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364 Educators providing Dojo courses

Ki Aikido Scotland

ki aikido scotland

5.0(4)

Glasgow

The club has had a long and rich history. Consistently teaching to a high standard, many students have attained the rank of black belt, and gone on to teach Aikido themselves. Sensei Matt Tennant has studied aikido for over 50 years and continues to develop his art and his students. His aikido journey started in 1958 when aikido was still relatively new to the UK and he was one of the early students in Scotland, initially studying under Tom Weir. His main teacher for many years was Ken Williams during his years with the Aikikai and later with the Ki Federation. Sensei Tennant started the East Kilbride Aikido Club in 1967. In addition to training under Sensei Ken Williams, he attended regular courses from Sensei Noro and Sensei Chiba. When the Ki No Kenyukai was formed by Sensei Koichi Tohei, the club joined through the Ki Federation of Great Britain led by Sensei Ken Williams. Originally organised in 1967 as extra training time for the Hamilton Hill Aikido Club, the first Aikido dojo in Scotland, the East Kilbride club quickly grew in numbers and established an identity of its own. The club has had a number of influences throughout it’s development. Having been affiliated with the Aikikai of Great Britain, under Sensei Kazuo Chiba, and Ki No Kenyukai, under Koichi Tohei Sensei (through the Ki Federation of Great Britain), the instruction at the club represents a deep and wide understanding of the principles of Aikido and mind/body unification. In 1984 the club left the Ki Federation and therefore the Ki No Kenyukai. Since that time the club has remained unaffiliated with any governing Aikido organisation and continues to teach to a high standard the principles of SHIN SHIN TOITSU DO(unification of mind and body) and SHIN SHIN TOITSU AIKIDO (Aikido with mind and body unified) as taught by Sensei Koichi Tohei.

chinesekungfu.co.uk

chinesekungfu.co.uk

4.7(67)

London

Master Leo Au Yeung was the official fight choreographer for the award-winning films Ip Man (2008), The Legend is Born: Ip Man (2010), and Ip Man: The Final Fight (2013). Over the years he worked closely with transnational martial arts stars/choreographers such as Donnie Yen, Sammo Hung, Louis Fan Siu-wong, and Yuen Biao, as well as Hong Kong movie stars such as Anthony Wong, Gillian Chung, and Jordan Chan Siu-chun. As a second-generation disciple of Lau Kar-leung, the legendary choreographer of kung fu cinema in the 1970s and 1980s, Master Leo Au Yeung perfectly synthesises the aesthetic and authentic dimensions of traditional Chinese kung fu. On the one hand, he has inherited and refined the conventions established in Lau Kar-leung’s classics such as Challenge of the Masters (1976) and Martial Club (1981). In The Legend is Born, for example, Au Yeung choreographed an intense fight scene featuring Dennis To and the 86-year-old Ip Chun, Ip Man’s Son. One of his strengths is to design actions appropriate for the actors, regardless of their age and physique. On the other hand, Master Leo Au Yeung does not merely replicate kung fu classics. He incorporates mixed martial arts (MMA) techniques into his choreography. By so doing, he adds a realistic touch to southern kung fu.  The one versus ten dojo scene in Ip Man was one of Leo Au Yeung’s masterpiece. It perfectly combines Chinese (Wing Chun) and Western martial arts skills (joint locking, taken down, and ground fight). His influence in martial arts cinema also receives media attention in the United Kingdom. In 2016, the BBC and UWE Bristol produced a documentary, Mastering Wing Chung, featuring Au Yeung. His latest choreographical work involves original film and TV series with Marvel Studios. Request information now! First Last Email Phone Our Programmes Wing Chun Martial Arts near London Chinese Kickboxing Martial Arts near London Downloadable Online Training Martial Arts near London

Exeter Self Defence Academy

exeter self defence academy

4.9(24)

Exeter

AS A CHILD I WAS A BIG FAN OF MARTIAL ARTS MOVIES, ANYTHING STARRING BRUCE LEE IN PARTICULAR. WHEN MY PARENTS FINALLY HAD ENOUGH OF MY BROTHER AND I REENACTING SCENES AROUND THE HOUSE THEY SENT US TO KARATE LESSONS. MY MOTHER WAS A VERY SUCCESSFUL PRACTITIONER HERSELF. I STUDIED KARATE FOR ABOUT 10 YEARS, ON AND OFF, AND FELT CONFIDENT IN MY ABILITY TO DEFEND MYSELF, DESPITE NEVER HAVING PRESSURE- TESTED MY TRAINING IN THE REAL WORLD. I WAS BULLIED AT SCHOOL BUT TREATED IT AS A POINT OF PRIDE NOT TO RETALIATE. BESIDES, MY HANDS WERE REGISTERED AS LETHAL WEAPONS,SO IT WOULD BE UNFAIR AND IRRESPONSIBLE TO TURN THAT HUGE ADVANTAGE AGAINST AN UNWITTING ASSAILANT, RIGHT? AT 16 YEARS OLD I HAD MY RUDE AWAKENING. I WAS BADLY BEATEN UP BY THE JEALOUS, OLDER EX- BOYFRIEND OF MY THEN GIRLFRIEND. THE ONLY THING MY 10 YEARS OF TRADITIONAL TRAINING HAD ARMED ME WITH WAS THE MISGUIDED CONFIDENCE THAT SIMPLY PROLONGED THE BEATING. IT WAS CLEAR THAT THE SKILLS I HAD DEVELOPED IN THE DOJO WERE NOT TRANSFERABLE TO SELF- DEFENCE. A FRIEND OF MY DAD'S WAS A HIGH- LEVEL THAI BOXER, AND AFTER TELLING HIM ABOUT MY IDENTITY CRISIS HE INVITED ME TO HIS GYM. I COULDN'T BELIEVE MY EYES. PEOPLE WERE PUNCHING AND KICKING EACH OTHER. HARD. THERE WERE NO RITUALISTIC FORMS OR 'KATAS'. YOU PRACTISED A FEW SKILLS AND THEN YOU PUT ON YOUR GLOVES, PUT IN YOUR GUM SHIELD AND TRIED TO MAKE THOSE SKILLS WORK UNDER INTENSE PRESSURE. Lewis Kemp-Sloan, Owner I WAS WAY OUT OF MY DEPTH AND I LOVED IT. I KNEW THAT I WOULD BE FAR BETTER PHYSICALLY AND PSYCHOLOGICALLY PREPARED FOR CONFLICT IN THE FUTURE BECAUSE WE WERE IMMERSING OURSELVES IN IT EVERY TIME WE STEPPED INTO THE GYM. FROM THERE I WAS INTRODUCED TO THE GRAPPLING ARTS, SUCH AS BRAZILIAN JIU-JITSU, JUDO AND WRESTLING. I LOVED THE 'HUMAN CHESS' ASPECT OF IT; THE WAY YOU CAN DRAW YOUR OPPONENT INTO A TRAP AND THEN USE TECHNIQUE AND LEVERAGE TO THROW OR SUBMIT THEM. THE NATURAL PROGRESSION FROM THERE WAS MIXED MARTIAL ARTS (MMA), IN WHICH THE STRIKING AND GRAPPLING ARTS ARE COMBINED TO GIVE THE CLOSEST THING TO NO- HOLDS- BARRED, REAL WORD HAND-TO-HAND COMBAT IN THE SPORTING WORLD. THE MOST EXCITING THING ABOUT THIS SPORT FROM MY PERSPECTIVE WAS THE WAY IN WHICH PRACTITIONERS DEVELOP THEIR OWN STYLES, WHICH WAS FAR MORE PRAGMATIC THAN THE APPROACH I WAS USED TO IN TRADITIONAL MARTIAL ARTS. DURING A SUCCESSFUL COMPETITIVE CAREER IN MMA I WAS APPROACHED WITH THE OPPORTUNITY OF TEACHING CLOSE QUARTERS COMBAT TO LAW ENFORCEMENT OVERSEAS. IT WAS A DREAM COME TRUE. I WAS TASKED WITH DEVELOPING A PROGRAMME THAT WAS FUNCTIONAL AND EFFECTIVE. I MANAGED THAT PROJECT FOR ALMOST 10 YEARS, DURING WHICH TIME THE EMPHASIS ALWAYS CENTRED ON OUR CORE TENETS; PRACTICALITY AND EFFECTIVENESS.