39 Educators providing Courses delivered Online

craft forward

London

We think of arts and crafts as smaller, valuable actions that contribute to the community’s well being and that can tackle bigger social issues; we are big fans of “slow-making and slow-thinking”, focusing on the importance of making by hand, of taking your own time with your thoughts and ideas, and going against fast, capitalist structures of production and art making. We provide a variety of workshops utilising a range of different media, such as knitting and crocheting, collage, publication making, creative writing. Our workshops are suitable for beginners hesitant to approach arts and crafts and for more experienced makers that are tired of the elitism and exclusivity that characterise contemporary arts. Arts and crafts are for everyone, and we would love for our participants to come out from one of our workshops with more confidence in their artistic and social skills.

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red poppies studio

England

Painting-Acrylic-Pastels-Watercolour-Ink -Bleach-Collage-Mixed Media-Charcoal-Crafts- Workshops-Mono Printing-Art And Printing Using Recycled Materials-Art For Sale by Gill Buckmaster A friendly little art studio where the emphasis is on fun and friendship and creativity. Suitable for adults and children of all abilities. The groups are small and the classes are informal. Sessions are between 1.5 and 2 hours long with materials included and refreshments provided. Some workshops may be longer. Resident artist Gill is a member of The Tutors' Association, fully DBS checked. Our studio is located on it's own floor with a separate bathroom and is airy, well ventilated cleaned between sessions. Current Covid advice is followed at all times.

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the arienas collective

5.0(5)

Edinburgh

The Arienas Collective is a creative workshop hub based in a beautiful, Georgian mews home in Edinburgh's historic New Town. The Collective was set up to help local artists and makers earn a living through sharing their creative skills and passions with others. Its name comes from Loch Arienas, a beautiful and remote spot in the Morvern area of the Scottish Highlands. We believe that engaging in creative activity is good for our health and wellbeing. Our workshops suit beginners, returners and those who want to challenge their own creative practice. Group sizes are kept small, so that our artists and makers can give you the help and support you need to get the most from your experience. Join us to release your inner creative and you will leave having learned new skills, made new friends, and with a finished piece we hope you will feel proud of. We look forward to welcoming you to our home.

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the richmond guild

Our first meeting of 2023 occurred Wednesday, Jan 11! Our guest artist demonstrating was Roxsane Tiernan. Roxsane Tiernan was born and raised in the Greater Vancouver area. She became an international educator teaching high school and marketing for the district in Korea, Taiwan, Hong Kong, Japan and Mexico. She is a Member of the Federation of Canadian Artists showing in over 70 juried shows. She studied Applied Arts at Capilano College in the mid-seventies and started painting seriously in 2000 when she joined the FCA and Burnaby Artists Guild. She really likes the challenges of interpreting local nature using chigiri-e—Japanese torn paper collage. She gives workshops and lesson in this technique even in Finland or Manitoba. Roxsane joined the North West Collage Society which is centered in Seattle. Her work was featured on their posters and invitations. She has won several awards locally and internationally mostly for mixed media or chigiri-e pieces. You can find her work on Facebook Roxsane K.Tiernan; on both the Burnaby Artists Guild and South Delta Artists Guild facebook pages as well as roxsanetiernan.com on My Art Club.com; www.roxsanetiernanartandsoul.com and https://roxsanetiernanartandsoul.com/writing. ART and SOUL has her poetry and artworks together. Meetings take place 6-8:45 pm every second Wednesday of the month except in Summer. Check the calendar below or our Facebook/Meta page for details on our guest artist. For the time being, we ask that you remain masked while indoors to protect some of our more vulnerable members. Please note that the Cultural Centre prohibits food and drink indoors, but we may be able to use the roof garden during the break.

elizabeth rhodes studio

4.9(49)

I am a southern Kentucky artist whose passion is to cultivate creativity in everyone. I believe that anyone can be an artist and I love watching people dig deep to tap into their artistic talents. My current medium of choice is glass, resin, and wood. I love the juxtaposition of sparkly and crunchy glass, shiny resin, and rough reclaimed wood. The textures and depth of colors provide a unique and visually exciting aesthetic. As a Studio Arts major at Western Kentucky University, I spent many hours falling in love with fiber arts, weaving, ceramics, printmaking, sculpture, drawing, acrylic & oil painting. My post-grad years were filled with painting murals and creating custom artwork for schools, businesses & private residences. I continue to teach private and community classes in the Bowling Green, Kentucky area. Hi! I’m Elizabeth, a southern Kentucky artist and I love to help people use their creativity to make beautiful art. I believe that everyone is an artist and I love helping people dig deep to tap into their creative side. I enjoy teaching online glass collage courses, watercolor courses, facilitating and teaching in a monthly membership groups, and creating commission work for clients to enjoy in their homes and businesses.

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linnet workshops

Holbeton

About Linnet Workshops was set up in 2019 by Devon based artist Grace Coombes. With a life long passion for making and creating, Grace has developed a wide range of art and craft based Workshops that focus on the varied processes of making imagery through print, collage, book arts and more.   Grace enrolled in an Art Foundation Course at Falmouth University and then went on to study Illustration at Brighton University. She later developed a love for printmaking which feeds into many of the creative sessions on offer. Her prints have been exhibited at MAKE Southwest (formerly Devon Guild of Craftsman) and Ocean Studios, Plymouth.   Choosing and using materials with the environment in mind is extremely important to the Linnet Workshops ethos. Where possible recycled papers, cards and many other materials are used. Left over materials are saved for future workshops or recycled.

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martin laurance

Norwich

My work is about landscape. I try to go beyond the immediate sensation to something felt and experienced, seeking to find the spirit and inner reality of place. To achieve this I walk and draw using sketchbooks and loose pieces of paper to record sensations, colours, structure and form. Many of my locations are very well known to me and have been walked over and drawn many times over a period of years and in differing seasons. In the studio I use this raw material to create work that is true to the sum of my experience. I work in a variety of mixed media; oil, acrylic, collage, ink, watercolour and gouache, either on their own or in various combinations on paper and canvas. There is no set formula for any piece of work, the choice of materials used and the size is driven solely by what is right for a particular piece.

amanda thesiger

My practice has evolved to include a variety of media. I work with natural inks, watercolours and oils; often combining these with drawn elements, print and collage. Taking a process-led approach through open-ended drawing and painting, my own experience and understanding of nature sustains an individualistic, painterly language. Visualising formal content for abstract work, I allow elements to take their time and rely on my mind’s eye as a guide, unaware of the outcome. Studio experimentation on a range of surfaces generates a family of diverse but connected artworks. This ‘what if?’ process embraces a notion of becoming; something is caught, glimpses perhaps from a kind of reverie, half-dreamed. Often coupling the familiar with the unfamiliar, the paintings I make can be read as a string of things, as a syntax of forms. Analogous to language; the work occupies the space between word and image, voice and brush-mark, sentence and form.

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ink & bear

'm Sophie, the founder of Ink & Bear and I'm obsessed with creativity! I've been printmaking (mostly screen printing!) for nearly 17 years and I love teaching people creative techniques such as printmaking and collage and particularly love working with people who are feeling a little rusty creatively! I love popping up my workshops in unexpected places - like florists and breweries! To find out more about my Leeds based workshops head here. I have 13 years experience of working in small businesses, including 6 years of working in a senior team as Head of Operations for a small events management and CSR (Corporate Social Responsibility) company. I'm a total business and organisation nerd and LOVE helping other small businesses to put together practical timelines, strategies and plans for them to get on track with their creative ideas. I believe that the crossroads between organisation and creative thinking is where the magic happens - if you're a small business and want to find out how we can work together, I'd love to hear from you. Head here to find out more.

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abstract artist kaisa hart

Edinburgh

I am an abstract artist living in Edinburgh, UK, and I work in mixed media, including acrylics and collaging techniques. Creating exhilarating and compelling paintings is what I strive for, by manipulating different materials and media. I usually begin my process by adding loose layers, building up textures and color, while being directed by gestural marks that I react to. A new body of work often appears when a certain color, a piece of collage or something else such as a visual prompt, has stirred up inspiration. It is important to me to let the work develop organically and let it lead the way. I especially enjoy the beginning stages of playful movement, and activating the canvas with impulsive mark-making, often a graphite pen or big splashes of color. Sometimes I begin with collaging, creating textures and patterns before even a drop of paint has hit the surface. From there, the painting starts to take a direction of its own. Using stimulating tools, anything from brushes and pens to scrapers, scratching tools and even sandpaper on the surface, the piece starts to form..

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