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42 Educators providing Plaster courses delivered On Demand

Sarah Goss Traditional Woodcarving

sarah goss traditional woodcarving

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Sarah specialises in providing bespoke hand carved items ranging from lettering and relief decoration to producing architectural details such as corbel brackets and ceiling roses. By adding hand carved decoration, items that are otherwise plain and ordinary are transformed into unique pieces that are personal to the owner. This applies just as much to everyday objects such as chopping boards as to more elaborate ornamental features to decorate the home. Wood carving is incredibly versatile and Sarah can either work from existing designs you may have seen or create a completely new piece for you. As well as producing the initial carved work Sarah can offer a variety of finishes including oil and water gilding using genuine Gold and Silver leaf. Sarah's interest in traditional crafts began whilst studying for A Levels in Art & History of Art at the Royal Latin School, Buckinghamshire. Through understanding how the country's great buildings were built and furnished, along with the reasoning behind their design, she developed an even greater respect for their creators and understood why it is important to maintain these buildings for future generations. From Buckingham she moved to Portsmouth to study a degree in Restoration and Decorative Studies at Portsmouth University. Within her first year she had grasped the basics in a variety of traditional decorative techniques including faux finishing, gilding and scagliola. In her final two years she decided to focus her studies on woodcarving and plasterwork- both in a restorative sense and in creating new designs using traditional materials and methods. During her time at University she was provided with the opportunity to hone her skills in both woodcarving and plasterwork. Her projects included 3-coat lime plastering, using the lime plaster she'd made from scratch using traditional recipes. She researched the historic and almost extinct technique of freehand stucco work, creating her own designs and experimenting with various recipes, including those that were used in the restoration of Uppark in Hampshire. Thankfully all that hard work paid off and she graduated with a 1st Class Honours. Sadly, her year was the last to complete this course as the University decided to end it in back in 2008. From Hampshire she was on the move again, this time to Shropshire where she began work with a heritage company. Here she built upon her project managing skills and learnt more about the structural side of building restoration, particularly timber framed buildings. Whilst she enjoyed her time in Shropshire, she decided that she was much happier in her workshop among the sawdust and plaster, which leads her to her current home back in West Sussex.

King Johns House & Heritage Centre

king johns house & heritage centre

What we now know as King John’s House and the adjoining Tudor Cottage were once a small part of Church Court in Romsey and are Church Court’s only surviving buildings. By the turn of the 19th and 20th century, the Court had been reduced to little more than a densely populated slum housing among the most impoverished of Romsey’s residents. At this time you would find no mention of King John’s House on any map or in any book as it was just a run-down building in a run-down part of Romsey. In modern times we know that the House was once a very high status building and part of a major medieval complex although its exact purpose is not completely understood. You can see many early features dating from this time, including fine stone masonry, ancient roof timbers and graffiti cut into medieval plaster. The Museum features aspects of Romsey life during the Victorian and Edwardian period. The 'old gun shop' has been reconstructed upstairs, using original fixtures, fittings and display items, while William Moody and his sister wait to greet you in the recreated parlour in the room behind. When you visit the House and Museum you can discover how and when King John became associated with the House, how it descended from high status medieval building to slum over 800 year of continuous occupation and use and why the Moody family are so important to the history of King John’s House. King John’s House and Museum are in the custodianship of a registered charity, dedicated to preserving King John’s House for future generations. Donations in support of this work are always appreciated. The charity is kindly supported by Test Valley Borough Council who work in partnership to share this important heritage property TripAdvisor