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The Lancashire Wildlife Trust for the Carbon Landscape Partnership.

the lancashire wildlife trust for the carbon landscape partnership.

5.0(10)

The Carbon Landscape is a diverse landscape of water, fen, wet grassland, wet woodland and lowland raised bog with a rich natural environment woven into its industrial heritage. It boasts rare wildlife like willow tits, bitterns, great crested newts, water voles, bog mosses and black-necked grebes. The Carbon Landscape has a variety of wetlands. Plan your visit. It has different designations and declarations ranging from the internationally important Special Area for Conservation (SAC), nationally important (Sites of Special Scientific Interest), National Nature Reserves, Local Nature Reserves, Sites of Biological Interest (Greater Manchester Ecology Unit) to local wildlife corridors and stepping stones that people regularly enjoy. Working with fourteen delivery partners the Carbon Landscape encompasses sites across the Flashes of Wigan and Leigh National Nature Reserve with SSSI designation at Ince Moss and Abram Flashes Mosslands of Wigan, Salford and Warrington proposed National Nature Reserve including parts of remnant lowland raised bogs with SAC designation at Risley, Holcroft and Bedford and Astley Mosses. Mersey Wetlands Corridor stretching from where the Irwell meets the Manchester Ship Canal, including Woolston Eyes (SAC), Rixton (SAC) and Paddington Meadows in Warrington. The Carbon Landscape is the flagship programme of the Great Manchester Wetlands Partnership. Delivery partners came together to deliver, a £3.2million programme funded by the Heritage Fund (2017 – 2022). Please see our Success Stories. Our wildlife is connected through habitat restoration, access improvements and capacity building within our local communities. In this way nature and local custodians come together to enable a resilient post-industrial landscape on the doorsteps of two million people.

Sally Gunnett

sally gunnett

I work with natural elements to record places and periods of time, mainly using plants and their naturally occurring dyes. After a rural upbringing I moved to London in 2000 and have lived and worked here since. I graduated with a degree in Fine Art from Goldsmiths College in 2003 and recently completed the Artist Teacher Scheme at Oxford Brookes University with distinction. I am currently working as a freelance artist and teacher having previously taught art and photography in mainstream education for over a decade, becoming a head of department before deciding to concentrate on my own artistic practice after giving birth to my son. I continue my love of teaching by delivering workshops and courses. My current practice explores the change and growth of plants in my garden and other places which have significance to me. I work with time-based processes and alternative printmaking techniques, using pigments in plant dyes and rust, to record periods in time or the status of plants at a particular moment. I am interested in the unpredictability of these processes and the effects that they have both on the plants used to create them and the environment they are created in. I am currently investigating how nature can be used to record periods of time by creating work in the environment, documenting the effects of natural elements such as rain. I have work in private and public collections internationally and have exhibited nationally including at the Woolwich Contemporary Print Fair for the past three years. I completed a residency in 2018 as part of the New: Defence arts project in Essex which culminated in a solo exhibition of the work I created.