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107 Educators providing Glass Art courses

Glass Art
Le Breton Traditional

le breton traditional

5.0(18)

Exeter

Le Breton Traditional is the business of Matthew Le Breton. As a teacher, craftsman and artist he brings over 20 years experience to teaching his glass classes. The classes take place at the Devon Applied Arts Workshop. A collaborative teaching workshop set up together with RAMP Ceramics to deliver quality craft teaching in the rolling fields of Mid Devon. The workshop is spacious with toilets, kitchen area, disabled access and plenty of parking. 

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Glazed Expressions

glazed expressions

5.0(13)

Thurlby

Glazed Expressions is a stained glass studio offering short courses in leaded glass, copper foil, fused glass and mosaics.  We teach classes both at home in South Lincs and also externally at venues in North Lincs, Cambs, Leices, Suffolk and Norfolk. 

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Herston Stained Glass

herston stained glass

5.0(9)

I have a selection of stained glass panels on display in my workshop which are for sale. Plus handmade canvas bags, aprons and window stickers all decorated using some of my stained glass designs. Prices range from £3 to £300. The stained glass has to be seen to be fully appreciated and due to it's weight and fragility I am not currently offering an online/postal service for larger items, contact me on the form below if you would like a smaller piece posted. See my Facebook page for more examples of my work. But all visitors to my workshop will be made very welcome and can purchase any of these items and take them home, well wrapped. Please use the contact form below if you would like to discuss a stained glass commission.

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Colourbuzz

colourbuzz

5.0(10)

Durham

Experience the Joy of creating is what drives Colourbuzz. There are workshops in the studio or I can travel and come to you! The focus is on polymer clay and copper smithing, but I can offer a whole range of multi-media sessions that are all fun to do. 

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Adam Aaronson Glass Studio

adam aaronson glass studio

West Horsley

Adam specialises in free blown glass. His vessels and sculptures are at once a celebration of the simplicity of pure form, and also an investigation into layering. His coloured patinas draw on painterly techniques and are predominately inspired by a love of nature, especially the play of light on water and the landscape. He is a consummate colourist, and the Impressionist painters -Turner, Whistler, Monet and others – have been a significant inspiration for his work. “I think of my work as a story of surface and form. Each blown glass artwork is a canvas, depicting landscape in a variety of abstracted ways; a shimmering moment of reflection, capturing river and sea, coastline, forest and desert, as light passes over and through. Glass contains its own dynamic of reflection and refraction, and balancing the relationship between form and surface is often challenging. I explore the organic form of each sculpture, celebrating the natural flow and force of molten glass, sometimes leaving behind traditional requirements for functionality. “Sometimes I start with a defined idea, but the intuitive way in which I work means that on occasions I’ll notice unexpected aspects of the developing form and how they relate to the palette I am using. It’s almost as if the evolving piece influences the way it turns out. People often say that glass has a life of its own and it is only when you actually make glass that you understand what this means. I’ve been developing a vocabulary of forms for some years, and these range from the early simple canvases to the more recent organic surfaces.” Adam’s work has been exhibited all over the world and can be found in numerous private collections from royalty to rock stars. Over the years, he has been commissioned to make work for the Royal Academy of Arts in London, Italy’s venerable Salviati glass studio, the Museum of Art and Design in New York, the UK’s National Art Collections Fund and The British Museum, among others. Adam’s work has been shown at the prestigious Sotheby’s Contemporary Decorative Arts exhibition in London, and the Cooper Hewitt, Smithsonian Design Museum, in New York City. Adam is a Fellow of the Society of Designer Craftsmen (FSDC) and chair of their Selection Committee. He is a Fellow of The Royal Society of Arts (FRSA) and Adam is also a member of many glass related societies and organisations, including the Contemporary Glass Society, and The Glass Society, which was formed from the merger of the Glass Association and the Glass Circle. Adam is also an active member of the Surrey Sculpture Society and the Surrey Guild of Craftsmen, as well as the Oxford Sculptors Group. Adam has exhibited and demonstrated at Art in Action, the annual arts and crafts event at Waterperry Gardens in Oxfordshire.

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Manchester Stained Glass

manchester stained glass

Manchester

Manchester Stained Glass studio is run by award winning Artist Sharon Campbell. Manchester Stained Glass has been delivering creative stained glass classes, workshops and community projects to individuals, organisations, schools and community groups since 1988 english-antique-glassAll projects are bespoke to suit individuals and organisations aims and needs. Sharon Campbell is a visual artist, with a wealth of experience working with children, adults, groups and organisations, giving all a beneficial, fun and rewardingly successful experience within creativity and the arts.

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Cheryl Powling Glass

cheryl powling glass

London

About Cheryl... Now that you’ve found me, let me tell you a little bit about myself.. I have been making and designing lead lights for about as long as it has taken me to raise three children and see them married with children of their own..so that’s a long time. I decided that I wanted to be a stay at home mum and be able to have something to occupy me and fulfil my creative skills, so there starts my story, when I discovered a ‘Stained Glass Evening Class’ at our local college, which I attended for a one night a week course for six months.

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Cambridge Glass Studio

cambridge glass studio

0.0(2)

Cambridge,

Both courses are designed for students with some previous experience in stained glass or have already either completed a beginners course or attended a workshop. The course will focus on developing ideas and extending technical and artistic skills in design and stained glass execution. Students will be encouraged to experiment and learn how different colours and glass types work together and how to enhance your designs. Tools are included in the cost but materials will be an extra charge for materials. NEW - Beginners Stained Glass Leading – Evening (Mondays) 19th September (6 weeks) to 31st October, 6.30pm - 9pm | £210 materials and tools included NEW - Beginners Stained Glass Leading (Wednesdays) 28th September (5 weeks) to 2nd November, 2pm - 5pm | £210 materials and tools included This Short 5-week (6-week evening) course is designed for newcomers and beginners. Whether you are a complete novice or would like to practice your skills, you will be guided through the steps and skills needed to create a simple stained glass panel using traditional leading techniques. You will be encouraged to experiment and learn how different colours and glass types work together. You will produce a final leaded panel approximately 25cm x 25cm using coloured glass. The course will cover basic panel design, creating cutting template, selecting and cutting from a beautiful range of coloured glass, leading, soldering cementing and finishing techniques. One-Day Workshops An Introduction To The Colourful World Of Traditional Stained Glass One Day Workshop 9.30am – 5pm | Saturday 24th September | £145 This one-day taster course allows you to experience making a piece of traditional stained glass as a 20cm square panel to take home. This is a practical course, you will learn the basic construction process: cutting glass, putting a panel together with a lead, soldering, cementing and finishing. A choice of simple abstract designs will be available, as well as all the materials needed to create your stained glass piece.

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Siddy Langley Glass

siddy langley glass

Cullompton

Siddy works in the glorious Devon countryside just outside Cullompton. In 2012, she embarked on the mammoth task of replacing her old workshop and constructing a new eco house and studio. Still a “work in progress”, the house is now almost finished and Siddy has achieved her aim of providing the domestic heating and hot water from the waste heat generated by the glass making process. Siddy Langley's new eco-build nestling into the hillside The new eco house and studio nestling into the hillside Siddy’s inspiration has always come from nature and travel. Her camera is never far away, whether scuba diving in Sinai, dog walking in the woods or quietly sitting by her pond observing the dragonflies emerge. She is often to be found, working on the hot glass, with a photo for reference on the bench beside her. Traditionally, glass blowing has been regarded as a team activity and many glassmakers consider it impossible to work alone. Siddy, however, prefers to work “solo” and has devised ways of working which eliminate the need for a team or even an assistant. This makes for unique pieces of glass work.

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Stained Glass Centre

stained glass centre

London

The Stained Glass Centre was established in 2008 by the recently-formed Stained Glass Trust, with the aim of providing an educational centre to encourage the study and appreciation of stained glass, as well as breathing life back into St Martin-cum-Gregory. This beautifully evocative Grade I listed building, which dates back to before the 11th century, is home to a rich range of historic glass, including some of the earliest logos to be seen in stained glass and memorials to celebrated glass-painters. Set in the city of York, home to much of Britain’s surviving ancient glass and a focus for craft and creativity in the modern day practice of stained glass making, The Stained Glass Centre provides a unique point of interpretation for the city, with demonstrations, workshops, guided tours and lectures. The Stained Glass Centre is developing as a national resource for the discovery and interpretation of stained glass. The building has long been a destination for those interested in this fragile medium. As the Stained Glass Centre, it is transforming into a venue in which residents, students and visitors can explore, participate in and learn more about one of the most beguiling of crafts, one that continues to be central to the heritage, culture and economy of the city of York. Now that the future of the building has been secured for public use, a programme of events is bringing people and new life back into the building. Founding Aims The Stained Glass Centre was established with five long-term aims for its future role The Stained Glass Centre will be a national resource for the discovery and interpretation of stained glass. Visitors will be able to participate in, and learn about, craft-skills, arts and industries that continue to play a vital role in the life of the city and region. Practitioners from all over the UK will have a national centre of excellence for the study and development of their craft. People of all ages will have the opportunity to learn about the historic importance of this beautiful art form as well as helping it to develop and flourish for the 21st century. The creation of the Stained Glass Centre in the former church of St Martin-cum-Gregory will give new life to one of York’s most beautiful ‘lost’ buildings. Regeneration The establishment of the Stained Glass Centre within the former church of St Martin-cum-Gregory aims to give stunning new life to a magnificent building, with the exciting opportunity for regular public access to one of York’s most beautiful ‘lost’ buildings, and to see, and have interpreted, its lovely fittings and glass. Through the Centre, residents of central York can reclaim aspects of their own local history, participate in, and learn about, craft-skills, arts and industries which continue to play a vital role in the life of the city and region. The Stained Glass Centre also plays a key role in the re-awakening of Micklegate, which once was, and could be again, York’s most important and elegant street. The Centre works closely with the Micklegate Quarter, hosting and participating in events for the local community.

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