142 Courses delivered Online

LOOKING FOR: ADULT FICTION Clare set up the Liverpool Literary Agency in 2020 to help address inequality and underrepresentation in the publishing industry. With more than 15 years’ experience of writing and editing professionally, including the publication of two novels, Definitions (2015) and We Are of Dust (2018 - which has received development funding from the Liverpool Film Office for a TV adaptation), she has developed an in-depth knowledge of what commissioning editors and publishers expect to see from a submitted manuscript. With a background in PR and marketing, alongside teaching on creative writing programmes, Clare also has extensive experience in pitching and promoting writers and has been nominated for the Romantic Novelist Association Agent of the Year Award! Clare would love to see historical fiction, crime fiction, psychological thrillers and women’s fiction, but she is open to all great writing with a strong hook in any area (excluding non-fiction, children’s and YA). She actively encourages submissions from writers who have been traditionally under-represented. Clare would like you to submit a covering letter, 1 page synopsis and the first 5,000 words of your manuscript in a single word document. (In addition to the paid sessions, Clare is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print).  By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting. The submission deadline is: Monday 20th January 2025

LOOKING FOR: MG, YA, NA, ADULT FICTION Alice joined Felicity Bryan Associates in 2023 from London Literary Scouting, where she specialised in children’s, YA, and SFF and worked closely with publishers and media companies around the world. She is actively building a list that spans middle grade and YA fiction across all genres, commercial adult fiction, and romance and fantasy for all ages.  Alice is on the hunt for stories that are smart, commercial and bold, with a clear international appeal. She is looking for books with fresh and exciting concepts, whose voices can cross borders and speak out about important topics in an accessible and authentic manner. She is passionate about showcasing diverse and underrepresented voices in a joyful and uplifting way.  This year, she’d really love to find something special in the YA space. She’s open to all genres and is particularly interested in character-driven stories with lively storytelling, a strong emotional core, and attention-grabbing premises. She’s a fan of high-concept, speculative, historical and contemporary romance, heists, dystopias, and social thrillers with a twist.  In middle grade, Alice is drawn to sweeping adventures, big-concept ideas, and stories with a speculative or magical feel. She appreciates middle grade novels that do not talk down to the reader but remain fast-paced and fun. Some of her favourite authors include Kiran Millwood Hargrave, Michelle Harrison, Elle McNicoll, Jordan Lees and Jack Meggitt-Phillips. On the adult side, Alice is looking for fantasy that combines strong commercial appeal with a unique concept. She enjoys well-plotted, immersive fantasy with atmospheric settings and imaginative magic systems. She is currently on the lookout for something exceptional in the dark academia space. When reading romance, she is drawn to lively secondary characters, unusual set-ups, engaging dialogue and irresistible chemistry between the leads. She would love to find the next Emily Henry or Ali Hazelwood, romance with emotional depth and a compelling voice. Humour is a plus and she enjoys a good trope, if explored creatively. Alice is also open to working with authors within the romance and fantasy genres who have previously self-published, particularly if they have a TikTok or online presence. She’s not the best agent for hard sci-fi, horror and hefty epic/military fantasy with multiple-POVs.  Alice would like you to submit a covering letter, a one-page synopsis and the first three chapters (Max 5,000 words) of your manuscript in a single word document. (In addition to the paid sessions, Alice is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print).  By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting. The submission deadline is: Tuesday 4th February 2025

LOOKING FOR: ADULT FICTION Clare set up the Liverpool Literary Agency in 2020 to help address inequality and underrepresentation in the publishing industry. With more than 15 years’ experience of writing and editing professionally, including the publication of two novels, Definitions (2015) and We Are of Dust (2018 - which has received development funding from the Liverpool Film Office for a TV adaptation), she has developed an in-depth knowledge of what commissioning editors and publishers expect to see from a submitted manuscript. With a background in PR and marketing, alongside teaching on creative writing programmes, Clare also has extensive experience in pitching and promoting writers and has been nominated for the Romantic Novelist Association Agent of the Year Award! Clare would love to see historical fiction, crime fiction, psychological thrillers and women’s fiction, but she is open to all great writing with a strong hook in any area (excluding non-fiction, children’s and YA). She actively encourages submissions from writers who have been traditionally under-represented. Clare would like you to submit a covering letter, 1 page synopsis and the first 5,000 words of your manuscript in a single word document. (In addition to the paid sessions, Clare is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print).  By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting. The submission deadline is: Wednesday 12th February 2025

LOOKING FOR: MG, YA, ADULT FICTION, NON-FICTION Thérèse is a Literary and Rights Agent at Susanna Lea Associates, @SLALondon. Born and raised in Belgium, on a diet of frites and Tintin she moved to England in her late teens with her family, then stayed in London to do a History degree and Masters at University College London. Having been brought up bilingual, translation rights seemed like her logical next step. She started off in the rights department at Bloomsbury Publishing, before hopping across the square to Ed Victor’s agency, and found experiencing both the publishing and agency side of publishing incredibly valuable. She has been building her own list of authors alongside selling translation rights since early 2016, which she has hugely enjoyed; working with authors right from the book’s conception, while also experiencing the thrill of selling her own authors’ works in the UK and US as well as in translation to publishers across the globe. In terms of adult fiction, Thérèse has a huge soft spot for historical fiction, having read Early Modern History at university, but is also very much on the hunt for crime/thrillers, bookclub, high-concept love stories and literary fiction. She loves strong female characters, in particular when they go through an evolution or journey as the story progresses and gradually find that inner strength. On the children’s fiction front, Thérèse is all about finding a fresh, new voice. She loves all things funny, fantasy and adventure – across lands, time and space, and involving strong friendships and strong lead characters - and wants to be transported straight away when reading a manuscript. She likes very vivid, well-crafted and imaginative worlds, such as stories set in a toy factory or in an underwater world. Thérèse would love some more adventures set in space, mysteries, quirky characters, explorers and imaginary friends. And last, but not least, in non-fiction, history features heavily in her interests, but Thérèse would also love to see books about big ideas, culture, sociology, science, anthropology and memoir. Anything that helps expand the mind and questions or informs the way in which we view ourselves, the world and how we fit into it, all written in an engaging and accessible manner. Thérèse would like you to submit a covering letter, 1 page synopsis and the first three chapters or 5,000 words of your manuscript in a single word document. (In addition to the paid sessions, Thérèse is kindly offering one free session for low income/under-represented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print).  By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting. The submission deadline is: Wednesday 12th February 2025

LOOKING FOR: ADULT FICTION Nicky Lovick has worked as an editor for over twenty years, working for top five publishers. She is now an agent at WGM Talent, building the books list. She is looking for commercial fiction, from upmarket women’s fiction, bookclub, romance, domestic noir and psychological thrillers, to crime series. She loves hooky stories such as Freida McFadden’s The Housemaid and Turn of the Key by Ruth Ware set in confined settings, such as hotels. She’s always on the lookout for romcoms with a fresh, contemporary feel to them such as Emily Henry’s Book Lovers. Also historical fiction with a twist and sweeping family sagas. Nicky wants you to make her laugh, make her cry or keep her hooked.  Nicky would like you to submit a covering letter, 1-2 page synopsis and the opening three chapters of your manuscript in a single word document.  (In addition to the paid sessions, Nicky is kindly offering one free session for low income/underrepresented writers. Please email agent121@iaminprint.co.uk to apply, outlining your case for this option which is offered at the discretion of I Am In Print).  By booking you understand you need to conduct an internet connection test with I Am In Print prior to the event. You also agree to email your material in one document to reach I Am In Print by the stated submission deadline and note that I Am In Print take no responsibility for the advice received during your agent meeting. The submission deadline is: Monday 17th January 2025

Introduction When it comes to academic writing, referencing is crucial. It’s not just about giving credit where it’s due, but also about enhancing the credibility of your work. Among the various referencing styles, Harvard referencing for word essays is one of the most widely used, especially in the UK. But why is it so popular, and how can you master it? Let’s dive in! Understanding Harvard Referencing Harvard referencing is a system of citation that allows you to acknowledge the sources you’ve used in your academic writing. It’s an author-date system, which means you include the author’s surname and the year of publication within the text, and provide full details in a reference list at the end. Despite its name, Harvard references didn’t originate from Harvard University. The style was first used by a zoologist named Edward Laurens Mark in a paper published in 1881. Over time, it has evolved and become one of the most recognized citation styles worldwide. Harvard referencing consists of two main components: in-text citations and a reference list. In-text citations are brief and are placed within the body of your text, while the reference list provides full details of all the sources you’ve cited. The Basics of Harvard Referencing In-text citations in Harvard referencing include the author’s surname and the year of publication. If you’re quoting directly, you should also include the page number. For example: (Smith, 2020, p. 23). The reference list is where you provide full details of each source cited in your work. Each entry should include the author’s name, year of publication, title of the work, and other relevant information, depending on the type of source. A reference list includes only the sources you’ve directly cited in your text, while a bibliography may include all sources you’ve consulted, whether or not you’ve cited them. How to Cite Different Types of Sources When citing a book, you should include the author’s name, year of publication, title (in italics), edition (if applicable), place of publication, and publisher. For example: Smith, J. (2020). The Art of Referencing (2nd ed.). London: Academic Press. Journal articles should include the author’s name, year of publication, title of the article, title of the journal (in italics), volume number, issue number, and page numbers. For example: Brown, A. (2019). ‘Understanding Harvard Referencing’, Journal of Academic Writing, 12(3), pp. 45-67. For websites, include the author (or organization), year of publication (or last update), title of the webpage (in italics), and the URL. For example: University of Oxford. (2021). Harvard Referencing Guide. Available at: https://www.ox.ac.uk/harvard (Accessed: 10 September 2024). When citing a newspaper article, include the author’s name, year of publication, title of the article, title of the newspaper (in italics), date, and page number. For example: Doe, J. (2022). ‘The Future of Academic Writing’, The Times, 5 May, p. 12. For government documents, include the name of the government department, year of publication, title of the document (in italics), place of publication, and publisher. For example: UK Department for Education. (2020). Education Policy Report. London: HMSO. Cite conference papers by including the author’s name, year of publication, title of the paper, title of the conference (in italics), location, and date of the conference. For example: Jones, M. (2023). ‘Innovations in Academic Writing’, International Writing Conference, Manchester, 10-12 April. Harvard Referencing for Electronic Sources When citing e-books, the format is similar to print books, but you should include the format (e.g., Kindle) or the platform where it’s available. For example: Adams, R. (2018). Digital Referencing (Kindle ed.). Available at: Amazon.co.uk. For online journals, follow the same format as print journals, but include the DOI or the URL where the article can be accessed. For example: Taylor, S. (2021). ‘Harvard Referencing in the Digital Age’, Journal of Modern Research, 15(4), pp. 33-50. DOI: 10.1234/jmr.2021.0987. The format for websites remains the same as mentioned earlier, with the inclusion of the URL and the access date. For social media, include the author (or username), year, content of the post (in italics), platform, and the date of the post. For example: @AcademicWriterUK. (2023). The key to successful referencing is consistency. Twitter, 15 March. Advanced Harvard Referencing Techniques When you can’t access the original source and need to cite a secondary source, mention both the original and secondary source. For example: (Smith, 1989, cited in Brown, 2019). For works with multiple authors, list up to three authors in the in-text citation. For more than three, use “et al.” after the first author’s name. For example: (Jones, Smith, and Brown, 2020) or (Jones et al., 2020). If you’re citing different editions of a book, mention the edition in your reference. For example: Brown, A. (2018). Theories of Learning (3rd ed.). Oxford: Oxford University Press. If some information is missing, like the author or date, use “Anon.” for anonymous authors and “n.d.” for no date. Common Harvard Referencing Mistakes and How to Avoid Them Incorrect formatting can easily occur if you’re not careful. Make sure to follow the correct structure for each type of source, as this can significantly impact your grade. Leaving out essential details like the author’s name or the year of publication is a common mistake. Always double-check your references before submitting your work. Punctuation is crucial in Harvard referencing. Misplacing a comma or period can change the meaning of your citation. Pay attention to the details! Tools and Resources for Harvard Referencing Online citation generators can save you time, but be cautious—always double-check the generated citations for accuracy. Tools like EndNote or Zotero can help you manage your references and ensure consistency throughout your work. Many universities provide specific guidelines for Harvard referencing. Always refer to your institution’s guidelines to ensure you’re following the correct format. The Importance of Consistency in Harvard Referencing Consistency is key in Harvard referencing. Uniformity in your citations not only makes your work look professional but also enhances readability. Inconsistent referencing can confuse readers and may lead to a lower grade. Make sure your citations follow a consistent style throughout your work. Tips for Mastering Harvard Referencing Always double-check your references before submission. Small errors can add up and impact your overall grade. Keep a record of all the sources you consult. This will make it easier to create your reference list and avoid missing any citations. Using a Harvard style guide can help ensure that you’re following the correct format. It’s a handy tool for quick reference. Conclusion Mastering Harvard referencing may seem daunting at first, but with practice and attention to detail, it becomes second nature. Remember, proper referencing not only supports your arguments but also adds credibility to your work. So, take your time, be consistent, and use the resources available to you.

Level 5 | Two Endorsed Diploma | QLS Hard Copy Certificate Included | Plus 5 CPD Courses | Lifetime Access

Description Self Publishing Diploma Self Publishing Diploma online course, an intricate programme meticulously structured for aspiring writers and authors yearning to navigate the realms of self-publishing. This diploma aids participants in transforming their writing aspirations into accomplished works, ready to be shared with the world. The Self Publishing Diploma is a remarkable online course, granting learners the opportunity to acquire pivotal knowledge in a range of crucial areas within self-publishing. It embarks on an introductory exploration of the self-publishing world, offering learners a foundational understanding of the ins and outs of publishing one's work independently. This course assists participants in finding their unique niche, ensuring their work stands out in the crowded literary market. It focuses on empowering writers to discover and cultivate their distinct voice and style, paving the way for the creation of exceptional and original content. Crafting compelling narratives necessitates mastery in writing and editing, a key component of this diploma. Participants learn the subtleties of crafting, refining, and polishing their work, acquiring the skills essential for producing high-quality content. Detailed insights into the nuances of grammar, style, and coherence are offered, allowing for the enhancement of each written piece to its utmost potential. A major aspect of the Self Publishing Diploma is instructing participants in designing their books. This includes crucial elements like layout design, cover creation, and typesetting. Understanding these aspects is paramount for creating aesthetically pleasing books that attract readers. Understanding the mechanics of pricing and distribution is another critical skill acquired in this course. Participants learn to strategically price their books and explore various distribution channels, enabling them to reach a wider audience and maximise profitability. Insight into market trends and consumer preferences further aids in positioning one's book advantageously in the marketplace. In the realm of self-publishing, effectively marketing one's book is indispensable. This course provides valuable strategies and techniques for promoting books, ensuring they garner the attention they deserve. From social media promotion to book tours, learners acquire a comprehensive understanding of the myriad ways to make their work visible to the right audience. Building an author platform is a crucial aspect of this diploma, fostering connections between authors and their audience. It aids participants in establishing a robust online presence and creating a loyal readership, critical elements in the current digital age where online engagement can significantly impact a book's success. This course also extends its reach to impart knowledge on legal considerations in self-publishing, enlightening participants on copyrights, contracts, and legal protections to safeguard their intellectual properties. Moreover, lessons from successful self-publishers are integrated, offering practical insights and inspiring examples to motivate and guide learners through their self-publishing journey. Selling one's book is the final piece of the puzzle, and this diploma provides an extensive understanding of the strategies to effectively sell and promote one's work, ensuring the reach and success that every author aspires for. This course, encompassing a vast array of skills and knowledge, is delivered through a user-friendly online platform, accessible from the comfort of one's home. The flexibility and convenience of this learning environment make it ideal for those balancing other commitments, as it allows learners to progress at their own pace. To sum up, the Self Publishing Diploma is not just a course; it's a journey, a step-by-step guide, aiding aspiring writers in realizing their dreams of becoming published authors. It is a beacon for those eager to share their stories, knowledge, and ideas with the world, guiding them through every step of the self-publishing labyrinth. For anyone eager to traverse the self-publishing landscape, this diploma is the compass guiding them to their destination. What you will learn 1:Introduction to Self-Publishing 2:Finding Your Niche 3:Writing and Editing 4:Designing Your Book 5:Pricing and Distribution 6:Marketing Your Book 7:Building Your Author Platform 8:Selling Your Book 9:Legal Considerations 10:Lessons from Successful Self-Publishers Course Outcomes After completing the course, you will receive a diploma certificate and an academic transcript from Elearn college. Assessment Each unit concludes with a multiple-choice examination. This exercise will help you recall the major aspects covered in the unit and help you ensure that you have not missed anything important in the unit. The results are readily available, which will help you see your mistakes and look at the topic once again. If the result is satisfactory, it is a green light for you to proceed to the next chapter. Accreditation Elearn College is a registered Ed-tech company under the UK Register of Learning( Ref No:10062668). After completing a course, you will be able to download the certificate and the transcript of the course from the website. For the learners who require a hard copy of the certificate and transcript, we will post it for them for an additional charge.

If you are particular about word choice, and if typos and clunky sentences drive you to distraction, you may have what it takes to be a proofreader and editor. The Proofreading and Copy Editing Course is for those who want to work professionally in the proofreading and editing field. It also provides an excellent foundation for anyone who needs to Proofread and edit documents in the workplace. No manual, book, magazine, website, brochure, or business letter is sent out to an audience without Proofreading. This Proofreading and Copy Editing Bundle will prepare you for a lucrative and satisfying career in this fascinating area of business. You will be expertly trained to check, edit, and adapt the text to the highest of standards and earn yourself a substantial reputation. We'll help you gain the skills you need to get hired by publishers, business owners and curators of online content. Our professional Proofreader & editor will be there to guide you and assess your work every step of the way. Along with this Proofreading and Copy Editing Bundle, you will get an original hardcopy certificate, transcript and a student ID card. Courses are included with this Proofreading and Copy Editing Bundle Course 1: Proofreading & Copy Editing Course 2: Advanced Diploma in Copywriting Course 3: Writing Short Story Training Course 4: Certificate in CV Writing and Interview Skills Course 5: Functional Skills English Practice Level 2 Course 6: Improve English Spelling, Punctuation, Grammar and Pronunciation Course 7: Phonics Teaching Assistant Course 8: Touch Typing Essentials Course 9: Document Control Course 10: MS Word Diploma Course 11: Time Management All leading companies that produce content of any kind need to experience Proofreaders and Copy Editors. Become trained in this profession and secure rewarding roles. This Proofreading and Copy Editing Bundle Course is designed to train you quickly in all the abilities needed to perform quality control and amendments ahead of publishing. Proofreading and Copy Editing Bundle has been rated and reviewed highly by our learners and professionals alike. We have a passion for teaching, and it shows. Learning Outcomes of Proofreading & Copy Editing Copywriting: Learn about Proofreading terminology Deepen your understanding of language awareness and grammatical knowledge How to implement the style guide Learn how to spot and correct spell and grammatical errors How to master spelling and grammar How to identify the weaknesses in the text How to proofreading on paper, and proofreading on-screen Learn the different methods and techniques of proofreading The copy-editing basics, checking accuracy and facts, do legal checks, and much more Course Curriculum Proofreading & Copyediting Course 1: Proofreading & Copy Editing 01: Proofreading Basics 02: Applying the Style Guide 03: Spelling and Grammar 04: Proofreading on Paper 05: Proofreading On-Screen 06: Copy-Editing Basics 07: The Use of Language 08: Checking Accuracy and Facts 09: The Beginning and The End 10: Legal Checks 11: Finding Work and Developing Your Career ------- 10 more courses--------- How will I get my Certificate? After successfully completing the course you will be able to order your CPD Accredited Certificates (PDF + Hard Copy) as proof of your achievement. PDF Certificate: Free (Previously it was £10 * 11 = £110) Hard Copy Certificate: Free (For The Title Course) If you want to get hardcopy certificates for other courses, generally you have to pay £20 for each. But this Fall, Apex Learning is offering a Flat 50% discount on hard copy certificates, and you can get each for just £10! P.S. The delivery charge inside the U.K. is £3.99 and the international students have to pay £9.99. CPD 110 CPD hours / points Accredited by CPD Quality Standards Who is this course for? There is no experience or previous qualifications required for enrolment on this Proofreading and Copy Editing Bundle. It is available to all students, of all academic backgrounds. Requirements Our Proofreading and Copy Editing Bundle is fully compatible with PC's, Mac's, Laptop, Tablet and Smartphone devices. This course has been designed to be fully compatible on tablets and smartphones so you can access your course on wifi, 3G or 4G. There is no time limit for completing this course, it can be studied in your own time at your own pace. Career path Proofreading and Copy Editing Bundle would be beneficial for any related profession or industry such as: Newspaper editor Copywriter Publishing Proofreading business Reporter English teacher Certificates Certificate of completion Digital certificate - Included

Level 3 QLS Endorsed Diploma | 120 CPD Points | +Gifts: QLS Certificate + PDF Certificate | 24/7 Learner Support