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21 Educators providing Creativity courses in Shoreham-by-Sea

The Offer Bank

the offer bank

5.0(3)

Brighton

‘Yes’ is to accept an ‘offer’. ‘And’ is to build on that offer. ‘Yes’ is to agree to be on a threshold. ‘And’ is to step over that threshold and offer, receive or discover new information. When we improvisers say ‘Yes, And’ to an offer, we allow for divergent (aka ‘blue-sky’) and creative thinking that follows the points of interest and engagement in a conversation, rather than following a pre-written agenda. It also makes sure – because we always accept the ‘Yes’ and specifically build on that ‘Yes’ with our ‘And’ – that everyone remains on track and on topic, without any wild or left-field or non-relevant additions. It also means there are no denials or blocks and, equally, there are no wildly disparate or ‘out there’ suggestions. So by creating an environment without blocks, wild tangents or stagnant thinking, ‘Yes, And’ keeps a group on topic, imaginative and in flow. Improvisers acknowledge that many people (ourselves included), prefer to say ‘No’ or ‘Yes, But’. Saying ‘No’ makes humans feel more in control and safe. “Shall we try this new thing?” “No!” (I’m busy, it’s untested, there’s good reasons not to – and essentially, it feels safer to say “No”). Saying ‘Yes, But’ makes humans feel more in control and safe – and sometimes a bit cleverer. “Shall we try this new thing?” “Yes, But… Before we do, I can see and will now list a number of clever reasons why it might not work.” (I’m in control of my fear and the possibility of the unknown. I sound open to it but essentially, I might not like it, so it feels safer to say “No”). However, we are programmed, as humans, to keep ourselves safe. So we can afford to go with the flow a bit more often and to work our ‘accept and build’ muscles. When we get in the habit of saying ‘Yes, And’, it guarantees more focused, meaningful conversations, clearer routes to creativity, better teamwork. It puts more options on the table. Even better, it encourages imaginative connections instead of competitions involving egos. It’s good for rapport. It means we think fast and shiny. It’s the clearest route to pure play. And play is key. Play where we imagine, invent, create, and solve. Play is how and where we humans human to our best potential.

Wolfram Lohr Workshop Showroom

wolfram lohr workshop showroom

5.0(7)

Hove

Wolfram Lohr, has been working with leather for over 20 years after initially learning shoe making with various shoe makers in Brighton. He branched out to create an accessories range of luxury handmade leather goods soon after seeing a need for good quality, long lasting and stylish products for his customers. The brand has grown from a one man band to a partnership between Wolfram and Sarah Gardner, together with their team, they run their successful business and leather making courses from their eclectic studio in Hove. Wolfram has also grown in the UK craft scene and has been exhibiting at fairs and trade shows for several years, travelling to the USA, Paris, Frankfurt and London. Wolfram draws creativity from bringing old and new together. He has a passion for traditional leather crafts and his own personal collection of vintage objects, from leather bags to hats and clothing, is a constant source of inspiration. He takes shapes from vintage products and adapts them into modern accessories, creating a balance between functionality and contemporary design. His current product range consists of strong belts, wallets, stylish handbags, beautiful rucksacks, messenger bags and desk items. All Wolfram Lohr products are handmade using high quality, traceable, Italian vegetable tanned leather and is created with a passion for quality and strength. They are made to last gaining more character as time goes on. Each product is also stamped and dated with an individual reference number, this highlights the artisan qualities and makes the product unique for each customer. We recognise the importance of slow fashion, sustainability and small batch production and we strive to bridge the gap between mass production and the craft person.

Smikle Dance Studio

smikle dance studio

5.0(22)

Hove

My Friendly Neighbourhood Dance Studio. As someone who as been teaching and working alongside children and young people for 25 years, I genuinely believe I have the most privileged and fun job in the world. Being an educator and innovator through dance and movement has not always been straightforward; however, the rewards have always far outweighed any struggles. Simply seeing a kid dart across the floor smiling, creating a silly move, or an aspiring dancer suddenly find their confidence to shine. Priceless. Teaching and nurturing the next generation is a responsibility I don’t take for granted. These dancers are someone’s son or daughter, and it’s a teachers job to guide them and do right by them. I’ve always seen teaching as a two way learning stream; me teaching and inspiring the dancers, and in return the dancers inspiring and teaching me. Over the years, I’ts been a blessing to have met and worked alongside talented young people and professionals and been involved in some unforgetable creative projects and performances. These life changing experiences drive me to keep creating and sharing this energy with other children and young people. Having to evolve, think on one's feet and reflect on how to approach a project, a personality, or simply, how best to deliver the next class is an educator's creative responsibility. Being a dancer and teacher taught me to be innovative, present, and reflective and surrounded me with laughter and creativity. All of the above is not only positive for my mental health and well-being but reflected in the children, young people, and now adults I teach at Smikle Dance Studio. My vision for Smikle Dance Studio was to create a friendly and welcoming space where my personality and body of work could continue to flourish and grow. I feel like my studio is me. My years of experience as a dancer, performer and teacher blend into one environment shared with the local community, my SYD dancers, my fantastic team and my professional teachers.

Bradwell Blacksmiths - The Iron Lady

bradwell blacksmiths - the iron lady

Worthing

Natalie Bradwell is The Iron Lady, taking on any job in metal, except cars and horseshoes!  From working on docks and muddy sites, to breweries and farms, to chaotic sculpture studios and workshops, The Iron Lady has gained a range of experience in a short time. Spanning food, agriculture, oil and gas, manufacturing and arts industries – thanks to her ability to see metal as a material and communicate with clients how metal works for them. This obsession with metals; steels, copper, aluminium etc, the chemistry of change and our ability to manipulate are what drives Natalie to search for the next challenge and the next opportunity to learn. After some 15 years of experience, The Iron Lady frequently undertook private work whilst working for other companies – it all started with a falling down hay store with a salvaged forge, anvil, table, stick welder and grinder, and a trusty van. Now at her third workshop, Bradwell Blacksmiths is finally a full time concern, apprentice in tow and a light industrial workshop which is also a place of learning, experimentation, art and creativity. Most recently, The Iron Lady has started running courses in welding, fabrication, metalwork and blacksmithing, for beginners, companies and those wanting to improve their existing skills. With space and equipment for 4 people at a time, Natalie is now sharing what she has learnt from all the craftsmen and women from her past metal adventures. And so to many more adventures in metal for The Iron Lady!

Liz Lilley

liz lilley

Brighton

Liz is passionate about supporting and empowering people to move through areas of restriction in their lives. When we are recognised, witnessed, and understood as individuals, in a safe, non-judgemental space, we can integrate all the strengths and vulnerabilities we encompass. Experiencing a compassionate relationship is a foundation to be able to identify, feel and heal the challenges you face, be the best version of yourself, whatever that may look like, and thrive.   Liz Lilley is a Humanistic Psychotherapist, Massage Therapist and Breathwork Facilitator. She also  provides Psychedelic-Assisted Therapy on Clinical Trials using psilocybin in the UK, integrating her professional experience from all her passions into her therapeutic practice. After many years of working with the body and witnessing the somatic release of trauma Liz went on to study psychotherapy in order to bring her knowledge of the mind-body in line with her experiences.  She has supported thousands of people through bodywork and counselling yet felt there was a missing piece of the puzzle to her offerings. Then she discovered simple and powerful breathwork techniques, had some deeply profound personal experiences and went on to become a trained Breathwork Facilitator, completing the puzzle.  Liz now holds group and one-to-one sessions online and in-person combining these practices to enhance the healing potential of unifying Body, Mind and Breath. Liz has an ongoing interest in expanded states including breathwork, meditation, psychedelics and shamanic journeying as tools and openings that enhance self-awareness, creativity, connection and therapeutic release. Her experiences in these practices have informed her focus on the integration of her client’s exploration into the Body, Mind and Breath.  She believes that with focus, intention and integration we can prolong the benefits of the work we do on ourselves. Liz has held sharing circles, worked in young people’s mental health and with refugees and has supported people who have experienced domestic abuse and homelessness. Liz developed a special interest in working as a Psychedelic-Integration Psychotherapist and is on the Advisory Board and is the Project Lead for Growthful Networks, the community area for the Institute of Psychedelic Therapy as well as a registered practitioner on their database. She has also faciltated breathwork sessions for the therapists training for the DMT for Depression clinical trial and provides Psychedelic-Assisted Therapy on clinical trial research for psilocybin for mental health conditions.