capture and Replay
Additional course details:
Nexus Humans SAP HANA 2.0 SPS04 - Using Monitoring and Performance Tools training program is a workshop that presents an invigorating mix of sessions, lessons, and masterclasses meticulously crafted to propel your learning expedition forward. 

This immersive bootcamp-style experience boasts interactive lectures, hands-on labs, and collaborative hackathons, all strategically designed to fortify fundamental concepts.

Guided by seasoned coaches, each session offers priceless insights and practical skills crucial for honing your expertise. Whether you're stepping into the realm of professional skills or a seasoned professional, this comprehensive course ensures you're equipped with the knowledge and prowess necessary for success.

While we feel this is the best course for the SAP HANA 2.0 SPS04 - Using Monitoring and Performance Tools course and one of our Top 10 we encourage you to read the course outline to make sure it is the right content for you.

Additionally, private sessions, closed classes or dedicated events are available both live online and at our training centres in Dublin and London, as well as at your offices anywhere in the UK, Ireland or across EMEA.


SAP Human Capital Management

SAP Finance & Controlling

SAP Project

SAP ABAP

SAP S/4HANA

SAP HANA 2.0 SPS04 - Using Monitoring and Performance Tools

<div id="course-pills-1">Duration<p>3 Days</p><p>18 CPD hours</p>This course is intended for<p>The primary audience for this course is as follows:<br />IT Staff and Managers<br />Network and systems personnel and engineers<br />Small to mid-sized organizations that require fundamental knowledge on networking terms/concepts and configuration guidance for Meraki equipment.<br />This also includes organizations looking to implement remote sites, provide a guest wireless solution, and collect user analytics.</p>Overview<p>Following completion of this course, students will understand, Install, Configure, Monitor, and Troubleshoot the following:<br />Navigate and Configure the dashboard<br />Add MX/MR/MS/MV devices to the Dashboard<br />Understand and Configure Configuration Templates<br />Understand and Configure Group Policies<br />Manage/Configure/Integrate Users and Radius Policies<br />Configure, Monitor, and Troubleshoot MR Access Points<br />Monitor Meraki Network Health<br />Troubleshoot devices and Connectivity</p><p>This 3-day Cisco course provide students with the skills to configure, optimize, and troubleshoot a Cisco Meraki solution. Students will learn how to install and optimize Meraki MR Access Points. Students will also learn how to configure the Meraki Dashboard, troubleshoot and configure the Meraki environment and learn how to diagnose and resolve user and Network issues that may arise.</p></div><div id="course-pills-2"><h4>Introduction to Meraki</h4><ul><li>The Meraki Mission<br />Cisco Meraki: Bringing the Cloud to Enterprise Networks<br />Cloud-Managed Networking Architecture<br />Benefits of a Cloud-Based Solution<br />The Meraki Full Stack: New and Unique Value Proposition<br />Meraki Deployment ? How it works<br />Why Customers Choose Meraki<br />Meraki MS Switches Overview<br />Meraki MX Security Appliances Overview<br />Meraki SD-WAN Overview<br />Meraki MR Wireless Access Points Overview<br />Cisco Meraki Systems Manager Overview<br />Cisco Meraki MV Vision Security Cameras Overview<br />Meraki API Overview<br />Meraki Licensing<br />Enterprise Support<br />Cisco Meraki Documentation</li></ul><h4>Cloud Management with the Meraki Dashboard</h4><ul><li>The Meraki Dashboard<br />Dashboard: Organizational Structure<br />Out-of-band Cloud Management<br />Loss of Connectivity to the Cisco Meraki Cloud<br />Meraki Dashboard Logins<br />Create Dashboard Accounts and Organization<br />MSP Logins - Manage Multiple Organizations<br />Modify an Organization<br />View Organizations Health<br />Meraki Dashboard Best Practices<br />Dashboard Search<br />Meraki Help<br />Organizational Wide Settings<br />Configure<br />Monitor<br />Create and Manage Configuration Templates<br />Network-Wide Settings<br />Configure</li></ul><h4>Meraki MR Wireless</h4><ul><li>Meraki MR Wireless Overview<br />Meraki 2.5G Multigigabit (MGig) Wireless<br />Meraki Mesh Routing<br />Meraki?s solution for RF Environments<br />Securing Guest Wireless<br />Bluetooth Integrated Analytics<br />Meraki Location Heatmap<br />High Density Wireless <br />Zero-Touch Provisioning for Wireless<br />Dedicated Scanning Radio for Rouges and Interference<br />Mounting indoor and Outdoor Antennas<br />Meraki MR Licensing<br />IEEE 802.11 Wireless LAN Standards<br />Site Survey &amp; Design for ensuring connectivity and user experience<br />Meraki AP Models Overview<br />Configuring Meraki APs<br />Configuring SSIDs<br />Firewall &amp; Traffic Shaping Configuration for Wireless<br />Monitoring Meraki APs<br />Trouble Shooting</li></ul></div>

Duration
3 Days
18 CPD hours
This course is intended for
The primary audience for this course is as follows:
IT Staff and Managers
Network and systems personnel and engineers
Small to mid-sized organizations that require fundamental knowledge on networking terms/concepts and configuration guidance for Meraki equipment.
This also includes organizations looking to implement remote sites, provide a guest wireless solution, and collect user analytics.
Overview
Following completion of this course, students will understand, Install, Configure, Monitor, and Troubleshoot the following:
Navigate and Configure the dashboard
Add MX/MR/MS/MV devices to the Dashboard
Understand and Configure Configuration Templates
Understand and Configure Group Policies
Manage/Configure/Integrate Users and Radius Policies
Configure, Monitor, and Troubleshoot MR Access Points
Monitor Meraki Network Health
Troubleshoot devices and Connectivity
This 3-day Cisco course provide students with the skills to configure, optimize, and troubleshoot a Cisco Meraki solution. Students will learn how to install and optimize Meraki MR Access Points. Students will also learn how to configure the Meraki Dashboard, troubleshoot and configure the Meraki environment and learn how to diagnose and resolve user and Network issues that may arise.
Introduction to Meraki
The Meraki Mission
Cisco Meraki: Bringing the Cloud to Enterprise Networks
Cloud-Managed Networking Architecture
Benefits of a Cloud-Based Solution
The Meraki Full Stack: New and Unique Value Proposition
Meraki Deployment ? How it works
Why Customers Choose Meraki
Meraki MS Switches Overview
Meraki MX Security Appliances Overview
Meraki SD-WAN Overview
Meraki MR Wireless Access Points Overview
Cisco Meraki Systems Manager Overview
Cisco Meraki MV Vision Security Cameras Overview
Meraki API Overview
Meraki Licensing
Enterprise Support
Cisco Meraki Documentation
Cloud Management with the Meraki Dashboard
The Meraki Dashboard
Dashboard: Organizational Structure
Out-of-band Cloud Management
Loss of Connectivity to the Cisco Meraki Cloud
Meraki Dashboard Logins
Create Dashboard Accounts and Organization
MSP Logins - Manage Multiple Organizations
Modify an Organization
View Organizations Health
Meraki Dashboard Best Practices
Dashboard Search
Meraki Help
Organizational Wide Settings
Configure
Monitor
Create and Manage Configuration Templates
Network-Wide Settings
Configure
Meraki MR Wireless
Meraki MR Wireless Overview
Meraki 2.5G Multigigabit (MGig) Wireless
Meraki Mesh Routing
Meraki?s solution for RF Environments
Securing Guest Wireless
Bluetooth Integrated Analytics
Meraki Location Heatmap
High Density Wireless 
Zero-Touch Provisioning for Wireless
Dedicated Scanning Radio for Rouges and Interference
Mounting indoor and Outdoor Antennas
Meraki MR Licensing
IEEE 802.11 Wireless LAN Standards
Site Survey & Design for ensuring connectivity and user experience
Meraki AP Models Overview
Configuring Meraki APs
Configuring SSIDs
Firewall & Traffic Shaping Configuration for Wireless
Monitoring Meraki APs
Trouble Shooting

Microsoft Certification

Cisco Certified Network Associate (CCNA)

IT Certifications

Microsoft Certified Solutions Associate (MCSA)

Commercial & Contract Management Certification Program (CCM)

Microsoft Certified Trainer (MCT)

ICM-WA-CT-Installing and Configuring Meraki MR Wireless Aps

With Actress, Acting and Audition Coach Sarah Hannah





Introduction
Join our internationally recognised Screen Acting Weekly Course and develop your technical performance skills and character understanding over 5 Weekly Evening Sessions before applying your new skills on a professional set at Pinewood Studios as you participate in filming two showreel scenes.

Over weekly sessions, the Director will use practical techniques to build your confidence in performance and help you master the technical requirements to be a successful screen actor. You will focus on the importance of character preparations, how to portray emotion, comedy and drama on camera in addition to career advice before shooting a professional acting showreel. Upon completion of the Screen Acting Weekly course, you will emerge with a heightened sense of assurance and confidence in your screen acting abilities and the tools to progress with your acting career, whether you’re new to the industry or a Drama School Graduate looking for more acting opportunities in TV & Film.
Meet Your Tutor

Sarah Hannah
Acting Coach

Sarah Hannah is a highly experienced Professional Actress, Acting and Audition Coach. Bringing her extensive experience of working on stage and on screen, Sarah will focus on enhancing your presence on camera and cover the technical skills required of a professional screen actor.



Course Outline
The course led by Acting Coach Sarah Hannah is held at The Audition House, Central London, and the first 5 weekly sessions run for 3 hours (6-9pm).
There are 3 additional showreel filming sessions at Pinewood Studios. You will be required for 2 out of the 3 filming sessions. We film during the day and you will be given a specific filming time and will not be required all day. 
As this course is inclusive of all levels of ability, it offers a comprehensive overview of screen acting skills, starting from the basics and progressing to more advanced concepts. It will include resources, material and instructional stratergies that cater to beginners while also offering challenges for those with more advanced skills.





Booking Options
Select a course date and add to cart to proceed with payment. This course has limited availability and spaces are first come first served.
Please read our Terms and Conditions before proceeding with your booking.
£750.00
Weds 24th April-Thurs 30th May 2024
Lesson 1: Wednesday 24th April 2024 – 6-9pm Central London
Lesson 2: Wednesday 1st May 2024 – 6-9pm Central London
Lesson 3: Wednesday 8th May 2024– 6-9pm Central London
Lesson 4: Wednesday 15th May 2024 – 6-9pm Central London
Lesson 5: Wednesday 22nd May 2024 – 6-9pm Central London
Filming Sessions: Tuesday 28th, Wednesday 29th and Thursday 30th May 2024 at Pinewood Studios.
You are required for 2 of the 3 filming sessions.


Weds 18th Sept-Thurs 24th Oct 2024
Lesson 1: Wednesday 18th September 2024 – 6-9pm Central London
Lesson 2: Wednesday 25th September 2024 – 6-9pm Central London
Lesson 3: Wednesday 2nd October 2024– 6-9pm Central London
Lesson 4: Wednesday 9th October 2024 – 6-9pm Central London
Lesson 5: Wednesday 16th October 2024 – 6-9pm Central London
Filming Sessions: Tuesday 22nd, Wednesday 23rd and Thursday 24th October 2024 at Pinewood Studios.
You are required for 2 of the 3 filming sessions.





Additional Information
Features
Practical acting training for screen
Shoot two scenes for your professional acting showreel with our Award Winning Crew
Suitable if you are (17 yrs+) and committed to improving your screen acting skills
Attracts a varied age range from 17 yrs+. International Students Welcome
The course is taught in English, so it is important that you have proficient English language skills
Small Class Size
Learning Outcomes
Learn techniques to effectively analyse a Film/TV Script
Create truthful and inspirational characters
Build confidence performing in-front of camera
Understanding the workflow of a busy film set
Audition preparation
Career advice and direction – how to market yourself
Course Location
Training Sessions (1-5) 6pm – 9pmThe Audition House, 129A Whitfield Street, Fitzrovia, London, W1T 5EQ
The Audition House is a two minute walk from Warren Street tube and 5 minutes from Euston Station
Filming Sessions (6-8) Between 8am and 4pmActors Studio, Pinewood Studios, Pinewood Road, Iver Heath, Buckinghamshire, SL0 0NH
Free Parking available at Pinewood Studios
Free frequent shuttle bus service from London Uxbridge Tube Station, Slough and Gerrards Cross. Transfer from station to Pinewood Studios – 10 minutes
Canteen and Coffee shops on site
Excellent transport links from London

Actors Studio

Screen Acting Weekly with Showreel

LIVE 1 to 1with Mentor on Skype Online Course on "Cinematography and Intro to Directing. 8 one hour sessions.
 Taught by British cinematographer/director with 31 years of experience and 32 features, commercials, short films, music videos, documentaries, and reality shows to his name.

📝Full credits and website:
www.imdb.com/name/nm1806508
📝Training:

2 years, London Film School (35mm cinematography/editing/directing)

1 year, Media Productions London (digital cinematography/editing)

2 years, Newport Gwent U.K. (documentary photography set up by Magnum)

Detailed Course 
🌀🌚🎬🎥:LOW COST on.line training:23.23.

🎥Advanced Online Course on "Cinematography and Directing" .one to one with mentor on Skype.

NOTE: DETAILED breakdown,also available.

📝Taught by British cinematographer/director with 31 years of experience and 32 features, commercials, short films, music videos, documentaries, and reality shows to his name.

📝Full credits and website:
www.imdb.com/name/nm1806508

📝Training:

2 years, London Film School (35mm cinematography/editing/directing)

1 year, Media Productions London (digital cinematography/editing)

2 years, Newport Gwent U.K. (documentary photography set up by Magnum)

Course Overview:
This course provides in-depth knowledge of cinematography and directing, including the use of different cameras, lighting setups, metering techniques, and creative direction. Students will learn to master key elements of production and post-production processes.

Hourly Session Breakdown:
8 one-hour sessions on Skype.

---

Reasons You Should Do This Course:

🌀1. Learn From a Professional: With 31 years of international experience in cinematography, you'll be learning from someone who has worked with top-of-the-line equipment on projects in multiple countries and formats.

🌀2. Hands-On Knowledge: You'll receive practical guidance on key areas such as lighting techniques, camera systems, and metering, enabling you to apply this knowledge immediately to your own projects.

🌀3. Flexible and Accessible: The course is held online via Skype, making it accessible from anywhere in the world. If you miss a session, recordings may be provided so you can catch up.

🌀4. In-Depth Curriculum: Covering essential topics like green screen lighting, metering, film stocks, and directing actors, this course gives you a holistic understanding of both cinematography and directing.

🌀5. Low Cost, High Value: Designed to offer maximum value at a very low cost, this course is perfect for budding filmmakers, cinematographers, and even experienced professionals who want to refine their skills.

🌀6. Direct Industry Connections: Successful students may have their work shared with directors and producers that I know, opening potential employment opportunities in the film industry.

---

🎬Session One (One Hour):

Introduction to Light Metering,how to use them.

Understanding light meters for film and digital.

Difference between incident and reflective metering, how a meter will make your lighting so much more precise.

Metering techniques for accurate exposure using t-stops.

Using a meter instead of "false colour"or a "histogram"is so much more precise.

"False colour"and "histograms",only give you an averaged exposure of the whole scene,they are not "zone specific".

Most lighting lesson,s on this course would be very hard to achieve without a "flat disc"on a meter.

As it is "zone specific"ie" it will read the actual "t"stop of the light falling on a person, with a flat disc

Pegging chosen t-stop to an exposure curve.
How to read an exposure curve.

Practical:

Setting up 4-point lighting: Key, Fill, Kicker, Side Light, with appropriate ratios (1:8).key t4,fill t1.4.

Using whiteboard to illustrate.

ECT.

Introduction to gels and gobos for lighting manipulation.creating "mood and tone"in camera.

---

🎬:Session Two (One Hour):

Color Charts & Green Screen Lighting:

Using a color chart for scene exposure and grading

Exercise:
You are shooting a scene with h.m.i,s coming through window,s with "yellow 101".gell,s for urban night light .this is "the look you want".

What colour temp is your colour chart?..what stop?.how do you explain this to the grader?.

Why a correctly exposed colour chart,is so relevant .to today,s digital cinematography.

As you can communicate "the look"you want.

Lighting techniques for full-body green screen setups.

Using 180 degree cyc(what is that?)

With lighting grid,space light,s ,cyc lights,(what are they)

Preventing green screen "bounce back" using low-angle arms and other techniques.

To create "perfect"full bodied "green screen".

---

🎬:Session Three (One Hour):

Lighting Towards Camera & Re-lighting Close-ups

Concept of "lighting towards the camera."why an image looks more "beautiful"if you do this,has been utilizied by "jack Cardiff"in red shoes.

Most great cinematographers do this,what it is?.

The nature of "light",using "the tree in the park"
Concept."lighting towards camera"and what that means?.

Reverse cross key lighting technique for indoor scenes.

How to re.set the hard key,s used in your master ,with soft light,s .to create a soft "wrap around key"and zero nose shadows.essential for every close up to make the images perfect.

It took me years to learn this.

To match the stop in the master within 1/10th of a stop accuracy/along with the same colour temp

Exercise :with white board light a scene 2 monks sat at dinner,lit with candle light..moonlight coming in.(Using 2 m40,s/Arri,and 3 650,s).

How do we light it?.using whiteboard to illustrate.

If you can light "on paper"in real life it,s so easy.

---

🎬:Session Four (One Hour):

Film & Digital Cameras, Lenses, and Lighting Gear:(a cinematographer /director,must know all).

Overview of major camera systems (Arri, Sony, Red, Blackmagic,all film camera,s)all format,s from Alexa classic to Alexa 65,Arricam light,435b,ECT.

Types of lenses and their unique "look."signature primes, master primes,ultra primes ECT

Use of anamorphic:Cooke anamorphic,Arri anamorphic.there unique "flair".and crushed d.o.f.

Importance of t-stops in cinematography.

Extensive breakdown of lighting equipment: soft lights, hard lights, HMIs, tungsten, and more.

Arri m.series.d series,sky panels,space lights ,air stars .all lighting grip, camera filters.gell,s .

Tungsten :dedo,150,650,1k,2k,5k.

All lighting grip:auto.poles,suction clamps,magick arms,lighting booms.ect.

Discussion of grip equipment and essential tools for every D.P.dollies.cranes,ronin,steadycam ECT

"Guerilla arm,s,descend cam,sky cam..a.t.v.drone .
All camera movement.

---

🎬:Session Five (One Hour):

Directing, Producing, and the History of Cinema

Film noir,french new wave, German expressionism:

Key historical films and movements.there effect
On world cinema.

The process of pitching, casting, and directing actors using emotional change how to cast well.

On a low budget film a mis.cast film can ruin your career.

Shooting protocols, call sheets, and breakdown of shooting ratios.

Blocking and multiple eyelines for creative directing.if eyelines "mismatch"most distributors will reject your film.

Multiple eye,lines are quite complex.

How to work with your actor,s using "laban,method and emotional change".

Knowing when a take is good.

Raising funds, distribution,how to realize your film.,🫠

Exercise:"Blair witch"..budget $60.000..box office $250million!.why?..how did they market?

---

🎬:Session Six (One Hour):

Shooting Large Scenes (Day/Night, Interior/Exterior). multiple charecters,how to create cross keys...bounced keys and fill,s.

Lighting techniques for large interior and exterior scenes using H.M.I.s and tungsten lights.

Lighting through window,s

Managing multiple characters in one scene, both day and night.

Importance of re-lighting close-ups in large scenes while maintaining consistent t-stops.

Exercise:6 people in a room day (horror movie).

You want the "cold interior light" to contrast with the warm sunlight coming through the window,s

How do you light this?..explained in DETAIL on the whiteboard..using lighting plan,s.all coverage of the scene,with details of lightning every close .up will be covered.

Lighting 2000 people with a 180 degree coverage,using lighting towers and air stars.
For 3-35mm camera,s (mentor did this in Thailand)

---

🎬:Session Seven (One Hour):

Making digital camera,s look like film.(How to do it?)it is possible,but requires certain techniques.

Working with Film (16mm/35mm)

Difference between 16mm, Super 16, 35mm, and Super 35mm.

Current film stocks available, such as Kodak Vision series.

Using filters and managing film hazards, avoiding scratches, and "checking the gate."

Telecine and color correction techniques.

Understanding scanning for high-resolution output.

Excercise:shooting a film on 35mm Kodak vision 200t.using colour chart,s ,t stop,s

Scene 3 people at an urban bar at night for exercise:

3 -m.40,s 4 650,s .. Arricam light with vision 200t stock.

Explained on whiteboard, how you would light this on film.

---

🎬:Session Eight (One Hour):

Lighting Plans, Composition, and Final Exam.

Work with lighting plans,mentor has used on features.(All lighting plan,s explained)

Review of lighting plans and their importance for efficient production.

A lighting plan allows you to work out your lighting on paper,the more detail,the easiest the actual lighting set up is.

You have calculated your t.stop.the gell,s for your light,s even before you have finished your coffee!.

Mentor will explain IN DETAIL how to do this.

Discussion of composition and framing, referencing notable photographers and painters.

Diane arbus, William Klein,tony ray jones,Cartier Bresson.

Final exam to confirm successful completion of the course. Upon passing, students will receive a certificate of completion.

---

Mentor's Teaching Experience:

1. London Film Academy (taught cinematography)

2. Metropolitan Film School (cinematography)

3. Online Zoom lectures for FINAS (Malay Film Board, 20 students)

4. Workshops for the Malay Film Board

5. 2 years at the International Academy of Film and Television (Cebu, PH), teaching cinematography and directing (voted best film school by Hollywood Reporter)

6. Previous online courses on Skype

---

Contact Information:

For further information or to join the course, please contact:
Email: mikeenkiproductions1@gmail.com
WhatsApp: Mike Muschamp (+63) 915 454 1104

Also, feel free to join my dedicated Facebook group for more information, sample lectures, lighting plans, mood boards, and student reviews:
Facebook Group: "Learn Advanced Cinematography and Directing"

FEEDBACK from my last students:

👍"I want to thank Mike Muschamp for the great Film Director/ lightning course he put together, that myself and my Director Vee have just completed.
Myself and my team have gained an abundance of knowledge during this course that will definitely make a massive difference to future film projects.
I would recommend this course to anyone at any level of film making .
Thanks again Mike from all of my team".🙏

From student just graduated
 Giuseppe Baldassarre

👍"Thank you sir 🙏 I got a lot information and knowledge from you 🫡"from vee Thai director
Weerapong h paleewiwat.
Sent from my iPhoneI





JJFILMworks London Ltd Film School

Camera

Course Overview:
This course provides in-depth knowledge of cinematography and directing, including the use of different cameras, lighting setups, metering techniques, and creative direction. Students will learn to master key elements of production and post-production processes.

Hourly Session Breakdown:
8 one-hour sessions on Skype. 

The Hot Cinematography Course + INTRO to Directing

General admission

2025 Annual discount 

Special offer for choosing 3 courses Cinematography, Producing, Acting

Bundled price discount 2025


Unlock Your Filmmaking Potential with Taraq Qureshi**

Discover the art of filmmaking with Taraq Qureshi, an acclaimed British producer, director, and actor. With over 20 years of experience in the film industry and a unique perspective as a disabled filmmaker, Taraq brings a wealth of knowledge and passion to his teaching.

**About Taraq Qureshi:**

- **Seasoned Filmmaker**: With over two decades of experience, Taraq has produced and directed numerous feature films and short films. His journey began in community theatre with a year-long course accredited by Middlesex University London in 1999.
- **Industry Leader**: Founder and artistic director of the "Golden Nugget International Film Festival," which has been running for six years. In 2023, Taraq also founded the "Global Film Producers Alliance" (www.gfa.com), a platform dedicated to connecting and supporting film producers worldwide.
- **Innovative Storyteller**: Taraq's notable projects include "Strictly Salsa - The Beginning," "The Chosen Ones," and "Do Not Enter." His work is marked by a deep passion for storytelling and a commitment to creating both commercially successful and niche market films.
- **Mentor and Educator**: As an acting teacher, creative executive, and development coordinator, Taraq has inspired countless aspiring filmmakers to pursue their dreams and achieve success in the industry.

**Why Learn from Taraq?**

- **Expert Guidance**: Gain insights from a seasoned professional with a proven track record in the film industry.
- **Unique Perspective**: Learn from Taraq's experiences as a disabled filmmaker, providing a fresh and inclusive approach to storytelling.
- **Hands-On Learning**: Benefit from practical, real-world advice and techniques that you can apply to your own filmmaking projects.
- **Community and Support**: Join a network of passionate filmmakers and industry professionals through Taraq's initiatives, including the "Golden Nugget International Film Festival" and the "Global Film Producers Alliance."

**Enroll Now and Transform Your Filmmaking Journey!**

Don't miss this opportunity to learn from one of the industry's most respected and innovative filmmakers. Enroll in Taraq Qureshi's online teaching course today and take the first step towards realizing your filmmaking dreams.
#Master the Art of Film Directing: Enroll in Our Comprehensive 10-Day Course!**

Are you passionate about storytelling? Do you dream of bringing your cinematic visions to life? Our 10-day course on Feature Film Directing is your gateway to mastering the craft and making your mark in the film industry!

#### **Course Highlights:**
🎬 **Expert Instruction:** Learn from seasoned directors and industry professionals.
📜 **Script Analysis:** Break down screenplays and develop compelling characters.
🎥 **Visual Storytelling:** Master cinematography, shot composition, and visual style.
👥 **Actor Collaboration:** Discover techniques for casting and directing actors.
🎨 **Production Design:** Create immersive sets, props, and costumes.
🎧 **Sound and Music:** Enhance your film with expert sound design and music.
✂️ **Editing Mastery:** Gain hands-on experience in editing and post-production.
📣 **Marketing and Distribution:** Learn to promote and distribute your film successfully.
🌟 **Final Project:** Showcase your skills with a short film project and receive valuable feedback.

#### **Who Should Enroll:**
- Aspiring Directors
- Film Students
- Storytellers and Creatives
- Film Enthusiasts

#### **Why Choose Our Course:**
- **Intensive Learning:** Each 90-minute session is packed with valuable insights and practical exercises.
- **Hands-On Experience:** Apply what you learn with real-world projects and interactive sessions.
- **Networking Opportunities:** Connect with fellow filmmakers and industry experts.
- **Flexible Schedule:** Designed to fit into your busy lifestyle.

#### **Ready to Start Your Directing Journey?**
Don't miss this opportunity to turn your passion for film into a rewarding career. Enroll now and take the first step towards becoming a masterful film director!

---

*Limited seats available. Sign up today to secure your spot!* 🎥✨

---
### **Day 1: Introduction to Directing**
- **Welcome and Course Overview:** 
  - Introduction to the role of a film director.
  - Course objectives and expectations.

- **History of Film Directing:** 
  - Overview of influential directors and their contributions.
  - Evolution of directing styles and techniques.

---

### **Day 2: Script Analysis and Development**
- **Script Breakdown:**
  - Understanding the screenplay.
  - Identifying themes, characters, and plot structure.

- **Character Development:**
  - Techniques for creating and developing characters.
  - Analyzing character arcs.

---

### **Day 3: Visual Storytelling**
- **Cinematography Basics:**
  - Shot composition and framing.
  - Camera movements and angles.

- **Visual Style:**
  - Creating a visual style and tone.
  - Working with a cinematographer.

---

### **Day 4: Working with Actors**
- **Casting:**
  - Techniques for casting the right actors.
  - Conducting auditions.

- **Directing Actors:**
  - Techniques for effective communication.
  - Understanding actors' needs and processes.

---

### **Day 5: Production Design**
- **Set Design:**
  - Understanding the importance of production design.
  - Working with the production designer.

- **Props and Costumes:**
  - The role of props and costumes in storytelling.
  - Collaborating with the art department.

---

### **Day 6: Sound and Music**
- **Sound Design:**
  - Basics of sound recording and mixing.
  - Creating an audio landscape.

- **Music in Film:**
  - The role of music in enhancing the narrative.
  - Working with a composer.

---

### **Day 7: Editing and Post-Production**
- **Editing Techniques:**
  - Understanding the editing process.
  - Types of cuts and transitions.

- **Post-Production Workflow:**
  - Overview of post-production stages.
  - Collaborating with editors and post-production teams.

---

### **Day 8: Directing on Set**
- **Pre-Production Planning:**
  - Creating a shooting schedule.
  - Conducting technical rehearsals.

- **On-Set Communication:**
  - Managing the cast and crew.
  - Problem-solving on set.

---

### **Day 9: Marketing and Distribution**
- **Film Festivals and Markets:**
  - Overview of film festivals and markets.
  - Strategies for submitting and promoting films.

- **Distribution Channels:**
  - Understanding traditional and digital distribution.
  - Creating a distribution plan.

---

### **Day 10: Final Project and Presentation**
- **Project Work:**
  - Finalizing the short film project.
  - Preparing for the presentation.

- **Presentations:**
  - Screening of short films.
  - Feedback and discussion.

- **Course Wrap-Up:**
  - Reflecting on the course experience.
  - Final thoughts and future steps.

---

This version is condensed to fit into 90-minute sessions, ensuring each lesson is focused and impactful. Does this meet your expectations?
Of course! Here's a revised version of the 10-day course, with 90-minute sessions each day:

---

### **Day 1: Introduction to Directing**
- **Welcome and Course Overview:** 
  - Introduction to the role of a film director.
  - Course objectives and expectations.

- **History of Film Directing:** 
  - Overview of influential directors and their contributions.
  - Evolution of directing styles and techniques.

---

### **Day 2: Script Analysis and Development**
- **Script Breakdown:**
  - Understanding the screenplay.
  - Identifying themes, characters, and plot structure.

- **Character Development:**
  - Techniques for creating and developing characters.
  - Analyzing character arcs.

---

### **Day 3: Visual Storytelling**
- **Cinematography Basics:**
  - Shot composition and framing.
  - Camera movements and angles.

- **Visual Style:**
  - Creating a visual style and tone.
  - Working with a cinematographer.

---

### **Day 4: Working with Actors**
- **Casting:**
  - Techniques for casting the right actors.
  - Conducting auditions.

- **Directing Actors:**
  - Techniques for effective communication.
  - Understanding actors' needs and processes.

---

### **Day 5: Production Design**
- **Set Design:**
  - Understanding the importance of production design.
  - Working with the production designer.

- **Props and Costumes:**
  - The role of props and costumes in storytelling.
  - Collaborating with the art department.

---

### **Day 6: Sound and Music**
- **Sound Design:**
  - Basics of sound recording and mixing.
  - Creating an audio landscape.

- **Music in Film:**
  - The role of music in enhancing the narrative.
  - Working with a composer.

---

### **Day 7: Editing and Post-Production**
- **Editing Techniques:**
  - Understanding the editing process.
  - Types of cuts and transitions.

- **Post-Production Workflow:**
  - Overview of post-production stages.
  - Collaborating with editors and post-production teams.

---

### **Day 8: Directing on Set**
- **Pre-Production Planning:**
  - Creating a shooting schedule.
  - Conducting technical rehearsals.

- **On-Set Communication:**
  - Managing the cast and crew.
  - Problem-solving on set.

---

### **Day 9: Marketing and Distribution**
- **Film Festivals and Markets:**
  - Overview of film festivals and markets.
  - Strategies for submitting and promoting films.

- **Distribution Channels:**
  - Understanding traditional and digital distribution.
  - Creating a distribution plan.

---

### **Day 10: Final Project and Presentation**
- **Project Work:**
  - Finalizing the short film project.
  - Preparing for the presentation.

- **Presentations:**
  - Screening of short films.
  - Feedback and discussion.

- **Course Wrap-Up:**
  - Reflecting on the course experience.
  - Final thoughts and future steps.

---

This version is condensed to fit into 90-minute sessions, ensuring each lesson is focused and impactful. Let me know if there is anything you want help with taraqqureshi@gmail.com 

The Hot Directors Live Training Course 

“You don't take a photograph. You make it" - Ansel Adams
Photography For Parents - Editing In Lightroom
Next course starts 11 March 2024
Editing is an essential skill for anyone with even just a passing interest in photography.
Much as we try, we can't always get everything right in camera and editing tools help us bring our vision to life, help correct problems and allow our images to look beautifully polished.
 We teach how to do all these things in Adobe Lightroom because it's a powerful, intuitive and affordable tool used by Pros around the world for that very reason.
KEY COURSE INFO:
Course type: Instructor-led
Course duration: 4 weeks + prep module
Course format: Online course with interactive edit-along live classes, feedback on your learning and support group
WHAT YOU LEARN:
From being able to correct issues such as over/under exposure, issues with colour or graininess to bringing your vision to life, creating mood and tone to your images, knowing how to use editing software is a must. But good and purposeful editing goes way beyond just slapping on a preset or a filter - in our course we teach you all about the tools - not just what all of them do but how, and we teach you how to know what to use and when to achieve certain effects.everything you need to allow you to style your photos, confidently use the software and fix common problems.
editing to correct common photo problems
creating good editing workflow
using powerful precision tools
editing to achieve beautiful skin tones
using light and colour creatively
editing to bring out a mood of a feel
THIS IS THE COURSE FOR YOU IF :
Love taking photos but want them to look more polished - with colours that pop and light that's perfectly balanced
You want to be able to fix common issues such as under- or overexposure, white balance or colour casts so that you never need to bin an image just because it wasn't right straight out of camera
You want to get more creative with light and colour to make the images look just like the moment felt. Bring on the moody edits or sun soaked edits or light kissed skin tones or creative black and white conversions
You want to confidently use the editing techniques so you can bring your vision to life every time, without guesswork
You want to be able to prepare your images for print so that your walls can beam with pride at the beauty that you captured
Next Editing in Lightroom course starts 11 March 2024 
4 core course modules plus prep module
Support Facebook group
Weekly edit-along live webinar
Practice files to learn on
Feedback on your images

HERE IS WHAT YOU WILL LEARN in this course : 
Our Photo Editing in Lightroom course guides you through the photo editing process in Adobe Lightroom from start to finish – from setting it up correctly, organising your collections and creating a workflow that works for you, through learning the capabilities of all the editing tools - such as adjusting exposure, colours, light or sharpening the images; all the way to printing and creating photo books.
We’ll show you how to create specific artistic effects ( high impact Black and white, vintage, light and airy, dark and moody etc ), and how to fix common photography problems ( grainy images, underexposed images, wrong colours etc). At the end of the course you will be able to confidently manage your photo collection with Lightroom, achieve desired artistic effects and make your photos truly stand out.
Getting around in Lightroom and Lightroom Classic - shooting in full manual - but with clarity and purpose
Correcting common problems - whether your photo started too dark or too bright, your child's face was in a shade, the white balance and colours were off, the grain was heavy, the light looked dull - you can fix it all within a couple of clicks in Lightroom
Using Lightroom's super powerful intelligent masking tools to quickly and efficiently edit specific parts of your image - from brightening up the eyes to rescuing overblown skies
Enhancing and adding beautiful light - light makes images stand out, but it can be hard capturing the atmosphere it creates in camera at times. Lightroom is where you can bring light to life and make your images feel how what you saw in real life
Knowing how to shoot in camera so you can get the most in editing - photographers will often purposefully under or overexpose images in camera so that they have more chance of balancing the image just they way they want in Lightroom.
INSIDE THE MODULES - aka WHAT DO YOU LEARN?
Module 0: Getting set up in Lightroom
This module is released a week before the course starts to give you a chance to fully familiarise yourself with the layout, structure and the best way of working in Lightroom Classic, including guidance of creating a smooth selection and culling process that helps you see and keep the best of your images, without getting bogged down with 100s near duplicates.


Module 1: Getting Started In Lightroom - Global Edits
In this module we introduce you to Lightroom's most powerful tools - the global edits. We help you understand how to tweak your images to achieve the effects you're after quickly - from adjusting over and under exposure, to correcting white balance in a few different ways, to having a play with my favourite Lightroom tool - the tone curve.
Major Takeaways:
At the end of the module you will have gained full control of lightroom key global tools and will be able to use them to correct any global - as in affecting the whole image - issues with your images. This includes perfecting your exposure, balancing your colour and white balance, sharpening and creating clarity and more.


Module 2: Targeted Edits - Masks! 
Lightroom allows us to apply edits to selected parts of the image through a range of its very powerful, intelligent and manual masks. This means you can now effortlessly select your subject from the photo to adjust them separately with just one click, you can pick only the sky, the subject's eyes or only colour green or any other element and treat them differently to the rest. 
Major Takeaways:
You will be able to use the full range of masks in lightroom and apply your edits exactly where they are needed, and nowhere else. This includes working with with the new AI powered masks which can detect a person's individual features and allow you to selectively edit them in a few simple steps, as well as those more manual tools, that allow you to literally paint with light and colour on your photographs.


Module 3: Creative Editing in Lightroom 
This is a brand new module in our course where we take all the tools introduced in Modules 1 and 2 and actually use them to achieve different effects on our photos. Wer show you how to be guided by light when editing, how to achieve a light and airy or a moody edit on your images, how to add light and how to convert to black and white, as well as how to edit skin in Lightroom! This module is all play! 
Major Takeaways:
You will learn how to create yoru own editing process - from knowing where to start and to understanding what elements of your photograph may need or benefit from adjusting and knowing how you can do so to achieve different outcomes. You will also learn how to edit your skin tones so they look delightful - no matter what your subject's complexion. 


Module 4: After the edits
We close the course with a module centered around all the things you might want to do after the edits - from preparation for print, creating photo books, but also sharing your images online and syncing them between different machines and adobe workplaces. PLUS there is a little Photoshop intro so you get a glimpse at how it's different and what it can do. 
 
Major Takeaways:
You will learn how to connect all of your Adobe ecosystem and sync and share your images across multiple devices. You will learn how to prepare your images for print so they look their very best and how to create photobooks.


Next course starts 11 March 2024


Absolutely, without a doubt book Editing. I was very unsure at first. My interest in photography is to capture those memories so it felt like it was 'cheating' to edit. I can honestly say it's like magic.To finish off the pictures you love and just give you complete control over the exposure, colours to make them perfect, to rescue the disasters etc. I learnt so much in those few weeks and it made the biggest difference to my photos. 
Kerry White
Editing in LIGHTROOM
Book your space now:
COURSE STARTS : 11 March 2024 ( 4 weeks + 1 prep week)COURSE COST : £179 ( payment plans available )
What’s included:
4 weekly modules with step by step illustrated tutorials and videos + prep module
weekly edit along class online class ( also recorded) - on Wednesday evenings
feedback and advice on your edits
private support group
PDF workbook and downloadable videos
Practice images to learn on
Join our next group to really bring life to your images and make them look sleep, polished and full of light


COURSE PREREQUISITES:
Lightroom or Lightroom Classic CC software installed on your computer or tablet.
RECOMENDED : Lightroom Photography Plan 25GB – a monthly subscription at approx £9pm – including Lightroom CC, Lightroom Classic CC and Photoshop. This plan can also be occasionally purchased at a lower price via Amazon or Groupon if you purchase a year’s worth of subscription in one go ( average savings – around 2-4 months worth depending on the deal)
Please note that Adobe also has a Lightroom Plan with 1TB of storage – we do not recommend this plan as it restricts you to one version of software only. The increased Cloud storage can always be purchased as an add on or your plan can be switched from Photographer plan to CC only at a later stage if you prefer.

Photography For Parents - Editing In Lightroom

Harpenden

<p>Masterclasses? Refreshers? Introductions?</p><p>It depends what you're looking for and where you want to pitch them, but here are six tried-and-tested highly focused sessions that organisations can take individually or as a series, to help develop their teams' project management capabilities one topic at a time.</p>Objectives for each individual session are set out below, as part of the session outlines.<p>Taken together, as a series, however, these modules are an ideal opportunity to develop your team's levels of project management capability maturity, whether that's by introducing them to the basic principles, refreshing them on best practice, or giving them the opportunity to really drill down into a specific area of challenge in your particular operating environment.</p><section>
                    <h3>Session outlines</h3> 1 Stakeholder management <h3>Session objectives</h3>This session will help participants:<ul><li>Understand why stakeholders matter to projects</li><li>Be able to identify and engage stakeholders</li><li>Be able to categorise stakeholders by their significance</li></ul> <h3>1 Key principles</h3><ul><li>What does 'stakeholder' mean - in theory?</li><li>What does this mean in practice?</li><li>Why stakeholders matter</li><li>Consequences of missing stakeholders</li><li>The stakeholder management process:<ul><li>Identify</li><li>Assess</li><li>Plan</li><li>Engage</li></ul></li></ul> <h3>2 Identifying stakeholders</h3><ul><li>Rapid listing</li><li>CPIG analysis</li><li>PESTLE analysis</li><li>Drawing on the knowledge and experience of others</li><li>Other ways to identify stakeholders</li></ul> <h3>3 Assessing stakeholders</h3><ul><li>Which stakeholders are significant?</li><li>Stakeholder radar</li><li>Power-interest maps</li><li>Power-attitude maps</li></ul> <h3>4 Planning</h3><ul><li>The adoption curve</li><li>Dealing with obstacles</li><li>Who should engage which stakeholder?</li><li>How should the project's organisation be structured?</li><li>How will communication happen?</li></ul> <h3>5 Engaging</h3><ul><li>Seven principles of stakeholder engagement</li></ul> 2 Requirements and prioritisation <h3>Session objectives</h3>This session will help participants:<ul><li>Understand how clarity of requirements contributes to project success</li><li>Use different techniques for prioritising requirements</li><li>Agree requirements with stakeholders</li><li>Manage changes to requirements</li></ul> <h3>1 Understanding and managing stakeholder needs and expectations</h3><ul><li>What are 'requirements'?</li><li>What is 'requirements management'?</li><li>Sources of requirements - and the role of stakeholders</li><li>Are stakeholders sufficiently expert to specify their needs?</li><li>Do they understand the detail of what they want, or do they need help to tease that out?</li><li>What do stakeholders want to achieve?</li><li>Working within constraints</li><li>Prioritising requirements - three techniques</li></ul> <h3>2 MoSCoW prioritisation</h3><ul><li>'Must have', should have', 'could have, 'won't have this time'</li><li>When to use MoSCoW</li></ul> <h3>3 The Kano Model</h3><ul><li>Customer satisfaction - 'attractive' and 'must-be' qualities</li><li>When to use Kano</li></ul> <h3>4 Value-based prioritisation</h3><ul><li>Understanding risk <em>v</em> value</li><li>Using risk <em>v</em> value to prioritise features and schedules</li></ul> <h3>5 Agreeing requirements</h3><ul><li>Perfect <em>v</em> 'good enough'</li><li>Establishing acceptance criteria</li><li>Requirements traceability</li><li>Agreeing project scope</li></ul> <h3>6 Changing requirements</h3><ul><li>Why requirements change</li><li>Why change control matters</li><li>Impact on projects</li><li>A formal change control process</li><li>Paying for change - managing change for different types of project</li></ul> 3 Estimating <h3>Session objectives</h3>This session will help participants:<ul><li>Understand the different purposes estimates satisfy</li><li>Be able to use different estimating techniques</li><li>Understand how to achieve different levels of accuracy</li></ul> <h3>1 Key principles</h3><ul><li>What's an estimate? Informed guesswork</li><li>What needs to be estimated? Costs, resources, effort, duration</li><li>Tolerances</li><li>Precision <em>v</em> accuracy</li></ul> <h3>2 Estimating through the lifecycle</h3><ul><li>Start</li><li>Plan</li><li>Do</li></ul> <h3>3 Early estimates</h3><ul><li>Comparative ('analogous') estimating</li><li>Parametric estimating</li><li>Using multiple estimating techniques</li></ul> <h3>4 Bottom-up estimating</h3><ul><li>Bottom-up ('analytical') estimating</li><li>Pros</li><li>Cons</li></ul> <h3>5 Three-point estimating</h3><ul><li>Three-point ('PERT': Programme Evaluation and Review Technique) estimating</li><li>Uncertainty and the range of estimates</li><li>Calculating a weighted average</li><li>Three-point with bottom-up</li></ul> 4 Scheduling <h3>Session objectives</h3>This session will help participants:<ul><li>Understand how to create a viable schedule</li><li>Be able to use different forms of schedule</li><li>Understand the concept of the critical path</li></ul> <h3>1 Key principles</h3><ul><li>The planning horizon</li><li>Rolling wave planning</li><li>Release planning</li></ul> <h3>2 Viable scheduling</h3><ul><li>Creating a viable schedule</li><li>Define the scope</li><li>Sequence the work</li><li>Identify the risks and build in mitigations</li><li>Identify the resources</li><li>Estimate the effort and durations</li><li>Check resource availability</li><li>Refine until a workable schedule is produced</li></ul> <h3>3 Critical path analysis</h3><ul><li>The critical path</li><li>Network diagrams</li><li>Sequence logic</li><li>Practical application:<ul><li>Network diagram with estimated durations</li><li>The 'forward pass'</li><li>The 'backward pass'</li><li>Calculating total float</li><li>Identifying the critical path</li><li>Calculating free float</li></ul></li><li>Gantt charts</li></ul> 5 Risk and issue management <h3>Session objectives</h3>This session will help participants:<ul><li>Understand the difference between risks and issues</li><li>Be able to identify and assess risks</li><li>Understand ways of mitigating risks</li><li>Manage issues</li></ul> <h3>1 Key principles</h3><ul><li>Understanding risk</li><li>Threats and opportunities</li><li>The risk management process<ul><li>Preparation - proactive risk management</li><li>The process - identify, assess, plan, implement</li><li>Stakeholder communication</li></ul></li><li>Roles and responsibilities</li><li>Risk management strategy</li><li>The risk register</li><li>Risk appetite</li></ul> <h3>2 Risk identification</h3><ul><li>Brainstorming</li><li>Interviews</li><li>Assumption analysis</li><li>Checklists</li></ul> <h3>3 Risk assessment and prioritisation</h3><ul><li>Probability, impact and proximity</li><li>Triggers</li><li>Qualitative risk assessment</li><li>Qualitative impact assessment</li><li>Qualitative probability assessment</li><li>Probability / impact grid</li><li>Bubble charts</li><li>Risk tolerance</li></ul> <h3>4 Planning countermeasures</h3><ul><li>To mitigate or not to mitigate?</li><li>Categories of risk response</li><li>Avoid and exploit</li><li>Reduce and enhance</li><li>Transfer</li><li>Share</li><li>Accept</li><li>Contingency</li><li>Secondary risks</li></ul> <h3>5 Issue management</h3><ul><li>What is an issue?</li><li>Tolerances</li><li>Issues and tolerances</li><li>The PRINCE2 view of issues</li><li>Ownership of issues</li><li>An issue management process</li><li>Issue register</li></ul> 6 Budgeting and cost control <h3>Session objectives</h3>This session will help participants:<ul><li>Understand what to include in a budget - and why</li><li>Choose - and use - the appropriate estimating technique</li><li>Align the budget with the schedule</li><li>Understand how to monitor spend and control costs</li><li>Trouble-shoot effectively to get projects back within budget</li></ul> <h3>Session format</h3>Flexible. The session can be tailored to the participants' average level of project management maturity - a 60-minute session (delivered virtually) is an effective introduction. A 90-minute session allows for more in-depth treatment. A half-day session (face-to-face or virtual) gives time for a more challenging workshop, particularly to discuss specific cost control issues with any of the participants' current projects. <h3>1 Where is the money coming from?</h3><ul><li>Can we pay from revenue? Do we need to borrow? How long will the project take to pay back?</li><li>The lifecycle of the budget</li><li>Through-life costs</li><li>Stakeholder involvement</li></ul> <h3>2 Estimating costs</h3><ul><li>Reminder: the relationship between estimates</li><li>Reminder: possible estimating techniques</li><li>What do we need to estimate?<ul><li>People</li><li>Equipment</li><li>Materials</li><li>Facilities and operating costs</li><li>Work package estimate</li><li>Estimated project costs</li></ul></li><li>Estimating agile projects</li></ul> <h3>3 Aligning budget and schedule</h3><ul><li>Scheduling and financial periods</li><li>Spreading the budget</li></ul> <h3>4 Reserves and agreeing the budget</h3><ul><li>Contingency reserve</li><li>Management reserve</li><li>Agreeing the budget</li></ul> <h3>5 Cost control</h3><ul><li>Planned spend over time</li><li>Actual spend over time</li><li>Work completed over time</li><li>Evaluating different scenarios: delivery <em>v</em> spend</li></ul> <h3>6 Trouble-shooting</h3><ul><li>Why are we where we are?</li><li>What has caused the project to spend at the rate it is?</li><li>Why is it delivering at the rate it is?</li><li>What are the root causes?</li><li>What can we do about it?</li></ul> 


                </section>

Masterclasses? Refreshers? Introductions?
It depends what you're looking for and where you want to pitch them, but here are six tried-and-tested highly focused sessions that organisations can take individually or as a series, to help develop their teams' project management capabilities one topic at a time.
Objectives for each individual session are set out below, as part of the session outlines.
Taken together, as a series, however, these modules are an ideal opportunity to develop your team's levels of project management capability maturity, whether that's by introducing them to the basic principles, refreshing them on best practice, or giving them the opportunity to really drill down into a specific area of challenge in your particular operating environment.
Session outlines
1 Stakeholder management
Session objectives
This session will help participants:
Understand why stakeholders matter to projects
Be able to identify and engage stakeholders
Be able to categorise stakeholders by their significance
1 Key principles
What does 'stakeholder' mean - in theory?
What does this mean in practice?
Why stakeholders matter
Consequences of missing stakeholders
The stakeholder management process:IdentifyAssessPlanEngage
2 Identifying stakeholders
Rapid listing
CPIG analysis
PESTLE analysis
Drawing on the knowledge and experience of others
Other ways to identify stakeholders
3 Assessing stakeholders
Which stakeholders are significant?
Stakeholder radar
Power-interest maps
Power-attitude maps
4 Planning
The adoption curve
Dealing with obstacles
Who should engage which stakeholder?
How should the project's organisation be structured?
How will communication happen?
5 Engaging
Seven principles of stakeholder engagement
2 Requirements and prioritisation
Session objectives
This session will help participants:
Understand how clarity of requirements contributes to project success
Use different techniques for prioritising requirements
Agree requirements with stakeholders
Manage changes to requirements
1 Understanding and managing stakeholder needs and expectations
What are 'requirements'?
What is 'requirements management'?
Sources of requirements - and the role of stakeholders
Are stakeholders sufficiently expert to specify their needs?
Do they understand the detail of what they want, or do they need help to tease that out?
What do stakeholders want to achieve?
Working within constraints
Prioritising requirements - three techniques
2 MoSCoW prioritisation
'Must have', should have', 'could have, 'won't have this time'
When to use MoSCoW
3 The Kano Model
Customer satisfaction - 'attractive' and 'must-be' qualities
When to use Kano
4 Value-based prioritisation
Understanding risk v value
Using risk v value to prioritise features and schedules
5 Agreeing requirements
Perfect v 'good enough'
Establishing acceptance criteria
Requirements traceability
Agreeing project scope
6 Changing requirements
Why requirements change
Why change control matters
Impact on projects
A formal change control process
Paying for change - managing change for different types of project
3 Estimating
Session objectives
This session will help participants:
Understand the different purposes estimates satisfy
Be able to use different estimating techniques
Understand how to achieve different levels of accuracy
1 Key principles
What's an estimate? Informed guesswork
What needs to be estimated? Costs, resources, effort, duration
Tolerances
Precision v accuracy
2 Estimating through the lifecycle
Start
Plan
Do
3 Early estimates
Comparative ('analogous') estimating
Parametric estimating
Using multiple estimating techniques
4 Bottom-up estimating
Bottom-up ('analytical') estimating
Pros
Cons
5 Three-point estimating
Three-point ('PERT': Programme Evaluation and Review Technique) estimating
Uncertainty and the range of estimates
Calculating a weighted average
Three-point with bottom-up
4 Scheduling
Session objectives
This session will help participants:
Understand how to create a viable schedule
Be able to use different forms of schedule
Understand the concept of the critical path
1 Key principles
The planning horizon
Rolling wave planning
Release planning
2 Viable scheduling
Creating a viable schedule
Define the scope
Sequence the work
Identify the risks and build in mitigations
Identify the resources
Estimate the effort and durations
Check resource availability
Refine until a workable schedule is produced
3 Critical path analysis
The critical path
Network diagrams
Sequence logic
Practical application:Network diagram with estimated durationsThe 'forward pass'The 'backward pass'Calculating total floatIdentifying the critical pathCalculating free float
Gantt charts
5 Risk and issue management
Session objectives
This session will help participants:
Understand the difference between risks and issues
Be able to identify and assess risks
Understand ways of mitigating risks
Manage issues
1 Key principles
Understanding risk
Threats and opportunities
The risk management processPreparation - proactive risk managementThe process - identify, assess, plan, implementStakeholder communication
Roles and responsibilities
Risk management strategy
The risk register
Risk appetite
2 Risk identification
Brainstorming
Interviews
Assumption analysis
Checklists
3 Risk assessment and prioritisation
Probability, impact and proximity
Triggers
Qualitative risk assessment
Qualitative impact assessment
Qualitative probability assessment
Probability / impact grid
Bubble charts
Risk tolerance
4 Planning countermeasures
To mitigate or not to mitigate?
Categories of risk response
Avoid and exploit
Reduce and enhance
Transfer
Share
Accept
Contingency
Secondary risks
5 Issue management
What is an issue?
Tolerances
Issues and tolerances
The PRINCE2 view of issues
Ownership of issues
An issue management process
Issue register
6 Budgeting and cost control
Session objectives
This session will help participants:
Understand what to include in a budget - and why
Choose - and use - the appropriate estimating technique
Align the budget with the schedule
Understand how to monitor spend and control costs
Trouble-shoot effectively to get projects back within budget
Session format
Flexible. The session can be tailored to the participants' average level of project management maturity - a 60-minute session (delivered virtually) is an effective introduction. A 90-minute session allows for more in-depth treatment. A half-day session (face-to-face or virtual) gives time for a more challenging workshop, particularly to discuss specific cost control issues with any of the participants' current projects.
1 Where is the money coming from?
Can we pay from revenue? Do we need to borrow? How long will the project take to pay back?
The lifecycle of the budget
Through-life costs
Stakeholder involvement
2 Estimating costs
Reminder: the relationship between estimates
Reminder: possible estimating techniques
What do we need to estimate?PeopleEquipmentMaterialsFacilities and operating costsWork package estimateEstimated project costs
Estimating agile projects
3 Aligning budget and schedule
Scheduling and financial periods
Spreading the budget
4 Reserves and agreeing the budget
Contingency reserve
Management reserve
Agreeing the budget
5 Cost control
Planned spend over time
Actual spend over time
Work completed over time
Evaluating different scenarios: delivery v spend
6 Trouble-shooting
Why are we where we are?
What has caused the project to spend at the rate it is?
Why is it delivering at the rate it is?
What are the root causes?
What can we do about it?

Educators providing Shooting courses in Ryde delivered Live Online